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Ink and Magic is a poetic picture of life and inspirations drawn from anxiety, relationships, writing, and motivation. Words that are made to evoke emotions and encourage and support others the way I have been. After each poem I try to explain where my head and motivation was at when I worked to create it. Contains profanity, descriptions of panic, allusions to sex, and maybe hope.

Something Else in My Veins is a poetic deep dive into the world of paranoia and delusion which hard drug users oftentimes find themselves in. Bagwell captures the experiences of meth addicts and exposes his raw and expressionistic emotions. As a former user and dealer himself, he is unashamed to bring not only his knowledge and perspective on such things to light, but also the emotional devastation that comes from losing one's sense of self-identity along with access to the drug itself. 

The Girl with a Thousand Eyes takes the YA listener, bordering on the verge of adulthood, through a poignant journey of life’s unexpected, spirit-lifting triumphs and trials of personal transformation. From New York City club life and LGBTQ love poems to existential reflections on transmigration, Ji Strangeway’s poetic verses reveal a heartfelt narrative of self-discovery. Alliterative lines, bold stanzas, and lulling metaphors awaken the dreaming psyche with promise and lead us poem by poem, toward the heart of the divine. 

Black Girl Magic continues and deepens the work of the first BreakBeat Poets anthology by focusing on some of the most exciting Black women writing today. This anthology breaks up the myth of hip-hop as a boys’ club and asserts the truth that the cypher is a feminine form.

Indecency is boldly and carefully executed and perfectly ragged. In these poems, Justin Phillip Reed experiments with language to explore inequity and injustice and to critique and lament the culture of white supremacy and the dominant social order. Political and personal, tender, daring, and insightful - the author unpacks his intimacies, weaponizing poetry to take on masculinity, sexuality, exploitation, and the prison industrial complex and unmask all the failures of the structures into which society sorts us.

Subverting celebrated classics of poetry and mythology and examining horrors from contemporary film and cultural fact, National Book Award-winner Justin Phillip Reed engages darkness as an aesthetic to conjure the revenant animus that lurks beneath the exploited civilities of marginalized people. In these poems, Reed finds agency in the other-than-human identities assigned to those assaulted by savageries of the state. In doing so, he summons a retaliatory, counterviolent black spirit to revolt and to inhabit the revolting. 

What does it mean to claim your space in a world that’s ending? Sarah M. Sala’s Devil’s Lake breaks open the American moment of unchecked gun violence, climate changes, and the growing rift between "us" and "them" with formal daring. Like a prism, this startling debut fractures into shades of possibility and memory, queering science, nature, and form to lay bare the colors of joy despite a world that seems intent on its destruction. 

Consider this glowing debut from Paige Lewis a menagerie of near-extinction. Space Struck explores the wonders and cruelties occurring within the realms of nature, science, and religion, with the acuity of a sage, the deftness of a hunter, and a hilarious sensibility for the absurd. The universe is seen as an endless arrow “...and it asks only one question: How dare you?” The poems are physically and psychologically tied to the animal world.

Nature Poem follows Teebs - a young, queer, American Indian (or NDN) poet - who can't bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He'd slap a tree across the face. He'd rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he'd rather write odes to Aretha Franklin and Hole. 

In this debut poetry collection, Halsey bares her soul. Bringing the same artistry found in her lyrics, Halsey’s poems delve into the highs and lows of doomed relationships, family ties, sexuality and mental illness. More hand grenades than confessions, these autobiographical poems explore and dismantle conventional notions of what it means to be a feminist in search of power.

Carl Phillips' new poetry collection, Pale Colors in a Tall Field, is a meditation on the intimacies of thought and body as forms of resistance. The poems are both timeless and timely, asking how we can ever truly know ourselves in the face of our own remembering and inevitable forgetting. Here, the poems metaphorically argue that memory is made up of various colors, with those most prominent moments in a life seeming more vivid, though the paler colors are never truly forgotten.

In her stunning debut, written in protest to an absence of representation, Marsh recalls her early life and the attendant torments of a butch Black woman coming of age in America. In lush, powerful, and vulnerable verses, dayliGht unpacks traumas to unearth truths, revealing a deep well of resilience, a cutting sense of irony, and an astonishing fresh talent.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Jonah Mixon-Webster works at the intersections of space and the body, race and region, sexuality and class. Stereo(TYPE), his debut collection of poetry, is a reckoning and a force, a revision of our most sacred mythologies, and a work of documentary reporting from Mixon-Webster’s hometown of Flint, Michigan, where clean tap water remains an uncertainty and the aftermath of racist policies persist.

From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity. With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself - and us - home. Each poem explores what it means to be a daughter of Newark, and America - and the painful, joyous path to adulthood as a young, queer Black woman. Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

Postcolonial Love Poem is a thunderous river of a book. It demands that every body carried within - bodies of language, land, suffering brothers, enemies and lovers - be touched and held. Where the bodies of indigenous, Latinx, Black and Brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dune fields and forests where pleasure and love are both grief and joy, violence and sensuality.

Stupid Boy Syndrome: 28 Poems on Love, Lust and Loss is a queer-perspective poetry chapbook on the themes of love and loss, friendship and fall-outs, sex and seduction. At once heartfelt and whimsical, frivolous, and mournful, Stupid Boy Syndrome takes listeners on a whirlwind trip through the many ways that love enriches our lives. 

Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors.

It is clear that the author is madly in love, not only with her partner for whom she writes both idiosyncratic and sultry poems, but in love with language, in love with queerness, in love with the therapeutic process of bankrupting the politics of shame. These poems tackle gun violence, toxic masculinity, LGBTQ* struggles, suicidality, and the oppression of women’s bodies, while maintaining a vivid wildness that the tongue aches to speak aloud.

Wilde's first collection of verse, published in 1881, contains many poems which had already been published individually. Among the 61 poems can be found four major works, "The Garden of Eros", "The Burden of Itys", "Charmides", and "Humanitad". Although the initial critical reaction was not particularly enthusiastic, Wilde's poetry aroused enough attention for him to become the object of ridicule in the Gilbert and Sullivan comic opera Patience, in which he is characterized as the "fleshly poet", Reginald Bunthorne.