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A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world.

Roos Beckman has a spirit companion only she can see. Ruth—strange, corpse-like, and dead for centuries—is the light of Roos' life. That is, until the wealthy young widow Agnes Knoop visits one of Roos' backroom seances, and the two strike up a connection.

Heather Morell is haunted. Otherworldly nightmares and monstrous hallucinations lurk around every corner, relics of childhood bereavement and schizophrenia. Until she meets Evelyn and Raine—a bad-tempered mage and her self-proclaimed bodyguard—and learns that she’s not insane after all. The monsters she sees are all too real, the god-thing in her nightmares is teaching her the secrets of creation, and her twin sister—the lost girl who supposedly never existed—might still be clinging on, a dwindling soul somewhere beyond the walls of reality, Outside.

Things are not going well for Elizabeth Cage. It all started with the Christmas she can't quite remember. There's blood on her doorstep every morning. Something unpleasant is heading her way. And then there's the sinister note threatening her life. The one that seems to have been written by Elizabeth herself . . .

A young graduate student travels to Walden Pond expecting to find inspiration in the quiet solitude but instead finds something eerie and malevolent living deliberately in Thoreau's woods. When graduate student Aine Cahill uncovers a journal proving that her aunt Bonnie was an intimate companion of Henry David Thoreau during his supposedly solitary sojourn at Walden Pond, she knows that she has found the perfect subject for her dissertation. She decides to travel to Walden Pond herself to hunker down and work on her writing, but it quickly becomes clear that all is not as it seems....

From the cramped bowels of a dimly lit radio station, Ghost Radio is beamed onto the airwaves. More than a call-in show to tell scary stories, Ghost Radio is a sanctuary for those sleepless denizens of the night, lost halfway between this world and the next. Joaquin, the host, slowly he finds himself unable to distinguish between the real world and the world populated by the nightmares on Ghost Radio.

Chelsea Iversen's THE WITCHES AT THE END OF THE WORLD is a speculative novel set in 17th-century Norway about two sisters who find themselves at odds when one incites a dangerous curse against the village where their mother once lived; but you can't take back dark magic once it's been released, and they know, like their mother before them, that someone will have to burn—they are witches, after all.

Noah Fairchild has been losing his formerly polite Southern parents to far-right cable news for years, so when his mother leaves him a voicemail warning him that the “Great Reckoning” is here, he assumes it’s related to one of the many conspiracy theories she believes in. But when his own phone calls go unanswered, Noah makes the long drive from Brooklyn to Richmond, Virginia. There, he discovers his childhood home in shambles, a fridge full of spoiled food, and his parents locked in a terrifying trance-like state in front of the TV.

When Rose gains a promotion at work and relocates the family from Texas to Salem, Massachusetts, it is 9-year-old Mia who suffers. Her father works in the Alaskan oil fields for seventy percent of the year and Rose's new job means her daughter is neglected, and often the target of her mother's frustrations.

El Paso, Texas: There have been strange sightings in the foothills of the Franklin Mountains. Hunters and hikers alike have reported seeing a young girl wandering the scrub, accompanied by a pack of coyotes and stray dogs. Rabbits and mule deer have been found mutilated, drained of blood, their throats ripped open.

Try as she might, anthropologist Marcella Gibbons can't escape the fact that she's a dimidium, one half of a formidable pair of Magicians, forever tied together to enable the other's powers. After a tumultuous final year at Seinford and Brown College of Agriculture (and Magic) in rural New Mexico, Cella felt more than a little uneasy about returning to the sun-drenched desert campus ever again. She'd cut ties with her other half—the charming and rugged rancher Max Middlemore—and sworn off Magic, academia, and heartache for good.

It’s winter at the Werth residence, and someone has turned up dead. Not that this is unusual. There’s Great-Aunt Honoria on the premises, after all. Only this corpse is freshly dead, and nobody knows how the lady came to be leaking blood all over Lady Werth's best parlour. The disastrous Miss Gussie confesses herself delighted, for nothing enlivens a dull week in February like a mysterious murder. And the culprit really ought to be discovered, for the circumstances suggest Lord Bedgberry might have had something to do with it…

If Janet Chow hadn’t been such a jerk to everyone at Sewanhaka High, they might have voted her Most Likely to Succeed. Twenty-plus years later, life hasn’t turned out how Janet expected. She’s rudderless, her career in journalism crashed, burned, and buried. How did it come to this? But then one day, Janet recognizes her mortal enemy from high school—Pam Kowolski! Somehow, Pam’s become America’s manic pixie sweetheart, an online psychic predicting the end of the world. Pam’s rich, hawt, and famous, meanwhile Janet looks... middle aged. How did this happen?

Campfire Stories to Tell in the Dark is a whispered invitation to step into the cracks, where appearances crumble, and normality quietly breaks, making room for the unexpected. It’s a slow, silent descent into the shadowy corners of psychological horror, where fear doesn’t scream, but slips in. Where every story starts with something familiar… then twists, silently shedding its skin before your eyes.

From Nick Roberts, the best-selling author of The Exorcist's House and Anathema, comes fifteen dark tales that are as horrific as they are moving. Witness absolute evil in “Sally Under the Bed” and “It Haunts the Mind.” Endure vengeance and violence in “The Noose” and “The Bitter End.” Face the realities of addiction and grief in “Thanks for Sharing” and “The Weeping Wind.”

I command the souls of humans. No one defies me and my power. I don’t need light and love. My realm is the boundless darkness. Until the day she enters my existence. A little human. The most beautiful thing I’ve ever laid eyes on. Mila, with her beautiful curves, the face of a sinful angel, and a passion that brings me to my knees. I must tempt her. Touch her. Possess her. She begs me: Spare me. Because only I can give her the life I took from her. But everything has its price—even death. She shall live, under one condition. In exchange for her life, I get her.

Adam and Cheryl tackle two investigations with startling similarities. Two young girls from different families are interacting with entities from another world. Troubled by their behavior, their parents call on Suncoast Paranormal to help them. When both girls vanish, the pressure is on to return them to this world unharmed. As they try to unravel the mystery of the missing girls, Adam and Cheryl discover they are working on a case with far-reaching consequences. Will they be able to control their powers long enough to save the girls, themselves, and maybe even the entire world?

Shifters are dying. It’s time to hunt. Wolf shifters fight hard, and play harder, and no one does this better than Maverick Hale, the Alpha of the Storm Moon Pack in London. However, when one of his team is found dead in his club, he needs answers—fast. All the evidence suggests a shifter from another pack has killed him, but when other packs across England report deaths, too, he knows that something far darker is happening. Someone, or something, is coming after the shifters. Packs normally keep to themselves, but that has to change if they’re to uncover the truth.

In this collection, 15 writers try to find answers to how we can truly know each other; on the way, they find psychedelic worms, supernatural roommates, new dimensions and the deeply rooted question of how to know even ourselves.

Scotland, 1886. Lil is an archaeologist who has dedicated herself to a life of rational enquiry. But she is plagued by nightmares which haunt her sleep, and by memories of her mother, a famous medium.