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Growing up in the Black Country under Mrs Thatcher's iron grip, Jamie dreams of a life in a magical metropolis, rubbing shoulders with the mythical creatures from Smash Hits. Despite the quirky characters in his hometown and his mother's witty one-liners, Jamie's heart is set on something greater. Follow him through secondary school, teenage turmoil, and art school, where he falls in love with Billy and the allure of the big city.

Mason can admit that he's had the hots for rough and gruff Gage Hillcrest for well over a year now. Only Gage is bossy and overbearing as all hell. Not to mention that Gage is a closed book and Mason doesn't know anything about the man. Gage has wanted smart mouthed and sexy, Mason Taylor since he first laid eyes on him. But the two of them are like oil and water. Mason is wild. And well, Gage is not. Mason also has a big house and more money than he'd ever need while Gage is drowning in debt.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

Home, for Noah York, is Oakland, New Hampshire, the sleepy little town where Noah's mother, Virginia, had a psychotic breakdown and Noah got beaten to a pulp as a teenager. Then there were the good times—and Noah's not sure which ones are more painful to recall. Now thirty-seven and eking out a living as an artist in Providence, Rhode Island, Noah looks much the same—and swears just as colorfully—as he did in high school.

In the summer of 1995, seven queer kids abandoned by their parents at a remote conversion camp came face to face with it. They survived—but at Camp Resolution, everybody leaves a different person. Sixteen years later, only the scarred and broken survivors of that terrible summer can put an end to the horror before it's too late. The fate of the world depends on it.

Until twenty-four hours ago, Mickey Hayward was living the life she’d always dreamed of: Working as a full-time writer for a trendy media company (tick). In a committed, loving relationship (tick). Now she’s fired, tossed aside for a more ‘agreeable’ younger Black writer. Sick of always being overlooked and undervalued, she responds with an online letter detailing the racism she’s faced within the industry. But when it’s met with overwhelming silence, and her girlfriend suggests they go on a break, Mickey’s carefully crafted life starts to fall apart.

A single mother wakes to blood in her mouth and flesh under her fingernails. A severed toe on the doorstep. A boy missing. But her child needs to get to school. There’s a food shop to be done. Parents evenings, play dates and pasta for tea. Raising her child alone, she’s done all she can to protect them. But what if she’s the thing they need protecting from the most?

Tyler is a young gay man with his whole life ahead of him. Then, his Uncle Jodie died and left him the deed to Memory Lane Antiques, a small shop in an even smaller town.

Tucker, with the help of his new assertive friend Kiara, must learn to balance his newfound freedom with school and a job, and if he meets a cute boy on the way, then that's just an added bonus. Paint is a story of self-discovery, of queerness outside the family-friendly safety net of a high school drama, and of drag queens when you need them the most.

Bastien was lucky to spend a lifetime with Dayton, but now, after decades, Dayton is gone. Bastien isn’t sure how he can go on without the love of his life, but then two young boys knock on his door and announce they are his grandsons.

It’s the final years of the Troubles in Northern Ireland, and Bríd and her sister, Ina, try to maintain a stable life in a divided country. Pushed by her mother’s fanaticism and a family tragedy, Bríd joins the IRA and makes a devastating choice. Frightened and guilt ridden, she flees, leaving behind Ireland and her family for America. Years later, her guilt and tragic history still buried, Bríd is an overprotective mother raising her sensitive daughter, Bernie, in Southern California.

Genocide. Jellyfish smack. Unrequited love. This is a tale of thirteen mermaid sisters, the last of their kind.

Adam Campbell, 33, blacklisted CIA agent, needs to get covert information into the right hands. Alone and on the run, his world suddenly stops when he discovers the identity of the Pegasus operative who is on his tail. Arranging a meeting just to gaze into the eyes of the man he's always loved, Adam is set up and almost killed. Out of resources and nowhere to turn, Adam returns to the only home he's ever known.

It is 1921 and at Cassowary House in the Straits Settlements of Penang, Robert Hamlyn is a well-to-do lawyer and his steely wife Lesley a society hostess. Their lives are invigorated when Willie, an old friend of Robert's, comes to stay. Willie Somerset Maugham is one of the greatest writers of his day. But he is beleaguered by an unhappy marriage, ill-health and business interests that have gone badly awry. He is also struggling to write. The more Lesley's friendship with Willie grows, the more clearly she see him as he is—a man who has no choice but to mask his true self.

Twenty-two-year-old Brett Dalton awakens to find himself dumped in a cheap hotel with a strange man. During his move from Dublin to Galway, his so-called friend Sean abandons him again to fend for himself. Brett doesn't know what to do or where to go without transportation. He needs to find a job immediately.

In Queer Little Nightmares, creatures of myth and folklore seek belonging and intimate connection, cryptids challenge their outcast status, and classic movie monsters explore the experience of coming into queerness. The characters in these stories and poems—the Minotaur camouflaged in a crowd of cosplayers, a pubescent werewolf, a Hindu revenant waiting to reunite with her lover, a tender-hearted kaiju, a lagoon creature aching for the swimmers above him, a ghost of Pride past—relish their new sparkle in the spotlight.

A bestselling 'Cornish' novel, NOTES FROM AN EXHIBITION is a moving, intuitive novel of artistic compulsion, marriage, and the secrets left behind. It was a Richard & Judy bestseller. 'Poised and pitch-perfect throughout' Mail on Sunday Celebrated artist Rachel Kelly dies alone in her Penzance...

Patrick O’Neil is a travel agent who never goes anywhere. His closest confidante, Sharon, is chain-smoking her way to singles hell, passing up man after man. His parents, proprietors of a suburban men’s store whose fortunes are sagging more visibly than its customers, can’t agree how best to interfere in their sons’ lives. And his lover, Arthur (a nice golden retriever of a guy to whom Patrick can’t quite commit), wants to cement their relationship by buying a house. Then a call comes in the middle of another sleepless night.

Manche Menschen liebt man oder hasst man – auf June trifft beides gleichzeitig zu. June Mayberry ist in einer beschissenen Lage: Ihre aus einer Alkohollaune heraus gegründete Detektei kommt nicht richtig in Schwung, zu ihrem pubertierenden Sohn, den sie nur einmal die Woche sieht, fehlt ihr jeder Zugang, und mit der verschwundenen Lehrerin, mit deren Suche sie beauftragt wird, war sie wenige Wochen zuvor noch im Bett.

From the author of the viral sensation Things Have Gotten Worse Since We Last Spoke comes They Were Here Before Us, a novella written in pieces, designed to be consumed as a single cohesive work. The only thing more brutal than nature is love.