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Greek poet Homer established the standard for tales of epic quests and heroic journeys with The Odyssey. Crowded with characters, both human and nonhuman, and bursting with action, The Odyssey details the adventures of Ulysses, king of Ithaca and hero of the Trojan War, as he struggles to return to his home and his waiting, ever-faithful wife, Penelope.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

Un compendio fascinante de mitos, leyendas y realidades históricas ¿Existió la ciudad de la Atlántida? ¿Pronunció Julio César las famosas palabras «¿Tú también, hijo?», antes de morir? A veces, la narración patrimonial y literaria difiere de los hechos. Así, este libro, escrito con afán divulgativo, pretende transitar por la delgada línea roja que separa los relatos de tintes legendarios y folclóricos, y el mundo real.

Pygmalion remains one of the most popular stories, but mainly in the medium of the musical; the evergreen My Fair Lady. But much of the charm and wit comes from the words and timing in Shaw's original play. Here are the characters of Professor Higgins, his friend Colonel Pickering, and their charge, Eliza Doolittle.

After Eustace Borlsover’s blind uncle dies, the nephew receives in the mail the uncle's severed hand as part of his inheritance. It soon emerges that the hand is alive in some sense, intelligent and very mobile. Eustace and his secretary immediately assume the hand is evil, but to be honest it seems more mischievous than malevolent. Until, of course, Eustace nails the hand to a board and sticks it in a safe for several months, whereupon the hand seeks vengeance and a final showdown between men and appendage ensues.

Acerbic wit and stinging satire are contrasted with delicate sensibility and passionate desire in the work of the Latin poet Catullus. Armed with an urbane sophistication and an aristocratic circle of friends, Catullus moved about easily in the upper ranks of Roman society and was acquainted with Cicero, Caesar, and Pompey among others.

Plutarch's Life of Caesar deals with the best known Roman of them all, Julius Caesar, and his vivid narrative covers most of the major events of the last generation of the Republic, as well as painting an insightful picture of this man who sacrificed everything for power. Pelling's volume gives a new translation of the Life together with a full introduction and running commentary on the events it describes.

Содержание: «Идешь, на меня похожий…», «Безумье и благоразумье…», Два стихотворения из цикла стихи о Москве («Мимо ночных башен…», «Над синевою подмосковных рощ…»), Два стихотворения из цикла Ахматовой («Не отстать тебе…», «Руки даны мне…»),«Я тебя отвоюю у всех земель, у всех небес…», «Я помню первый день, младенческое зверство…», «Не самозванка – я пришла домой…», «В черном небе слова начертаны…», «Я – страница твоему перу…», «Мой день беспутен и нелеп…»

Содержание: Любви утехи, Кавалер, «Отрадно улетать в стремительном вагоне…», «Светлая горница – моя пещера…», «Снова чист передо мною первый лист…», «Пришел издалека жених и друг..!», «Пусть сотней грех вонзался жал…», «Как песня матери…», «Когда мне говорят: "Александрия"…», «Вечерний сумрак над теплым морем…», «Когда я тебя в первый раз встретил…», «Ты – как у гадателя отрок…», «Наверно в полдень я был зачат…», «Люди видят сады с домами…»

Der Dichter Torquato Tasso ist in die Prinzessin von Este verliebt. Doch wie das so ist in der Welt des Adels: Ränkespiele und Kabale verhindern sein Glück. Das Künstlerdrama Goethes, das in der klassischen aristotelischen Tradition der Einheit von Ort, Zeit und Handlung geschaffen wurde, ist ein dauernder Gast auf den Brettern, die die Welt bedeuten.

In The Rose, award-winning poet Ariana Reines navigates the intersection of power and surrender. Drawing on the history of "romance" as the troubadours knew it and the titular flower's ancient allegories for sexuality and mystery, Reines plunges into feminine archetypes to explore masculine pain: "I have always liked helpless / & terrible men because they break my mind."

Un livre-disque imaginé par Jean-Michel Coblence qui retrace l'histoire d'Orphée depuis sa naissance jusqu'à sa mort, et a choisi des extraits musicaux dans l'œuvre de Glück. Illustré par Donatien Mary. Écoute en ligne sur les principales plateformes de streaming. "Pour Orphée et Eurydice , l'opéra de Gluck est à l'honneur et, dès lors, l'écoute ne va pas sans la contemplation des très belles illustrations de Donatien Mary." TTTT - TÉLÉRAMA - Louis-Julien Nicolaou

John Milton's On the Morning of Christ's Nativity is no ordinary Christmas poem. Written when he was just twenty-one, it reveals an early glimpse of the depth and ambition that would later shape Paradise Lost. Here, the nativity is not sentimental but cosmic: a quiet moment that echoes across heaven, earth, and myth. This is poetry as vision—blending classical imagery, biblical themes, and rich musical language. Angels descend, stars pause in wonder, and the natural world falls into a hush. Pagan gods retreat into silence, as if even they recognize the shift in power.

Als Götz von Berlichingen 1773 erschien, war das Stück eine Sensation - und machte seinen Autor Johann Wolfgang von Goethe schlagartig weltberühmt. Die Abkehr von der aristotelischen Dramenstruktur der Einheit von Handlung, Raum und Zeit war ein mutiger Schritt; das Sturm-und-Drang-Drama war Vorbild für Schillers "Räuber". Das Drama des rechtschaffenen Ritters Götz von Berlichingen, dessen Freiheitsliebe und Kaisertreue gegen einen intriganten Adel auf verlorenem Posten stehen, ist noch heute ein beliebtes Stück auf den Bühnen - und Bestandteil vieler Literaturlisten der Schulen!

OVIDS METAMORFOSER hører hjemme blandt eventyrenes skatte sammen med 1001 Nat, Grimm og H.C. Andersen. Beretningen strækker sig fra verdens skabelse til kejser Augustus' tid, og i den ramme får Ovid fortalt de fleste af den græsk-romerske verdens sagn om guder og helte. Han gør det mesterligt, således at digtet i sin helhed er en beskrivelse af menneskelivet og dets vidunderlighed.

Wenn Goethe im ersten Teil des Faust noch zwischen Gelehrten- und Gretchendrama unterteilt, so ist im zweiten Teil ganz klar Faust und seine Entwicklung Hauptthema. Nachdem er mit Mephistopheles am Ende des ersten Teils die Flucht ergriff, entwickelt er sich im zweiten Teil stetig weiter, wird Künstler, Zeitreisender, Gatte der schönen Helena, Herrscher - es ist ein wahres Füllhorn der menschlichen Entwicklung, das Goethe hier ausschüttet! Ein großartiger Reigen überschäumender Kreativität, das ist der Tragödie zweiter Teil.

নীরেন্দ্রনাথ চক্রবর্তীর শ্রেষ্ঠ কবিতা বাংলা সাহিত্যের এক নামকরা কবিতার বই। নীরেন্দ্রনাথ চক্রবর্তী উলঙ্গ রাজার জন্য সাহিত্য একাডেমি অ্যাওয়ার্ড পান 1974 সালে। এই কবিতার বইটি তার শ্রেষ্ঠতম কাজের মধ্যে এক। শুনুন আজই শাঁওলী মজুমদারের কণ্ঠে - শুধুমাত্র স্টোরিটেল এ!

The ancient Greeks revered Homer and Hesiod and often cited their names together in theological and theological works. While the two could have been contemporaries, some estimate that Hesiod lived up to 100 years after Homer. Sappho was an ancient Greek poetess and musician. She pioneered song lyrics and the ancient Greeks included her in the canon of nine lyric poets. Plato even numbered her among the Parnassian goddesses, referring to her as the tenth muse.

The Castle of Indolence was published early in the summer of 1748, four months after the poet’s death. The work was a slow and leisurely composition, which took nearly fifteen years to complete. The poem consists of 158 stanzas, divided into two cantos. It is presented as an allegory and was professedly written in imitation of The Faerie Queene. The origin of the poem appears to be the frequent remonstrances of Thomson’s friends about the poet’s well-known indolence, regarding both life and composition.

Songs of Kabir is a book from 1915 consisting of 100 poems of Kabir, the 15th century Indian poet and mystic, translated to English by Nobel laureate Rabindranath Tagore.

Questo audiolibro è un diario che raccoglie una catena di eventi catastrofici, effetti indesiderati dei più nobili intenti di Giannino Stoppani, detto da tutti Gian Burrasca. Una valanga di sventure che pare non avere soluzione, fino a quando Giovannino viene spedito in collegio, dove finalmente mostrerà di che pasta è fatto. Quello che ci pare un disastro oggi forse prenderà un senso domani... forse.

Captured centaurs and satyrs, incompetent seers, people who suddenly change sex, a woman who remembers too much, a man who cannot laugh—these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology—from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled.

Oedipus at Colonus, by Sophocles, is a classical sequel to Oedipus Rex that has been been enjoyed for centuries. This drama is an absolute must for any scholar, student, drama lover, or classical literature fan. Here, you will find the unabridged and complete version of the work. We hope you will thoroughly enjoy each and every act.

Faisant suite à la Théogonie, oeuvre dans laquelle est exposée la naissance des Dieux, Hésiode nous offre avec "Les travaux et les jours" un poème didactique visant à souligner les vertus du travail et de la justice. Nous y retrouvons notamment l'histoire de la boîte de Pandore, le mythe des quatre âges de l'humanité ou bien encore la fable du faucon et du rossignol.

El romanticismo inglés llega a «Poesía Portátil» con Un sueño selló mi espíritu, una antología que reúne los versos más representativos de Wordsworth, Coleridge, Byron, Shelley y Keats.

La colección «Poesía portátil» nos brinda en No creo poder tocar el cielo con las manos una traducción inédita de algunos de los escasos textos que se conservan de la poeta griega Safo, figura clave en la tradición poética femenina europea.

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

La mitología supone uno de los legados culturales más importantes que la Antigüedad Clásica nos ha dejado. Desde Zeus y los dioses Olímpicos hasta la Guerra de Troya, pasando por los trabajos de Heracles, Perseo y Medusa, Teseo y el Minotauro o Jasón y los Argonautas, este libro, divulgativo y muy divertido, nos sumerge de lleno en el origen, las historias y los personajes de los mitos y héroes griegos.

Our conventional image of Sokrates comes from dry scholarly accounts that present a wise, if ironic, old philosopher shuffling and lounging in the streets of Athens, asking questions that never lead to answers, and finally resigning himself in questionable fashion to a scapegoat death on philosophical principle. But who knows the stunning heroic stories of Sokrates from the battlefield, like how he alone stared down the entire Delium army? Or drinking everyone under the table 'til dawn, then beginning his day as usual, confronting as many people as he could to live a better life?

Francesco Petrarch’s Canzoniere (translated in English as ‘Scattered Rhymes’) is a collection of 14th century poems famed for their exploration of love, grief, spirituality and nature. Peter Thornton's accessible new translation brings Petrarch to the 21st century in direct, rhymed, English verse - for academics and poetry enthusiasts alike.