検索キーワード： 制作 "Sceptre" ヨーロッパ

The police came for Peter Fleischmann in the early hours. It reminded the teenager of the Gestapo's moonlit roundups he had narrowly avoided at home in Berlin. Now, having endured a perilous journey to reach England—hiding from the rampaging Nazi thugs at his orphanage, boarding a Kindertransport to safety—here the aspiring artist was, on a ship bound for the Isle of Man, suspected of being a Nazi spy. What had gone wrong?

Cosa Nostra is the compelling story of the Sicilian mafia, the world's most famous, most secretive and most misunderstood criminal fraternity. The mafia has been given many names since it was founded 140 years ago: the Sect, the Brotherhood, the Honoured Society and now Cosa Nostra. Yet as times have changed, the mafia's subtle and bloody methods have remained the same. Now, for the first time, Cosa Nostra reconstructs the complete history of the Sicilian mafia from its origins to the present day. 

The Sicilian mafia, or Cosa Nostra, is far from being Italy's only dangerous criminal fraternity. The south of the country hosts two other major mafias: the camorra, from Naples and its hinterland and the 'ndrangheta, the mafia from the poor and isolated region of Calabria that has now risen to become the most powerful mob of all. Each of these brotherhoods has its own methods, its own dark rituals, its own style of ferocity and corruption. Their early history is little known, indeed some of it has been entirely shrouded in myth and silence until now.

In 1946, Italy became a democratic Republic, thereby entering the family of modern Western nations. But deep within Italy there lurked a forgotten curse: three major criminal brotherhoods, whose methods had been honed over a century of experience. As Italy grew, so did the mafias. Sicily's Cosa Nostra, the camorra from Naples, and the mysterious 'ndrangheta from Calabria stood ready to enter the wealthiest and bloodiest period of their long history. Italy made itself rich by making scooters, cars and handbags. 

Green belts are part of the landscape and psyche of post-war Britain, but have led to conflicts at every level of society - between conservationists and developers, town and country, politicians and people, nimbys and the forces of progress. Growing up on 'the last road in London' on an estate at the edge of the woods, John Grindrod had a childhood that mirrored these tensions. His family, too, seemed caught between two worlds: his wheelchair-bound mother and soft hearted father had moved from the inner city and had trouble adjusting.  

Combining rigorous research with myth and folklore, Alexandria is an authoritative history of a city that has shaped our modern world. Soon after being founded by Alexander the Great, Alexandria became the crucible of cultural exchange between East and West for millennia and the undisputed global capital of knowledge. It was at the forefront of human progress, but it also witnessed brutal natural disasters, plagues, crusades and violence.

From Vanessa Bell's Studland Beach, one of the first modernist paintings in Britain, to Paul Nash's work bearing the scars of his experience in the trenches and Martin Parr's photographs of seaside resorts in the 1980s that tackle ideas of class and deprivation, Looking to Sea embraces ideas from modernism and the sublime, the impact of the world wars and colonialism, to issues crucial to our world today like the environment and nationhood. Looking to Sea is an astonishingly perceptive portrait of the twentieth century. 

At her execution Mary, Queen of Scots wore red. Widely known as the colour of strength and passion, it was in fact worn by Mary as the Catholic symbol of martyrdom. In 16th-century Europe, women's voices were suppressed and silenced. Even for a queen like Mary, her prime duty was to bear sons. In an age when textiles expressed power, Mary exploited them to emphasise her female agency. 

Ashes and Stones is a moving and personal journey, along rugged coasts and through remote villages and modern cities, in search of the traces of those accused of witchcraft in seventeenth-century Scotland. We visit modern memorials, roadside shrines and standing stones, and roam among forests and hedge mazes, folk lore and political fantasies. From fairy hills to forgotten caves, we explore a spellbound landscape.