検索キーワード： 著者 "Daphne du Maurier" すべてのカテゴリー

On a trip to the South of France, a shy young woman falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband's home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.

'There was Manderley, our Manderley, secretive and silent as it had always been...Time itself could not wreck the perfect symmetry of those walls, nor the site itself, a jewel in the hollow of a hand.' When Maxim de Winter brings his shy new bride to his beautiful stately home on the Cornwall...

The fourteen haunting stories in this collection span the whole of Daphne du Maurier's writing career and explore every human emotion: an apparently happily married woman commits suicide; a steamer in wartime is rescued by a mysterious sailing-ship; a dull husband breaks loose in a surprising fashion; a con woman plays her game once too often; and a famous novelist looks for romance, only to meet with bitter disappointment.

The multi million copy bestseller that has enthralled generations of readers. A haunting tale of obsessive love. A mesmerizing psychological thriller. In Monte Carlo, our unnamed heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned...

This collection showcases the budding talent and fierce imagination of Daphne du Maurier, before she went on to write one of the most beloved novels of all time. In these tales of human frailty and obsession, a waterlogged notebook washes ashore, revealing a dark story of jealousy and passion; a vicar coaches a young couple divided by class issues, and an older man falls perilously in love with a much younger woman. Each tale demonstrates du Maurier's extraordinary storytelling gifts and her deep understanding of human nature.

John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest, they become caught up in a train of increasingly strange and violent events.

On her eighteenth birthday, Honor Harris meets Sir Richard Grenvile: he is proud, reckless—and utterly captivating. They have a rare connection, and with her beauty and sharp wit, she intrigues him too. But days before their wedding, tragedy strikes and Honor must reconcile herself to a life alone. Fifteen years later, war forces Honor to shelter with her sister at the Cornish estate of Menabilly. There, she meets Richard, who has risen through the ranks to become a general in the king's army. 

Rebecca is widely regarded as Daphne du Maurier's finest novel. It tells the story of Manderley, an exquisite house with gardens down to the sea; its owner Max de Winter; and his new young wife. And, of course, Rebecca...

Sur la Côte d'Azur, une jeune femme peu sûre d'elle, la narratrice, tombe amoureuse du très riche Maximilien de Winter, d'un rang social plus élevé qu'elle. Ils se marient et partent vivre à Manderley, célèbre et magnifique manoir en Cornouailles. Mais la "présence" invisible de Rebecca, la précédente épouse de Maximilien, est immédiatement perceptible, comme de son vivant, lorsqu'elle dominait le ménage et la maisonnée.

Lady Dona St Columb seems to revel in scandal: she is involved in every intrigue of the Restoration Court. But secretly, the shallowness of Court life disgusts her, and in her heart she longs for freedom and honest love. Retreating to Navron, her husband's Cornish estate, she seeks peace and solitude away from London. But Navron is being used as the base for a French pirate, an outlaw hunted all over Cornwall. Instead of feeling fear, Dona's thirst for adventure has never been more aroused; in Jean-Benoit Auéry she finds a sensitive man who would, like her, gamble his life for a moment's joy.

In Regency London, the only way for a woman to succeed is to beat men at their own game. So when Mary Anne Clarke seeks an escape from her squalid surroundings in Bowling Inn Alley, she ventures first into the scurrilous world of the pamphleteers. Her personal charms are such, however, before long she is noticed by the Duke of York. With her taste for luxury and power, Mary Anne, now a royal mistress, must aim higher. Her lofty connections allow her to establish a thriving trade in military commissions, provoking a scandal that rocks the government and brings personal disgrace.

Amid the reflections and twisting alleyways of Venice, a grieving couple are haunted by the past. On a sharp December day, the wind changes—and the birds begin to gather. A group of wartime scientists attempt to capture the power of death, an eye operation reveals a monstrous reality, and a woman returns home to find she doesn't exist.

When Dick Young's friend, Professor Magnus Lane offers him an escape from his troubles in the form of a new drug, Dick finds himself transported to fourteenth-century Cornwall. There, in the manor of Tywardreath, the domain of Sir Henry Champerhoune, he witnesses intrigue, adultery and murder. The more time Dick spends consumed in the past, the more he withdraws from the modern world. With each dose of the drug, his body and mind become addicted to this otherworld and his attempts to change history bring terror to the present and put his own life in jeopardy.

Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip's world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries. Then he suddenly dies in suspicious circumstances.

Dick Young is lent a house in Cornwall by his friend Professor Magnus Lane. During his stay he agrees to serve as a guinea pig for a new drug that Magnus has discovered in his scientific research. When Dick samples Magnus's potion, he finds himself doing the impossible: traveling through time...

Based on diaries that she kept from 1920-1932, the most famous du Maurier probes her own past, beginning with her earliest memories and encompassing the publication of her first book and her subsequent marriage. Here, the writer is open and sometimes painfully honest about the difficult...

A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world.

Nadie que conozca la película basada en esta novela podrá olvidar la voz en off que recita la frase inicial de la obra más lograda de Daphne du Maurier: Rebeca. Así comienzan los recuerdos de la segunda señora De Winter, que la transportan de nuevo a la aislada y gris mansión situada en la húmeda y ventosa costa de Cornualles. Con un marido al que apenas conoce, la joven esposa llega a este inmenso predio para ser inexorablemente ahogada por la fantasmal presencia de la primera señora De Winter, la hermosa Rebeca, muerta pero nunca olvidada.

Daphne du Maurier (May 13, 1907-April 19, 1989) was an English novelist, biographer and playwright. Many of du Maurier's novels have been successfully adapted into films, including the novels "Rebecca," "Frenchman's Creek," "My Cousin Rachel" and "Jamaica Inn," and the short stories "The Birds" and "Don't Look Now". Du Maurier spent much of her life in Cornwall, England, where most of her works are set. As her fame increased, she became more reclusive. The following audio is from a tv interview in 1971 and 1977.

FROM THE BESTSELLING AUTHOR OF REBECCA 'His first instinct was to stretch out his hands to the sky. The white clouds seemed so near to him, surely they were easy to hold and to caress, strange-moving things belonging to the wide blue space of heaven . . . ' Julius Levy grows up in a peasant...