検索キーワード： 著者 "Aeschylus" すべてのカテゴリー

This Greek tragedy is based on the myth of Prometheus, a Titan who, in defiance of the gods, gives fire to mankind, an act for which he is subjected to perpetual punishment.The play consists almost entirely of speeches since the protagonist is chained throughout.

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.

Seven Against Thebes is the thrilling third play in Aeschyluss Oedipus-themed trilogy, produced in 467 BC and often referred to as the Oedipodea. This dramatic tale unfolds the fierce battle between an Argive army, led by Polynices, and the forces of Thebes under the command of Eteocles. The trilogy secured first prize at the City Dionysia, although its earlier plays, Laius and Oedipus, along with the satyr play Sphinx, have unfortunately been lost to time. After the shocking revelation that Oedipus has married his own mother and had children with her, he blinds himself and curses his sons to ...

Prometheus Bound is a powerful Greek Tragedy, often attributed to Aeschylus, that explores themes of defiance and sacrifice. In this gripping tale, Jupiter punishes Prometheus for his unwavering commitment to humanity by chaining him to a rock. Yet, amidst his torment, Prometheus clings to a secret that holds the potential to topple Jupiters reign. This captivating verse translation by Elizabeth Barrett Browning, published in 1851, invites listeners into a world of myth and moral struggle. - Summary by Alan Mapstone. Cast List Prometheus Greg Giordano; Strength Larry Wilson; Hephaestus Algy ...

Produced in 458 BC, Aeschylus' Choephori is the second play in the Oresteian trilogy. The bloodshed begun in the first play with the murder of Agamemnon by his wife Clytemnestra is here continued when Agamemnon's son Orestes avenges his father's death by killing Clytemnestra. It is not until the third and final play, Eumenides, that peace is restored to the family of the Atreidae. The introduction discusses the pre-Aeschylean 'Orestes' tradition in literature and art, as well as the place of Choephori within the Oresteia.

Agamemnon is the first of the three linked tragedies which make up The Oresteia trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work. Agamemnon describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.

The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother.

The earliest surviving works of ancient Greek literature, dating back to the early Archaic period, are the two epic poems the Iliad and the Odyssey. These two epics, along with the Homeric Hymns and the two poems of Hesiod, Theogony and Works and Days, comprised the major foundations of the Greek literary tradition that would continue into the Classical, Hellenistic, and Roman periods. This carefully selected collection contains: The Odyssey ; The Works and Days ; Theogony ; The Complete Poems of Sappho ; Medea ; Antigone ; Agamemnon ; The Choephori ; Eumenides.

"100 Quotes by Aeschylus" unveils the musings of the originator of tragedy. With topics such as religion, life, love, and death taken to task, Aeschylus offers the 21st-century reader an insight into the thoughts and feelings of the Ancient Greeks. However, what is surprising is just how resonant many of those ideas are today. An outstanding book for those seeking bite-sized nuggets of timeless wisdom. Thought to have been born in Eleusis, Aeschylus (524BC – 456BC) is the subject of both myth and legend. According to the story, at the age of 26, he was working in a vineyard.

The Oresteia is a tragedy in three parts written by Aeschylus in the fifth century BCE. After a decade of warfare, Troy had fallen and Agamemnon, King of Mycenae, returned home. His wife, Queen Clytemnestra, had him killed to avenge the sacrifice of her daughter Iphigenia, to obtain the crown and to marry her lover Aegisthus. This murder leads to further bloodshed when their son Orestes in turn kills Clytemnestra and Aegisthus. The trilogy consists of Agamemnon, The Libation Bearers, and The Eumenides.

Choephori, or The Libation Bearers, is the second in the Oresteian trilogy on the House of Atreus, written by Aeschylus. It deals with the reunion of Agamemnon‘s children, Electra and Orestes, and their revenge upon their mother Clytemnestra for the murder of Agamemnon, which takes place in the first play, Agamemnon. The title refers to the chorus of libation bearers who supports and encourages Electra and Orestes in their quest for justice. The Oresteia is the only extant example of an ancient Greek theatre trilogy.

Agamemnon is the first part of the Oresteia trilogy by the Greek playwright Aeschylus. Each of the plays that form part of The Oresteia can stand alone, but they perfectly complement one other in a longer narrative. Agamemnon provides the seed of all the themes that are explored in part two, The Libation Bearers, and three, The Eumenides.

Aeschylus’ historical tragedy Persians, with its dire warnings against the hubris of imperialist overreach, is as relevant today as it was when first presented to an Athenian audience in 472 BC. This new edition of the classic drama features a literal translation by Mark Will (translator of Fernando Pessoa’s Message) which reconstructs in contemporary English verse the epic cadences of the original Greek.

Aeschylus, the father of tragedy, paints a gripping portrait of Prometheus - bound to a cliff face and sentenced to an eternity of punishment for defying the almighty Zeus out of his compassion towards humanity.

The Persians: A Translation from Aeschylus There is no drama where the total multiplicity of horror in defeat is more cogently presented than in the Persians by Aeschylus, who fought in the Athenian triumph at Salamis, where the Persian fleet was rammed and wrecked.

The fifty daughters of Danaos have with their father fled by ship from Egypt, escaping compulsatory marriage with their fifty cousins, the sons of Aegyptos. They arrive in Argos, where, by supplication to the king and people, they seek refuge from their cousins, who sailed in pursuit. Their devout abhorrence of the marriage is the weightiest theme of the play.

Blood, gore, thrills, chills, and romance abound in these plays by three of the great Greek authors. Included are "Medea" by Euripides; "Antigone" by Sophocles; and "Agamemnon" by Aeschylus.

Considered the greatest surviving work by the "father of tragedy" is the classic tale of King Agamemnon as he returns from Troy victorious in battle but with a wife whose reaction to her son's sacrifice has led her to harbor a burning and hidden resentment toward him.

Aeschylus is de oudste van de drie grote Griekse tragici. Dertien keer winnaar van de tragische wedstrijden, is hij de auteur van ongeveer 110 kamers die we slechts zeven werden doorgegeven. De Aeschylus theater is vooral bekend om zijn dramatische kracht, spanning, angst die leeft zijn stukken, waarvan de samenhang is voornamelijk bestaat uit de progressie die verbonden trilogieën "gekoppeld", die vandaag overleeft de Oresteia.