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München 1902: Obwohl die Freundinnen Lulu, Elsa und Fanny es mittlerweile an die Medizinische Fakultät geschafft haben, werden sie dort keinesfalls mit offenen Armen empfangen. Vor allem die schlaue Fanny ist ihren männlichen Kommilitonen ein Dorn im Auge. Lulu versucht neben Vorlesungen und Sezierstunden, das dunkle Geheimnis ihrer schwerkranken Freundin Änny zu ergründen

New York, 1882. Amy Eaton is a bestselling authoress and celebrity figure, much to the embarrassment of her aristocratic family, who deem her professionalism as a lowering in their social standing. Despite her family’s undisguised disdain of her, Amy is bound by a promise she made to her dying mother: to look after her two sisters and father in her mother’s absence. Eight years have passed since Amy gave up the love of her life, after being persuaded not to marry him by her mother’s best friend. But now Wareham is back, a rich, self-made man in search of a wife.

1945, Sunderland. Ida Boulter makes the heart-wrenching decision to leave her five children behind as she escapes her husband and moves to London to start afresh with the love of her life. 1953, County Durham. Ida’s children have since built a new life in the beautiful home of Cuthford Manor – looked after by their eldest sibling Angie and her husband. But their world is about to be rocked once again when their mother turns up out of the blue for the first time in eight years.

She's a waitress. He's a chef. They used to be best friends, but now, they're in love and living together in a studio apartment. She's also a selkie, Odysseus, and a cowgirl called Quick Fingers. He's a really good man. When he asks her to marry him, Hero panics. She is lots of things but one thing she doesn't want to be is anybody's wife.

تحكي الثلاثية قصّة عائلة عبد الجواد والتى يقودها رجل تاجر صارم يدعى أحمد عبد الجواد، حيث يبقى زوجته وبناته فى عزلة عن المجتمع ليعيش هو بالمتعة الكاملة فى شوارع القاهرة، ولديه خمسة أولاد يشاركون فى النضال من أجل العثور على هويتهم الخاصة فى ظل حكم نظامين صارمين؛ سلطة الوالد ونظام الاحتلال البريطاني.

Tasmania, 1874. Growing up in the impoverished tenements along the Hobart Rivulet, Harriet Brown is used to doing whatever it takes to survive. Including, at just twelve years old, shearing off her hair and pretending to be a boy to secure a job as label-paster at the George Peacock and Sons jam factory. Four years later, the deceit becomes too much to bear and Harriet risks everything on the chance at a future with her ambitious friend and workmate Henry Jones. But this decision forces her into a new deception: play the role of expert jam maker, or else be cast out onto the streets.

Thirty-five-year-old Arabella, a New York theatre director whose dating and career prospects are drying up, is offered an opportunity to direct a risqué cross-dressing interpretation of a Shakespeare classic—that might garner international attention—in the West Bank. Her mother, Naya, and grandmother, Zoya, hatch a plot to match her with Aziz, a Palestinian American doctor volunteering in Gaza. Arabella agrees to meet Aziz, since her growing feelings for Yoav, a celebrated Israeli American theatre designer, seem destined for disaster.

When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well. The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart, that's exactly what they get.

Deep in the vastness of the great plains, fate brings together a reclusive chemist and a mysterious woman who emerges from the boundless forest surrounding his mountain cabin. Their lives intertwine as they discover a connection to the power of nature and a shared past far more improbable than they had ever imagined.

The Better Part of Worse is a gripping family saga that explores the meaning of family, the devastation of mental illness, the resilience of love, and the enduring hope that survives even the most overwhelming challenges. Set against the backdrop of the 20th century’s most tumultuous decades, the story follows Jamie Murphy, a former seminarian turned family man, as he grapples with his wife Katie’s mental illness in the late 1920s. For three decades, Jamie and his daughters hold on to the faint hope of Katie’s recovery.

“The Crossroads of Yesterday” is based on the life of a young woman who from age five begins suffering unrelenting nightmares and disturbing daydreams. She can neither live in the present nor move into the future, so she journeys to a past life, never resolved, where those she loved most, her husband and two children, were torn from her, and whose fate she never knew before she died.

When Conor’s dream for Castle Dysert is facing ruin by circumstances outside his control he refuses to be beaten. Surely there must be a way to save everything they’ve worked so hard for? Then, as all hope seems lost, a solution in the form of a reality TV show called ‘Grandma says we’re Irish’ presents itself. The producers are convinced Conor is just the man they need to host the show, and what better setting than the gorgeous castle, but is will this new venture save Castle Dysert or destroy it?

The Pig Farmer’s Wife drops the listener into the Second Wave of Feminism—a time when women were prohibited from managing their own finances, acquiring a bank loan, or owning a credit card in her own name. It was a brave woman who dared to express opinions that differed from her husbands, and unheard of for a woman to begin a business of any type, let alone an all-female owned and operated one. Coincidentally, it was also when the birth control pill was introduced to the nation, and that changed everything, because for the first time in history, women had the ability to plan her family size.

Arianna e la sorella Fedra, principesse di Creta e figlie del temuto re Minosse, crescono ascoltando riecheggiare il rumore degli zoccoli del fratello, il Minotauro, nel labirinto costruito sotto il palazzo. Ogni anno, quattordici giovani ateniesi vengono sacrificati per placare la fame del mostro. Quando il principe Teseo giunge a Creta per immolarsi alla creatura, Arianna si perde nei suoi occhi verdi e se ne innamora follemente. Ma aiutarlo a scappare dal labirinto significherebbe tradire la famiglia e il regno, e la ragazza conosce fin troppo bene le implicazioni di un gesto simile.

Imago este ultimul stadiu în metamorfoza unei insecte, în care aceasta atinge maturitatea, fiind aptă de a se reproduce. Pentru Ludmila Ulițkaia, termenul devine o metaforă care străbate întregul roman și sugerează maturizarea morală a ființei umane. O construcție epică impresionantă, în care tragedia e mereu subminată de elementele comice, un mare roman despre iubire, destine și caractere, Imago acoperă peste o jumătate de secol de istorie, de la funeraliile faraonice ale lui Stalin până la moartea poetului exilat Iosif Brodski.

1847. Tiefste Armut ist in Irland allgegenwärtig. Der Kartoffelpilz breitet sich rasend schnell aus und verwandelt hunderttausende Hektar Acker Kartoffeln–die Hauptnahrungsquelle der Iren–in einen übelriechenden Brei. Eine noch nie dagewesene Hungersnot trifft die Bevölkerung–der Tod hält reiche Beute.

"Про что кино?" – заключительная часть трилогии о жизни в знаменитом Толстовском доме. Новому поколению предстоит разобраться в семейных ценностях и понять, что в этой жизни действительно важно. Когда эпоха подходит к концу, мир вокруг рушится, а впереди только темнота неизвестности, есть ли семья, которой не коснутся перемены? Которая сохранит свои отношения и не изменится под давлением обстоятельств? Вряд ли. Даже у самой успешной принцессы (достаток, карьера, супруг-профессор) карета превратится в тыкву. Проблемы уравняют ее с подругой, у которой долги, коммуналка и муж-неудачник.

Lovisa Broman is the cherished daughter of a government minister who, unusually, nurtured and educated her to succeed him. When Lovisa's father suddenly dies, everything changes. She and her mother are forced to flee from Stockholm to a castle in the countryside, where her mother will remarry to secure their future. But once there, everything takes a whole new turn, while Lovisa is irresistibly drawn to the young coachman…

The Korsan Empire is on its last legs, but to finish them, Nathan Scott must cross one ethical line in order to avoid crossing another. It seems there are enemies everywhere, and some of them are hidden in unexpected places.

In the foothills of the Himalayas, the picturesque mountain village of Poshkarbal is home to lush cherry and apple orchards and a thriving community—one divided by a patrolled border. Aisha and her mother Noorjahan live on the outskirts—two women alone in a world dominated by men. As the village midwife, Noorjahan teaches Aisha how to heal using local herbs and remedies. Isolated but content, Aisha is shocked when Noorjahan decides it is time for her to attend the village school as few girls do.