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A sensational celebration of Annie Ernaux's work—Writing, the Other Life features collected writing by critics, journalists, and 24 previously unpublished pieces by the Nobel Prize winner herself—offering a full view of the author's life, writing style, reception by readers, and her thoughts and influence.

From leading critic and essayist Emily Eakin, a stylish and sophisticated personal history of French theory, from its birth in France to its unlikely domination on America culture When Emily Eakin arrived at Harvard in the late 1980s, she fell immediately under the spell of French theory, an...

In Ancient Myths and Legends Without Men, expert classicist Mara Gold recenters the women at the heart of some of the world’s most enduring myths. From Greek and Roman legends to tales from around the globe, this fresh, feminist take shines a new light on iconic figures like Medusa, Hera, and Persephone, revealing the power, complexity, and agency they’ve always had.

What would it take to unlearn centuries of colonial influence over the books we read? The values, institutions, and structures that determine which of the world’s books and authors are translated, and by whom, are in dire need of disruption. Violent Phenomena brings together established and emerging translators from around the world to guide the way.

Kafkaesque has descriptive copy which is not yet available from the Publisher.

Where do I belong in a country that has never loved me? What does it mean to be an American? Lauded poet and essayist Chet’la Sebree interrogates these questions as she traverses an America that has always had a fraught relationship with its Black citizens. Her journey takes her from the shores of the Atlantic to the prairies of the Midwest, to the forests of the Pacific Northwest, abroad, and then back again.

Conventional wisdom has it that the origins of the horror genre are found in the nineteenth century, in works like Frankenstein, Dracula, and The Strange Case of Dr Jekyll and Mr. Hyde. In this paradigm-shaking new book, Bible scholar and cultural historian Brandon Grafius argues that the Bible is, among other things, the world's first work of horror literature. The tropes and themes that we find in slasher movies, body horror, folk horror, and zombie apocalypses were kickstarted by the Bible. Before Godzilla, there were the monsters arising from the sea in the book of Daniel.

After the death from cancer of his husband, Antony Sher, Greg Doran stepped down from his role as artistic director of the Royal Shakespeare Company. In the 400th anniversary of Shakespeare's First Folio, and inspired by the surprising history of the company's own copy, he set out to see how many of these important volumes he could find. The journey took him to Japan, where Doran met the emperor, and to New Zealand and South Africa where the legacy of Shakespeare has become entwined with the story of colonialism.

Small traditional boats fulfil roles in their communities unlike any other supposedly inanimate things. Often treated as living members of the family, with minds and lives of their own, they’ve been essential to many cultures’ ways of living in the land- and seascapes that surround them. Wherever we have statistics, small rowed and paddled boats outnumber decked ships by at least fifty to one. Yet almost all history writing is about the big boats, a strange misrepresentation of maritime history. And one this book puts right.

After Caroline Bicks was named the University of Maine's inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process - most of them never before studied or published. Bicks focuses on five of his most iconic early works - The Shining, Carrie, Pet Sematary, 'Salem's Lot, and Night Shift--to reveal how he crafted his language, storylines, and characters to cast his enduring literary spells.

Daniel Hahn is a generous and winning guide. Traveling the world, he speaks to writers engaging with Shakespeare’s work and shares stories of his own. If This Be Magic does not require knowledge of any other language or more than a passing acquaintance with the Bard’s canon, but draws out surprising and fascinating insights on both. As nerdy as they come (there is an unapologetic chapter on commas) and often funny, this is a book for everyone and a fitting tribute to the Globe’s Bard.

After Caroline Bicks was named the University of Maine's inaugural Stephen E. King Chair in Literature, she became the first scholar to be granted extended access by King to his private archives, a treasure trove of manuscripts that document the legendary writer's creative process—most of them never before studied or published.

Thomas More is an enduringly fascinating and profoundly controversial figure. A brilliant scholar, his Utopia of 1516 dared to imagine how society might be completely reordered. At the same time, his hatred of the Reformation caused him to advocate, and seek to implement, the death penalty for heretics. A friend and advisor to Henry VIII, More's refusal to support Henry's break with Rome led to his execution in 1535, and the start of a long argument about his legacy.

As one of the world's leading voice coaches, Patsy Rodenburg describes practical ways to approach language, using Shakespeare, Romantic poetry, modern prose and a range of other texts to help each of us discover our own unique need for words. Drawing on Rodenburg's time spent coaching in the worlds of business and politics, this edition reflects on how the way we use words has changed since the book was first published.

Nobel Prize winner Han Kang’s first work of nonfiction published in English—an inspiring, intimate collection of essays, diary entries, poems, and photos on the subject of writing and the role of love and memory in defying injustice through art What is love? It is the gold thread connecting...

Before Larry McMurtry became one of the most celebrated writers of the twentieth century, he worked on his family’s ranch in rural Texas. He spent his days on horseback and his nights listening to vivid stories of his cowboy uncles driving herds of cattle across the plains where there once were bison and Native Americans. “McMurtry Means Beef,” as one ranching magazine put it. By the time he died in 2021, McMurtry had published forty books, won a Pulitzer for Lonesome Dove and an Oscar for his cowritten adaptation of Annie Proulx’s Brokeback Mountain, and seen his work made into classic films.

Enough Said is Alan Bennett's fourth collection of diaries and prose. Covering the turbulent years 2016 to 2024, the diaries take us through lockdown, Brexit, the reign of Johnson, the rise of Trump and the death of the Queen. In between, we take the train with him back and forth to Yorkshire, celebrate the herons, the newts and the street fairs, and lament the scarcity of curlews, the closure of the last local bank and the deteriorating welfare state.

This book brings together a wealth of readings on the metaphor of the "New Negro," charting how generations of thinkers debated its meaning and seized on its potency to stake out an astonishingly broad and sometimes contradictory range of ideological positions. It features dozens of newly unearthed pieces by major figures such as W. E. B. Du Bois, Charles S. Johnson, and Drusilla Dunjee Houston as well as writings from Cuba, the US Virgin Islands, Dominica, France, Sierra Leone, South Africa, colonial Zimbabwe, and the United States.

Over the past decade, Camonghne Felix has been at the center of American politics, working in strategy, communications, and as a speechwriter. Throughout it all, she has maintained her unwavering belief in language’s foundational revolutionary potential, outside of its deployment for legislative and political ends. In this groundbreaking work of nonfiction, she argues that Black radical poetic traditions can model a new ethical code and overcome entrenched structures of patriarchy and paternalism, inventing a new form that examines the historical and legislative, and the personal and poetic.

A lifetime of playing by the rules of female social conditioning is not what it’s cracked up to be for Nolan. The years of making herself smaller (literally and metaphorically); the sexual advances that led to more than she wanted; the bad marriage she fought like hell to keep; all the ways others questioned her identity or choices and she let it slide to keep the peace; her silence when requested; her body when desired—none of it worked. None of it protected her the way it was advertised to.