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Brought to you by Penguin. Travel along with actor and podcaster Tim Downie as he explores the strange and beautiful places that have shaped British folklore. Tim brings to life the mystical stories that shape the character of our isles. Push through the bramble and briar to embark on a journey...

This illustrated exploration of the central ways plants and place appear in Steinbeck’s works, shines a new light on his prescient approach to ecology, environmentalism, and the human condition. John Steinbeck’s literary vision is grounded in place—first in Central California, where he was...

From leading critic and essayist Emily Eakin, a stylish and sophisticated personal history of French theory, from its birth in France to its unlikely domination of American culture When Emily Eakin arrived at Harvard in the late 1980s, she fell immediately under the spell of French theory, an...

Originally delivered as a series of lectures at Trinity College, Cambridge, in A Chorus of Ears Denise Riley meditates upon the emphasis we place upon the persona of the poet, relegating their actual poetry to a second-order importance. Prize culture and the primacy of the poet – as opposed to...

From master storyteller Witi Ihimaera, a spellbinding and provocative retelling of traditional Maori myths for the twenty-first century. In this milestone volume, Ihimaera traces the history of the Maori people through their creation myths. He follows Tawhaki up the vines into the firmament...

In Ancient Myths and Legends Without Men, expert classicist Mara Gold recenters the women at the heart of some of the world’s most enduring myths. From Greek and Roman legends to tales from around the globe, this fresh, feminist take shines a new light on iconic figures like Medusa, Hera, and Persephone, revealing the power, complexity, and agency they’ve always had.

Flamboyance has descriptive copy which is not yet available from the Publisher...

A fiercely intelligent, funny, and much-needed reality check on the state of heterosexual women. The Last Straight Woman is a call to set aside the baggage of what female heterosexuality evokes, in favour of a definition of what it actually entails: women liking men. No more, no less. That a...

“These essays, deftly blending the political and the personal, offer fresh, galvanizing, and passionate perspectives on literary translation.”—Jhumpa Lahiri A manifesto in 22 essays, Violent Phenomena breaks stale rules about who can and should translate, envisioning a future more...

A classic teenage fetish object, the American driver’s license has long symbolized freedom and mobility in a nation whose design assumes car travel and whose vastness rivals continents. It is youth’s pass to regulated vice—cigarettes, bars, tattoo parlors, casinos, strip joints, music venues, guns. In its more recent history, the license has become increasingly associated with freedom’s flipside: screening. The airport’s heightened security checkpoint. Controversial ID voting laws...

Though we try to imagine otherwise, waste is every object, plus time. Whatever else an object is, it’s also waste—or was, or will be. All that is needed is time or a change of sentiment or circumstance. Waste is not merely the field of discarded objects, but the name we give to our troubled relationship with the decaying world outside ourselves. Waste focuses on those waste objects that most fundamentally shape our lives and also attempts to understand our complicated emotional and intellectual relationships to our own refuse.

When is the “beautiful game” at its most beautiful? How does football function as a lens through which so many view their daily lives? What’s right in front of fans that they never see? Football celebrates and scrutinizes the world’s most popular sport—from top-tier professionals to children just learning the game. As an American who began playing football in the 1970s as it gained a foothold in the States, Mark Yakich reflects on his own experiences alongside the sport’s social and political implications, its narrative and documentary depictions, and its linguistic idiosyncrasies

Coffee--it's the thing that gets us through, and over, and around. The thing--the beverage, the break, the ritual--we choose to slow ourselves down or speed ourselves up. The excuse to pause; the reason to meet; the charge we who drink it allow ourselves in lieu of something stronger or scarier. Coffee goes to lifestyle, and character, and sensibility: where do we buy it, how do we brew it, how strong can we take it, how often, how hot, how cold? How does coffee remind us, stir us, comfort us?

No matter how much you fight against it, dust pervades everything. It gathers in even layers, adapting to the contours of things and marking the passage of time. In itself, it is also a gathering place, a random community of what has been and what is yet to be, a catalog of traces and a set of promises: dead skin cells and plant pollen, hair and paper fibers, not to mention dust mites who make it their home. And so, dust blurs the boundaries between the living and the dead, plant and animal matter, the inside and the outside, you and the world.

The shipping container is all around: whizzing by on the highway, trundling past on rails, unloading behind a big box store even as you shop there, clanking on the docks just out of sight…. 90% of the goods and materials that move around the globe do so in shipping containers. It is an absolutely ubiquitous object, even if most of us have no direct contact with it. But what is this thing? Where has it been, and where is it going? Craig Martin’s book illuminates the “development of containerization”...

The 1990s and early 2000s were a time of intense change and experimentation for Marvel Comics. Out of this emerged The Ultimates—a comic which would have an explosive impact on Marvel and the broader pop culture landscape. Writer Mark Millar, with artists Bryan Hitch, Andrew Currie, and Paul Neary, reimagined the classic characters that made up Marvel’s premiere super hero team, the Avengers. Looking at them through a modern, post-9/11 lens, the creators treated the characters as super soldiers who reported to the US government.

An American Girl Anthology: Finding Ourselves in the Pleasant Company Universe turns American Girl dolls―and the ever-growing ecosystem surrounding them―inside out. Editors Justine Orlovsky-Schnitzler and KC Hysmith, along with an expansive list of contributors, explore Pleasant Company (American Girl's parent corporation) and the social and cultural impact the dolls and broader American Girl universe continue to have for generations of American consumers through thoughtful and fun essays.

A lively inquiry into a literary genius, the translators who immortalized him, and what it means to cultivate a rich inner life in turbulent times "What happens to a writer's work when it is translated–specifically, what happens if his name is Franz Kafka?" In Kafkaesque, Maïa Hruska traces...

A probing essay collection that chronicles one woman’s complicated quest to find home in a fractured America, from the award-winning author of Field Study and contributor to Four Hundred Souls, edited by Ibram X. Kendi and Keisha N. Blain Where do I belong in a country that has never loved me?...

Conventional wisdom has it that the origins of the horror genre are found in the nineteenth century, in works like Frankenstein, Dracula, and The Strange Case of Dr Jekyll and Mr. Hyde. In this paradigm-shaking new book, Bible scholar and cultural historian Brandon Grafius argues that the Bible is, among other things, the world's first work of horror literature. The tropes and themes that we find in slasher movies, body horror, folk horror, and zombie apocalypses were kickstarted by the Bible. Before Godzilla, there were the monsters arising from the sea in the book of Daniel.