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Compelling and perceptive, Tomb Sweeping probes the loyalties we hold: to relatives, to strangers, and to ourselves. In stories set across the US and Asia, Alexandra Chang immerses us in the lives of immigrant families, grocery store employees, expecting parents, and guileless lab assistants.

Paul Tremblay has won widespread acclaim for illuminating the dark horrors of the mind in novels and stories that push the boundaries of storytelling itself. The fifteen pieces in this brilliant collection, The Beast You Are, are all monsters of a kind, ready to loudly (and lovingly) smash through your head and into your heart.

The first person in her traditional Mexican American family to graduate from high school, Katia is entering adulthood at a time of turbulent change. Across the nation young people are fighting for civil and women’s rights and protesting the Vietnam War and brutal dictatorships in South America. Like so many of her generation, Katia wants to make the world a better place, and is determined to follow her own path.

In the title story, Nanamori and Mugito, two university students appalled by society’s gendered roles, rebel. Refusing to interact with other people they use stuffed toys for emotional support. Unlike Nanamori and Mugito, their fellow plushie society member Shiraki does not talk to plushies. Pragmatic, she accepts the status quo that boys sometimes make nasty jokes; she believes their behavior resembles the real world.

An ordinary man wakes one morning to discover he’s a famous reggaetón star. An aging abuela slowly morphs into a marionette puppet. A struggling academic discovers the horrifying cost of becoming a Self-Made Man. In There Is a Rio Grande in Heaven, Ruben Reyes Jr. conjures strange dreamlike worlds to explore what we would do if we woke up one morning and our lives were unrecognizable. Boundaries between the past, present, and future are blurred. Menacing technology and unchecked bureaucracy cut through everyday life with uncanny dread.

This Is Why We Can't Have Nice Things illuminates the lives of malicious, subversive, and untamed women. Exploring failed sisterhood, dubious parenting, and the dark side of modern love, this powerful and funny collection exposes how society wants women to behave, and shows what happens when they refuse.

Making his English language debut, the iconoclastic, two-time Academy award-winning writer and director reveals his singular mind as never before in this collection of twelve remarkable stories spanning memoir, comedy, autofiction, parody, pastiche, and gothic fiction.

Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.

And what if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth? These are just a few of the questions Anastacia-Reneé asks in this daring and mind-bending hybrid collection. Hers is a universe of striking variety—monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all—as well as community and connectedness.

Meet Ifeoma. She’s been ready to leave her violent husband for some time, but her plans for a quiet departure take an unexpectedly gruesome turn... Nkechi a housemaid for a rich Lagos family, bears the weight of her Madam's wrath when she discovers her husband's dark secret. In London, Riliwa meets Mary, a guardian angel full of advice, wisdom and practical support as she navigates her unfamiliar new home. But it soon becomes clear that Mary’s kindness comes at a price.

From Eliza Clark, the author of the brilliant novels Boy Parts and Penance and one of Granta’s Best Young British Novelists, comes a fierce, visionary and darkly comic story collection. A woman welcomes a parasite into her body. A teenager longs for perfect skin. A scientist tends to fragile alien flora. A young man takes the night into his own hands. Unsettling, revelatory, and laced with her signature dark humor, Eliza Clark’s debut short story collection plumbs the depths of that most basic human feeling: hunger.

There’s something wrong in Renfield County. It’s in the water, the soil, the wood. But worst of all, it’s in the minds of the residents, slowly driving them mad. When Lawrence Renfield massacred his family and drew The Giant in his farmhouse with their blood, no one imagined the repercussions. At the very least, the bloodstained wood should have been set aflame, not chopped down and repurposed as furniture, décor, and heirlooms across the county. But that’s exactly what happened.

The stories in Paul Theroux’s fascinating new collection are both exotic and domestic, their settings ranging from Hawaii to Africa and New England. Each focuses on life’s vanishing points—a moment when seemingly all lines running through one’s life converge, and one can see no farther, yet must deal with the implications. With the insight, subtlety, and empathy that has long characterized his work, Theroux has written deeply moving stories about memory, longing, and the passing of time, reclaiming his status, once again, as a master of the form.

A vibrant debut story collection—poignant, unflinching, and immersive—masterfully moving between sharp wit and profound tenderness, Guatemalan Rhapsody offers a kaleidoscopic portrait of an ever-changing country, the people who claim it as home, and those who no longer do. Ranging from a custodian at an underfunded college to a medicine man living in a temple dedicated to San Simon, the patron saint of alcohol and cigarettes, the characters in these stories find themselves at defining moments in their lives, where sacrifices may be required of them, by them, or for them.