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A wildly inventive, exhilarating debut narrated by a young woman meditating on her Czech ancestors' 'falling curse', her twin brother's fall from a window and the malleable, breakable bonds keeping her family from falling apart. One thing that the city of Prague is famous for is throwing men out of windows. The word for this is defenestration.

Ritchie Gulliver MP is dead. Castrated and left to bleed in an empty Leith warehouse. Vicious, racist and corrupt, many thought he had it coming. But nobody could have predicted this. After the life Gulliver has led, the suspects are many: corporate rivals, political opponents, the countless groups he's offended. And the vulnerable and marginalised, who bore the brunt of his cruelty—those without a voice, without a choice, without a chance. As Detective Ray Lennox unravels the truth, and the list of brutal attacks grows, he must put his personal feelings aside.

Max Boyson looks good...from a distance. But up close and personal, the tattooed hottie Joelle Prima has been crushing on for the past year and half has turned into the prime example of why you shouldn’t judge a book by his delectable cover. When she first learned about the massive renovation to the building they share, Joelle imagined that temporarily combining her Filipino bakery with Max’s neighboring bookstore would be the perfect opening chapter to their happily ever after.

When he was just a boy, Ilyas was stolen from his parents on the coast of East Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back—until he meets the beautiful, undaunted Afiya.

Robert Poste's child is back at Cold Comfort Farm. But all is not well. Flora finds the farm transformed into a twee haven filled with Toby jugs and peasant pottery, and rooms labelled 'Quiete Retreate' and 'Greate laundrie'. It is, Flora winces, 'exactly like being locked in the Victoria and Albert Museum after closing time'. Worse, the farm is hosting a conference of the pretentious International Thinkers Group - a group made up of the 'sadistic owl' Mr Peccavi, loathsome Mr Mybug and the overpowering Mrs Ernestine Thump.

Set in the Eastern Caribbean at the beginning of the 20th century, No Pain Like This Body describes the perilous existence of a poor rice-growing family during the August rainy season. Their struggles to cope with illness, a drunken and unpredictable father and the violence of the elements end in unbearable loss.

Newly minted professional matchmaker Sophie Go has returned to Toronto, her hometown, after spending three years in Shanghai. Her job is made quite difficult, however, when she is revealed as a fraud—she never actually graduated from matchmaking school. In a competitive market like Toronto, no one wants to take a chance on an inexperienced and unaccredited matchmaker, and soon Sophie becomes an outcast.

Bear it or perish yourself. Those are the words Helen Jean hears that fateful night in her cousin’s outhouse that change the trajectory of her life. Spanning decades, Perish tracks the choices Helen Jean—the matriarch of the Turner family—makes and the way those choices have rippled across generations, from her children to her grandchildren and beyond. This family’s “reunion” unearths long-kept secrets and forces each member to ask themselves important questions about who is deserving of forgiveness and who bears the cross of blame.

Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door.

Tang Yitian has been living in America, estranged from his family, for almost a decade when he receives an urgent phone call from his mother: his father has disappeared from the family’s rural village in China. When Yitian returns home and attempts to piece together what may have happened, he struggles to navigate the country’s impenetrable bureaucracy as an outsider. So he seeks out a childhood friend: Tian Hanwen, who as a teenager was “sent down” from Shanghai to Yitian’s village as part of China’s rustication campaign.

Eighteen-year-old Emma has loving parents and a promising future ahead of her. So why, one morning, does she leave home without a trace? Her parents, Cath and Jim, are devastated. They have no idea why Emma left or even whether she is still alive. A year later, Cath and Jim are still tormented by the unanswered questions Emma left behind and clinging desperately to the hope of finding her. Meanwhile, tantalisingly close to home, Emma is also struggling with her new existence—and with the trauma that shattered her life. For all of them, reconciliation seems an impossible dream.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

When thirty-four-year-old Ms. Shibata gets a new job to escape sexual harassment at her old one, she finds that as the only woman at her new workplace—a manufacturer of cardboard tubes—she is expected to do all the menial tasks. One day she announces that she can’t clear away her coworkers’ dirty cups—because she’s pregnant and the smell nauseates her. Except Ms. Shibata is not pregnant. But she has a nine-month ruse to keep up. Before long, it becomes all-absorbing, and with every stage of her “pregnancy,” the boundary between her lie and her life begins to dissolve.

Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors.

Zeina Hashem Beck writes at the intersection of the divine and the profane, where she crafts elegant, candid poems that simultaneously exude a boundless curiosity and a deep knowingness. Formally electrifying—from lyrics and triptychs to ghazals and Zeina's own duets, in which English and Arabic echo and contradict each other—O explores the limits of language, notions of home and exile, and stirring visions of motherhood, memory, and faith.

One morning, a man wakes up to find himself transformed. Overnight, Anders’s skin has turned dark, and the reflection in the mirror seems a stranger to him. At first he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface. Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them. As the bond between Anders and Oona deepens, change takes on a different shading: a chance at a kind of rebirth—an opportunity to see ourselves, face to face, anew.

Management consultant Lucie Yi is done waiting for Mr. Right. After a harrowing breakup foiled her plans for children—and drove her to a meltdown in a Tribeca baby store—she’s ready to take matters into her own hands. She signs up for an elective co-parenting website to find a suitable partner with whom to procreate—as platonic as family planning can be.

Morgan and Riley Brighton are joint heirs to Kaleidoscope: a glittering, ‘global bohemian’ shopping empire—created in sleepy Oregon and catapulted into haute New York—sourcing luxury goods from around the world. Morgan, statuesque beauty and Kaleidoscope’s talented designer, is adored by all, especially by the Brighton parents. Yet no one loves her more than Riley, whose shy and adventurous spirit is exalted by her sister.

Over the course of his career, Robert Wrigley has won acclaim for the emotional toughness, sonic richness, and lucid style of his poems, and for his ability to fuse narrative and lyrical impulses. In his new collection, Wrigley means to use poetry to capture the primal conversation between human beings and the perilously threatened planet on which they love and live.

Yinka wants to find love. Her mum wants to find it for her. She also has too many aunties who frequently pray for her delivery from singledom, a preference for chicken and chips over traditional Nigerian food, and a bum she's sure is far too small as a result. Oh, and the fact that she's a thirty-one-year-old South-Londoner who doesn't believe in sex before marriage is a bit of an obstacle too... When her cousin gets engaged, Yinka commences 'Operation Find A Date for Rachel's Wedding'. Armed with a totally flawless, incredibly specific plan, will Yinka find herself a huzband?