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Male Sexuality Is Not for Sale is a wake-up call. It challenges the hidden scripts that tell men their sexuality must be earned, validated, or proven. Instead, it offers a radical alternative: a path toward a deeper, embodied masculinity rooted in presence, truth, and sovereignty.

Let a Man Be a Man: A Woman's Guide to a Healthy Relationship by Audra P. Jackson is a powerful guide that aims to reshape the dynamics between men and women in relationships. Drawing on her extensive experiences as a married, former music industry veteran and insights from focus groups, Jackson explores the often-overlooked ways in which women can unintentionally emasculate men.

Bestsellerautorin Rebekka Endler wagt sich in ihrem neuen Werk an die große Frage nach den Ursachen des Patriarchats und untersucht misogyne Mythen, die bis heute unser Denken und Handeln bestimmen. Die Erklärung "Männer und Macht" greift aus Rebekka Endlers Sicht viel zu kurz, und so fragt sie: Was bringt so viele Frauen dazu, auch heute noch von einem rettenden Märchenprinzen zu träumen? Was steckt hinter der Mommy-Blogger-Welle und welche Funktion haben Frauenbilder wie Zicken, Witches, Bitches und It-Girls?

Jennifer Weist: lautstarke Stimme gegen Rassismus, Misogynie und Queerfeindlichkeit, Kraftpaket auf der Bühne, in jeder Hinsicht eine Frau mit Haltung. Aber wo kommt sie her, wie ist sie zu der starken und selbstbewussten Person geworden, die sie ist? In ihrem Memoir lässt sie nichts aus: Sie erzählt ungeschönt von ihrer Kindheit ohne Vater, von Drogenerfahrungen und sexualisierter Gewalt.

Zami: A Carriacou name for women who work together as friends and lovers.

Desde el nacimiento de la Quinta República el Estado francés ha librado una guerra latente contra parte de su población. Los jóvenes de los barrios obreros que son descendientes de la inmigración poscolonial sufren una repetida operación diaria de "desinfantilización": no son tratados como niños sino como amenazas a la supervivencia del sistema. ¿Cuántos de ellos murieron a causa de esta "desinfantilización"? ¿Cuántos fueron asesinados impunemente por la policía? ¿Cuántas madres han llorado ante los tribunales a sus hijos víctimas de crímenes racistas?

As the year turns, four women give birth. Four Mothers follows these women over the next twelve months, through their first year of parenting. Each finds wonder and delight in her baby, but each also struggles with the realities of motherhood, personal relationships bumping up against social challenges. Through immersive storytelling and deep reporting, Abigail Leonard brings to life the policies that shape the experiences of both parents and children: access to healthcare and parental leave, community and workplace support. Both intimate and international, we see what is and what could be.

As the epidemic of male violence towards women and young girls reaches terrifying new heights through new and expanding technologies, women's rights campaigner Jess Davies will help listeners to question society's understanding - or lack of - when it comes to consent. With a toolkit to understand and tackle online misogyny, No One Wants to See Your D*ck will arm a new wave of internet sleuths to take down the manosphere, one unsolicited pic at a time.

Throughout history, women's pain and health issues have often been dismissed and viewed simply as an innate part of being female. Whether blamed on a wandering womb, witchcraft or still, to this day, being 'all in our heads' – women's health has been consistently misunderstood. As a result women have, and still are, missing out on receiving the healthcare they deserve. In ‘It’s Probably Nothing’, Naga Munchetty explores the difficulties of being heard, diagnosed and treated.

In a world where traditional masculinity demands emotional restraint, this book reimagines what it means to be a man. It challenges men to go beyond societal expectations and explore the depth of their emotional strength. Through personal experience and vulnerability, it opens the door to a new way of living—one that embraces emotional honesty, resilience, and connection.

When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward.

As debates surrounding paid leave, universal daycare, and national healthcare rage on, Four Mothers is an intimate portrait of what those policies mean in the everyday lives of four women—and a compelling argument for the necessity and urgency of supporting parents.

A Physical Education asks why so many of us spend our lives trying to “get healthy” by actively making our bodies weaker. Casey Johnston is a voice for those of us who feel underdeveloped and unfulfilled in our bodies, for all of us looking to come home to ourselves.

Ruthie Ackerman had long believed that the decision to not have children was a radical act. She’d grown up being told that she came from a long line of women who had abandoned their kids and feared she would pass on her half-brother’s rare genetic disorder. So when she marries a man who doesn’t want children, she hopes she can be happy without any. But a voice in her head keeps returning to the question: What if mothering can be a radical act too?

Our culture today is inundated with narratives about the strength of female friendship, whether through images of girl power, BFFs, or work wives. Yet cultural historian Tiffany Watt Smith has always found her own life much messier. She has had dramatic friend breakups, friendships that felt like too much or not enough, friendships that drifted into silence, and friendships built on convenience rather than a meeting of minds. And there are older cultural scripts to contend with: the competitive rival, the jealous backstabber, the underminer, the fair-weather friend.

Durante años, Cazzu se enfrentó a una pregunta: “¿Cómo se siente tener éxito en un género musical tan machista?”. Y como le ocurre a casi cualquier mujer virtuosa y con notoriedad, le pidieron que diera explicaciones. Pero ¿por qué se lo preguntaban más a ella que a los hombres? Y, sobre todo, ¿es realmente machista el reggaetón? Este libro nació como respuesta y como exploración a esa dualidad que anida en el género: letras que sexualizan a las mujeres, pero también mujeres que expresan su deseo, saben lo que quieren, cómo y cuándo.

Después de su libro No son micro. Machismos cotidianos, Eréndira Derbez y Claudia de la Garza regresan con Mapas corporales, en el que proponen una aproximación a distintas partes del cuerpo en diversas culturas y épocas para poner en entredicho esas normas sociales que nos han construido durante años para, precisamente, desmantelarlas y poder resignificar cada una de estas inscripciones.

In this blazing, razor-sharp takedown of popular culture in the twenty-first century, Girl on Girl turns 90s and 00s nostalgia on its head, and shows how the media of that era repackaged the feminist movement as a containable, commodifiable (and hugely successful) product: 'Girl Power'. From the Spice Girls to the Kardashians, to #GirlBoss and OnlyFans, Pulitzer Prize-finalist Sophie Gilbert illustrates how the cultural forces of the last few decades have systematically shaped - and warped - women's relationships with themselves and other women.

Barrister Charlotte Proudman has represented countless women in cases spanning rape, domestic abuse, child abduction, forced marriage and female genital mutilation. She has seen first-hand how the family court deepens the trauma of vulnerable women, staking their futures on the biases of individual judges and forcing them to endure the torture of a judicial process that stretches over months and sometimes years.

We’re told women are good at listening, but we rarely examine what they’re listening to, what their worlds sound like, or how it feels to be expected to listen in a world of noise made by men. Like so many of us, Alice Vincent had become overwhelmed by the sensory overload punctuating our every moment. And then, a baby’s heartbeat arrived. A rapid, pulsing whoosh of white noise. An undeniable rhythm. Once again, Alice’s life became cacophonous – both with a new child, but also with the societal pressures that motherhood holds.