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How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least 30 years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture.

The dissolute Falstaff plans to seduce Mistress Ford and Mistress Page, two "Merry Wives of Windsor," there by gaining access to their husbands' wealth. The two women have the old rogue's measure, however, and Falstaff's plots lead only to his own humiliation. But the merry wives themselves fall prey to plotting as their plans to prevent Mistress Page's daughter Anne from marrying the young man she loves are frustrated in their turn.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

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This shattering drama of isolation and loss is one of the greatest tragedies in world literature. King Lear of Britain has three daughters: the hard-hearted Goneril and Regan, and the good and gentle Cordelia. He determines to divide his kingdom between them, giving the largest share to she who can say she loves him the best. Lear's tragic lack of judgment and self-knowledge is paralleled by the blindness of the loyal Gloucester who is persuaded to reject his virtuous son, Edgar, in favor of the villainous Edmund.

Written in 1593, King Richard III is one of Shakespeare's earliest plays. This play differs from its predecessors, being amore structured piece, examining the development and motivations of a single character, Richard Duke of Gloucester, who will stop at nothing to gain control of the throne occupied by his brother Edward IV.

A collection of BBC Radio 3's iconic Shakespeare productions: six tragedies with all star casts including Michael Sheen, Juliet Stevenson, Kenneth Cranham, Corin Redgrave, Ken Stott, Geraldine James, Bill Wallis, Siân Phillips and Sophie Dahl.

The secret of their identities has fueled debate for hundreds of years: Who are the nameless nobleman and the dark-haired mistress? And what did they do to inspire the creation of more than 150 deeply intimate poems? Whether William Shakespeare's sonnets are pure fiction or the lingering echo of an autobiographical account, this exquisitely written collection defied traditional love poem conventions to explore the many layers of romance, the dangers of lust, and the nuances of beauty.

Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.

At the heart of this tragic history is one of Shakespeare's most noble characters, the statesman Brutus, who is caught in a devastating conflict between private affection and public duty.

Julius Caesar has become the most powerful man in the Rome. Does his power now threaten the very existence of the Republic itself? A conspiracy is hatched, one that will have fatal consequences not only for Caesar and the conspirators but for the future history of the ancient world.

Young King Henry VI has married the beautiful Margaret of Anjou but the new queen is ruthless and ambitious. Supported by the powerful Duke of Suffolk, Margaret plots the overthrow of her enemies, chief among them the Duke of Gloucester. But the Duke of York also aspires to the crown, and the common people, led by Jack Cade, are in rebellion. To the despair of the mild young king, England descends into civil war.

In Shakespeare's most controversial play, the opposing values of justice and mercy must be resolved. Antonio promises money to help his friend Bassanio woo Portia. He borrows the sum needed from the cruel Shylock, but there will be a dreadful penalty if the loan is not repaid. The golden world of Portia's Belmont calls forth some of Shakespeare's most lyrical love poetry. But the dark shadow of Shylock is never far from the heart of this brilliant comedy as it moves toward its courtroom climax.

Blackstone Audio presents An American Family Shakespeare Entertainment: Based on Charles & Mary Lamb's 20 Tales From Shakespeare, augmented by miscellaneous scenes and soliloquies from Shakespeare's plays, featuring Elizabethan songs and dances in new arrangements for stringed instruments.

Twelfth Night, nowadays one of Shakespeare's best-loved and most-admired comedies, was not always so regarded: Samuel Pepys saw the play three times in the 1660s and judged it 'silly'. Modern audiences, critics, and directors seem better attuned to its delicate counter pointing of romance and realism....

"In a remarkable performance, Flynn laughs, jokes, and calls O'Hea to task when he's wrong--all sounding very much like the famous Dench...The final segment has Dench (in her own voice) and O'Hea engaged in friendly, very funny, squabbling. Informative, educational and altogether brilliant...

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

This highly entertaining anthology of verse is the comic, tragic, tender, and telling story of life's seven ages, from childhood to old age. Within the framework of Shakespeare's speech, "The Seven Ages of Man," performed by Sir Ian McKellen, are 150 great poems from all ages, from Chaucer to Emily Dickinson to Walt Whitman and many others. The poem are presented by the finest cast ever assembled on one recording and includes Ralph Fiennes, Dame Judi Dench, John Cleese, Michael Caine, and more.

This classic Shakespearean comedy is presented here in a colorful full-cast dramatization, drawn from the complete text and starring Warren Mitchell, Michael Maloney, and Sarah Woodward.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.  

How did Shakespeare sound to the audiences of his day? For the first time, this audio offers listeners the chance to hear England's greatest playwright performed by a company of actors using the pronunciation of his time. Under the guidance of Ben Crystal, actor, author of Shakespeare on Toast, and an expert in original Shakespearian pronunciation, the company performs some of Shakespeare's best-known poems, solo speeches, and scenes from the plays.