検索キーワード： ユーモア・風刺文学・フィクション

An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms.

Jackson Blackwell, The Shadowmaster, is in over his head this time. After his last adventure, where he tore fantasy novels a new one, Jackson has to deal with the repercussions of angry gods, angrier conspirators, and the wrath of his pregnant girlfriend! Thanks to a godly decree and a crafty clause, Jackson has been banished from his home. And the only universe kindly enough to take him in is one infested with comic-book-style superheroes and supervillains.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman.

When Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he runs away until he can formulate a plan. Meanwhile, Huck has faked his own death to escape his violent father. As all readers/listeners of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and unreliable promise of the Free States and beyond.

"Animal Farm" is Orwell’s classic satire of the Russian Revolution - an account of the bold struggle, initiated by the animals, that transforms Mr. Jones’s Manor Farm into Animal Farm - a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

The queen bee of the fictional village of Riseholme, Mrs. Emmeline ‘Lucia’ Lucas is a snobbish yet oddly charming woman who prides herself on being the cultural and intellectual leader of her community. She dabbles in art, plants Shakespeare-themed flower arrangements in her garden and uses fake Italian phrases to maintain her social standing. Trouble brews when some new arrivals to town – including the glamorous opera singer Olga Bracely and the eccentric spiritualist Daisy Quantock – begin to challenge Lucia’s hold over Riseholme.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead. Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her 'missing' boyfriend. Not that she gets any credit.

After saying some pretty embarrassing things to each other, Alya and Masachika are trying to figure out the nature of their changing relationship. Alya’s feeling a bit flustered now that she’s seeing more of his “cool” side, but she needs to clear her mind and be ready for rivals popping out of the woodwork. One of Masachika’s childhood friends doesn’t approve of her, and his former middle school election opponent throws down the gauntlet. The campaign to win the student council election begins in earnest with the first debate!

How fast can charity fundraiser CeCe Barclay’s unimpeachable society life come tumbling down? One minute she’s speaking before Chicago’s glitterati. The next, her financier husband is wanted for embezzlement. Her assets seized and her fall mortifyingly public, CeCe grasps for refuge—and employment—as a sorority housemom at Eli Whitney University, her daughter Hayden’s alma mater.

Joe Goldberg is ready for a change. Instead of selling books, he’s writing them. And he’s off to a good start. Glenn Shoddy, an acclaimed literary author, recognizes Joe’s genius and invites him to join a tight-knit writing fellowship at Harvard. Finally, Joe will be in a place where talent matters more than pedigree . . . where intellect is the great equalizer and anything is possible. Even happy endings. Or so he thinks, until he meets his already-published, already-distinguished peers, who all seem to be cut from the same elitist cloth.

To-do: Stop the bad guys. Rescue the wizard. Find the perfect outfit for New Year's Eve. At last, Owen Palmer, the dreamboat wizard at Magic, Spells, and Illusions, Inc., has conjured up the courage to get Katie Chandler under the mistletoe at the office holiday party. But just when it looks like Katie has found her prince, in pops her inept fairy godmother, Ethelinda, to throw a wand into the works. Ethelinda's timing couldn’t be worse. A plot hatched by MSI's rogue ex-employees, Idris and his evil fairy gal pal Ari, threatens to expose the company's secrets - and the very existence of magic itself.

Penguin presents the unabridged, downloadable audiobook edition of How to be Good by Nick Hornby, read by Claire Higgins. According to her own complex moral calculations, Katie Carr has earned her affair. She's a doctor, after all, and doctors are decent people, and on top of that, her husband David is the self-styled Angriest Man in Holloway.

A woman visits a friend who is dying of cancer. Brilliant and stubborn, her friend makes a momentous request. She wishes to end her life on her own terms - and she wants the narrator's help. Stricken, she agrees. 'I promise,' says the friend, 'to make it as much fun as possible.' What follows is an extraordinary tale of a friendship put to the greatest test: to witness, unflinching, its end. It is also a portrait of the way we live now, in a world endlessly troubled by crises and the dramatically changing nature of human relationships in our time.

In 1761, a tiny, odd-looking girl named Marie is born in a village in Switzerland. After the death of her parents, she is apprenticed to an eccentric wax sculptor and whisked off to the seamy streets of Paris, where they meet a domineering widow and her quiet, pale son. Together, they convert an abandoned monkey house into an exhibition hall for wax heads, and the spectacle becomes a sensation. As word of her artistic talent spreads, Marie is called to Versailles, where she tutors a princess and saves Marie Antoinette in childbirth. But outside the palace walls, Paris is roiling....

Cultivation is all fun and games. Until someone kills Merlin. Apparently, the only logical response to this fairly important change to Arthurian lore is for me to be reincarnated into Dark Age Cornwall. But don't worry, I have an absolute understanding of feudal power dynamics, Qi cycling, and anti-Saxon spell flinging. Oh, I also lie a lot. There's just the smallest chance that our timeline is doomed.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Have you ever walked home at night, keys in hand, ready to throw a punch in self-defence? That’s how it all started. The killing spree, I mean. I sort of tripped into this role. Literally. The first one was following me. That guy from the nightclub who wouldn’t leave me alone. I pushed him, he stumbled, and fell onto his own broken wine bottle. Oops. It was such a waste of a good house white. But now I can’t seem to stop and nor do I want to. I’ve got a taste for revenge and quite frankly, I’m killing it.

In "The Robot Who Looked Like Me," a busy man and a busy woman find a way to carve out time to romance each other—by having look-alike robots made to do the job—who then run away together.

She’s a fashion model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden freeway "accident" leaves her disfigured and incapable of speech, she goes from being the beautiful center of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a real woman, who will teach her that reinventing yourself means erasing your past and making up something better. And that salvation hides in the last places you’ll ever want to look.

Will Freeman may have discovered the key to dating success: If the simple fact that they were single mothers meant that gorgeous women - women who would not ordinarily look twice at Will - might not only be willing, but enthusiastic about dating him, then he was really onto something. Single mothers - bright, attractive, available women - thousands of them, were all over London. He just had to find them.