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Candide, the illegitimate nephew of a German baron and student of eternal optimist Pangloss, is living a simple and sheltered life in "the best of all possible worlds." But when Candide falls in love with the wrong woman, his uncle's young daughter, he is exiled from the baron's castle and suffers great tragedy and catastrophe, which leaves him disillusioned and questioning the goodness of the universe.

This classic comedy is set in the charming country home of Charles Condomine, a remarried widower. A witty and convivial evening party among friends is transformed when a seance conjures the ghost of Elvira, Charles' first wife, who delights in wreaking havoc among the living. An enchanting Coward comedy!

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

"I've experienced a whole lot the last few years and I have a lot to share. So I hope that you'll take a moment to sit back, relax and enjoy the words I've put together for you in this book. I think you'll find I've left no stone unturned, no door unopened, no window unbroken, no rug unvacuumed, no ivories untickled. What I'm saying is, let us begin, shall we?" (Ellen DeGeneres)

No longer in master Bertie Wooster’s employ, Jeeves is engaged with a new employer, Lord "Chuffy" Chuffnell, an old friend of Bertie’s. True to form, thus follows a supreme comedy of errors which is guaranteed to raise many a chortle, as Wooster travels to one of Chuffy’s cottages in Dorset to carry on his banjolele practice in (dubious) peace.

In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then, a neighbor, Big Foot, turns up dead. Soon, other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind....

In Flatland, originally published in 1884, a humble square describes his two-dimensional world to benefit the inhabitants of Spaceland, the three-dimensional realm he discovers when he is visited by a being from beyond his plane. With dry wit and wild imagination, author Edwin Abbott Abbott builds a meticulous fantasy world rooted in an astute apprehension of psychology, politics, and social structures, as well as basic geometry. The story of Flatland, at once ridiculous and profound, delivers an incisive satire of social discourse that remains remarkably relevant today.

A Parody Outline of History is hilarious but scathing anti-war satire of The Outline of History (1920) by H. G. Wells, written by Donald Ogden Stewart, in the styles of popular authors of the day, and first published in 1921 only a year after World War I ended. This ear-popping audio dramatization was produced and voiced by Joe Bevilacqua (aka Joe Bev) - enhanced with music and sound effects - in the style of the popular performers of 1920s and 30s, including The Marx Brothers, Laurel and Hardy, Jack Benny, W.C. Fields, Gary Cooper, and John Wayne.

When Ollie Sweet is very publicly dumped by ‘The One’, his seemingly perfect world dissolves into misery, self-pity, and a bizarre rooftop meeting with a suicidal man in flip-flops. While most would seek out the support of loved ones at such a torrid time, natural-born journalist Ollie asks the subscribers of his website: how did they get over their failed relationships? When Ollie follows some of their more extreme advice, chaos inevitably ensues.

When Sam’s wife first tells him about Vitek, a twenty-first-century fertility lab, he sees it as the natural next step in trying to help their future child get a “leg up” in a competitive world. But the more Sam considers the lives that his child could lead, the more he begins to question his own relationships and the choices he has made in his life.

Ben Riggs says he loves me. He says he hasn't stopped thinking about me since he broke my heart and chased me out of town all those years ago. I say, liar liar pants on fire. And boy, do those bright yellow, flame-resistant fireman pants look good on him. I'm aching to feel those big, rough hands clenching on my hips and to collect on the illicit promises burning in his dark blue eyes. Self-control goes up in flames every time he flashes that arrogant smile. So I give in - because a woman has needs. (Am I right, ladies?) He can have my body, but my heart is off-limits.

Contemptuous of their parents, who pass their days in a stupor of liquor, drugs, and sex, the children feel neglected and suffocated at the same time. When a destructive storm descends on the summer estate, the group's ringleaders - including Eve, who narrates the story - decide to run away, leading the younger ones on a dangerous foray into the apocalyptic chaos outside.

No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the Chicago ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best. The characters in Then We Came to an End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks.

Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect, and to 15-year-old Bee, she is a best friend and, simply, Mom. Then Bernadette disappears. It began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle - and people in general - has made her so agoraphobic that a virtual assistant in India now runs her most basic errands.

B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider - a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur 90 years to complete, B. knows that it is his mission to show it to the rest of humanity.

Meet Lance. 38-years-old. Works a meaningless job. Still lives above his parents’ garage. By all accounts, a world-class loser. Except for one glaring exception… he has a million-dollar face. Lance has been mistaken twenty-eight times for the Oscar-winning movie star, James Jansen, and for the last 10 years, he’s saved his money, studied Jansen’s films, his moves, his idiosyncrasies, even the way he speaks. Now, after an unceremonious termination from his job, Lance has decided that the time has come to go after his dream.

One of the first major American novels to satirize the political milieu of Washington, and the wild speculation schemes that exploded across the nation in the years that followed the Civil War, The Gilded Age gave this remarkable era its name. This rollicking novel is rife with unscrupulous politicians, colourful plutocrats, and blindly optimistic speculators caught up in a frenzy of romance, murder, and surefire deals gone bust.

My name is Kitty Collins and I’m a serial killer. I don’t want to kill. It’s just so hard to resist. Some men really, really deserve it. Men like Blaze Bundy, an anonymous influencer spreading misogyny online. He’s making it very hard for me to control my murderous urges. Meanwhile I’m in the South of France to watch my mother getting marry a man I’ve never met. I should be drinking cocktails and focusing on my tan, not plotting a murder. But a woman’s work is never done.

Someone wants to murder Princess Melilot. This is sadly normal. Melilot is sick of being ordered to go on dangerous quests by her domineering stepmother. Especially since she always winds up needing to be rescued by her more magically talented stepsisters. And now, she's been commanded to marry a king she’s never met. When hideous spider-wolves attack her on the journey to meet her husband-to-be, she is once again rescued—but this time, by twelve eerily similar-looking masked huntsmen.

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby—whom Nick had idolized at Oxford—and Catherine, who is highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family.