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As he was composing what was to become his most enduring and popular book, E. B. White was obeying that oft-repeated maxim: "Write what you know." Helpless pigs, silly geese, clever spiders, greedy rats - White knew all of these characters in the barns and stables where he spent his favorite hours. In The Story of Charlotte's Web, Michael Sims shows how White solved what critic Clifton Fadiman once called "the standing problem of the juvenile-fantasy writer: how to find, not another Alice, but another rabbit hole."

On the Day of the Dead, in 1938, Geoffrey Firmin, an alcoholic and ruined man, is fatefully living out his last day, drowning himself in mescal while his former wife and half-brother look on, powerless to help him. The events of this one day unfold against a backdrop unforgettable for its evocation of a Mexico at once magical and diabolical.

Chichikov, a mysterious stranger, arrives in a provincial town with a bizarre but seductive proposition for local landowners. He proposes to buy the names of their serfs who have died but who are still registered on the census, saving their owners from paying tax on them. But what collateral will Chichikov receive for these "souls"?

In this slyly funny and lavishly inventive novel, Nobel Prize winner V. S. Naipaul traces the unlikely career of Ganesh Ramsumair, a failed schoolteacher and impecunious village masseur who in time becomes a revered mystic, a thriving entrepreneur, and the most beloved politician in Trinidad. Witty, tender, filled with the sights, sounds, and smells of Trinidad's dusty Indian villages, The Mystic Masseur is Naipaul at his most expansive and evocative.

The story of a writer's singular journey - from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another - is perhaps Naipaul's most autobiographical work. Yet it is also woven through with remarkable invention to make it a rich and complex novel.

The Triumph of the Egg is a fictional panorama of a great region of our country, unfolded by a writer who - to quote the New York Times - "depicts life in the Midwest as Dostoevsky pictured the many colored life of Russia, with almost as wonderful a touch of genius, with a more concentrated and daring skill." This coveted 1921 collection is an example of what a book of stories can be when a writer of vision deals with the materials of American life.

On a road trip through Africa, two English people - Bobby, a civil servant with a guilty appetite for African boys; and Linda, a supercilious "compound wife" - are driving back to their enclave after a stay in the capital. But in between lies the landscape of an unnamed country whose squalor and ethnic bloodletting suggest Idi Amin's Uganda. And the farther Naipaul's protagonists travel into it, the more they find themselves crossing the line that separates privileged outsiders from horrified victims.

In the middle of the twentieth century, four American Catholics, working independently of one another, came to believe that the best way to explore the quandaries of religious faith was in writing. The four writers were Thomas Merton, Dorothy Day, Flannery O'Connor, and Walker Percy.

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

Twenty years later, time has weakened the resolve of the Musketeers and dispersed their loyalties. But treasons and stratagems still cry out for justice: civil war endangers the throne of France, while in England, Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil.

Dr. Johnson may have been correct in saying that “Rousseau was a very bad man,” but none can argue that his ideas are among the most influential in all of world history. It was Rousseau, the father of the romantic movement, who was responsible for introducing at least two modern day thoughts that pervade academia. The Confessions is Rousseau’s landmark autobiography. Both brilliant and flawed, it is nonetheless beautifully written and remains one of the most moving human documents in all of literature.

Secular humanism has triumphed. Everything the late Victorians and Edwardians believed would bring human happiness has been achieved: Technology has made it so no one needs to work for a living, the social sciences ensure a smooth-running social order, and, in the name of tolerance, religious beliefs have been uprooted and eliminated except for a single holdout - a largely discredited and rapidly shrinking Catholic Church. Yet people are unhappy.

Sister Carrie is an epic of urban life, the story of an innocent heroine adrift in an indifferent city. When small-town girl Carrie Meeber sets out for Chicago, she is equipped with nothing but a few dollars, a certain unspoiled beauty and charm, and a pitiful lack of preparation for the complex moral choices she will face. Her story is one of struggle, from sweatshop to stage success, and of the love she inspires in a married man twice her age, whose obsession with her threatens to destroy him.

It was a crime of senseless violence. On a cold night in a remote Swedish farmhouse, an elderly farmer was bludgeoned to death, his wife left to die with a noose around her neck. As if this didn't present enough problems for Ystad police inspector Kurt Wallander, the dying woman's last word, his only tangible clue, were foreign. If publicized, they could be the match that would inflame Sweden's already smoldering anti-immigrant sentiments.

The son of a Brahmin ascetic and his lower-caste wife, Willie Chandran grows up sensing the hollowness at the core of his father's self-denial and vowing to live more authentically. That search takes him to the immigrant and literary bohemias of 1950s London, to a facile and unsatisfying career as a writer, and at last to a decaying Portuguese colony in East Africa, where he finds a happiness he will then be compelled to betray.

August is Ghost Month in Taiwan - a time to commemorate the dead: Burn incense, visit shrines, honor ancestors, and avoid unlucky situations, large purchases, and bodies of water. Jing-nan, a young man who runs a food stand in a bustling Taipei night market, doesn't consider himself superstitious, but this August is going to haunt him no matter what he does. He is shocked to the core when he learns his ex-girlfriend from high school has been murdered.

Written at the start of the Great War, when his son Borys was at the Western Front, The Shadow-Line is Conrad's supreme effort to open man's eyes to the meaning of war through the stimulus of art. In many ways an autobiographical narrative, this masterpiece of his final period relates the story of a young and inexperienced sea captain whose first command finds him with a ship becalmed in tropical seas and a crew smitten with fever.

Flannery O’Connor’s astonishing and haunting first novel is a classic of 20th-century literature. It is the story of Hazel Motes, a 22-year-old caught in an unending struggle against his innate, desperate faith. He falls under the spell of a “blind” street preacher named Asa Hawks and his degenerate fifteen-year-old daughter. In an ironic, malicious gesture of his own non-faith, and to prove himself a greater cynic than Hawks, Hazel founds The Church of God Without Christ but is still thwarted in his efforts to lose God.

When a successful New York lawyer suddenly disappears without a trace, neither his wife nor his daughter Julia has any idea where he might be - until they find a love letter he wrote many years ago to a Burmese woman they have never heard of. Intent on solving the mystery and coming to terms with her father’s past, Julia decides to travel to the village where the woman lived. There she uncovers a tale of unimaginable hardship, resilience, and passion that will reaffirm the listener’s belief in the power of love to move mountains.

One of the most important books on William Shakespeare, this superb biography is both authoritative and extremely readable. It is the first modern biography of Shakespeare since the Victorian Age to pay full attention to his life and times, to his works, and to the numerous and subtle connections among them.