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Eleanor Oliphant leads a simple life. She wears the same clothes to work every day, eats the same meal deal for lunch every day and buys the same two bottles of vodka to drink every weekend. Eleanor Oliphant is happy. Nothing is missing from her carefully timetabled life. Except, sometimes, everything. One simple act of kindness is about to shatter the walls Eleanor has built around herself. Now she must learn how to navigate the world that everyone else seems to take for granted – while searching for the courage to face the dark corners she’s avoided all her life.

Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones. When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his death: an unfortunate incident involving his San Pellegrino and a bee allergy. What she sees that afternoon awakens something in her: a taste for murder.

She is going to be murdered on stage every night. All Ian has to do is make sure she is safe off stage. No one would want to murder the leading lady, would they? Don’t be too sure. After a few days at the Dundas Farm opera camp, Ian is beginning to think that everyone the diva meets would be more than pleased to see the back of her. Two weeks listening to music on a Scottish alpaca farm is twisting and turning in a distinctly sinister direction. And if she continues to treat him like a servant, refusing to tell him anything about her fears, how on earth is Ian going to prevent a tragedy?

Emerie Fox's New Home Comes with Unwanted Surprises . . .Leaky pipes, moldy basements—and a mischievous demon poltergeist who's redecorating her home, stealing her stuff, and leaving blood-soaked messages on the mirror. Sure, the messages are helpful (like reminders to buy milk or grab an umbrella), but Emerie is not the kind of person who tolerates vermin—supernatural or otherwise.

Richard Brautigan's world is one of gentle magic and marvelous laughter, of the incredibly beautiful and the beautifully incredible. Trout Fishing in America is a pseudonym for the miraculous. A journey that begins at the foot of the Benjamin Franklin statue in San Francisco's Washington Square, that wanders through the wonders of America's rural waterways, and that ends, inevitably, with mayonnaise. Funny, wild, and sweet, Trout Fishing in America is an incomparable guidebook to the delights of exploration.

In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don't intend to produce. As the resumes pile up, only one of the applicants catches Aoyama's attention - Yamasaki Asami - a striking young former ballerina with a mysterious past. But she is a far cry from the innocent young woman he imagines her to be.

In the tradition of Jonathan Swift and Mark Twain, America Fantastica delivers a biting, witty, and entertaining story about the causes and costs of outlandish fantasy, while also marking the triumphant return of an essential voice in American letters. And at the heart of the novel, amid a teeming cast of characters, readers will delight in the tug-of-war between two memorable and iconic human beings—the exuberant savior-of-souls Angie Bing and the penitent but compulsive liar Boyd Halverson.

Set in Italy during World War II, this is the story of the incomparable, malingering bombardier Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy - it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he's assigned, he'll be in violation of Catch-22.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Drunk customers. Shoplifting raccoons. Otherworldly visitors. As night shift clerk at the 24-hour gas station at the edge of town, Jack has pretty much seen it all.

She’s a fashion model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden freeway "accident" leaves her disfigured and incapable of speech, she goes from being the beautiful center of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a real woman, who will teach her that reinventing yourself means erasing your past and making up something better. And that salvation hides in the last places you’ll ever want to look.

It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? Our narrator has many of the advantages of life: young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

Tender Branson - last surviving member of the so-called "Creedish Death Cult" - is dictating his incredible life story into the flight recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the plane, which will shortly reach terminal velocity and crash into the vast Australian outback.

It’s almost Christmas and Bunny McGarry is not in the festive spirit. His mood is not improved when an old friend becomes the victim of a violent assault and, for reasons he can’t understand, the police force he is a member of has decided not to investigate. Getting to the bottom of the case ends up putting him on the wrong side of some powerful people.

When horror writer Nick Steen gets sucked into a cursed typewriter by the terrifying Type-Face, Dark Lord of the Prolix, the hellish visions inside his head are unleashed for real. Forced to fight his escaping imagination - now leaking out of his own brain - Nick must defend the town of Stalkford from his own fictional horrors, including avascular-necrosis-obsessed serial killer Nelson Strain and Nick's dreaded throppleganger, the Dark Third.

Who hasn’t wondered for a split second what the world would be like if a person who is the object of your affliction ceased to exist? But then you’ve probably never heard of The McMasters Conservatory, dedicated to the consummate execution of the homicidal arts. To gain admission, a student must have an ethical reason for erasing someone who deeply deserves a fate no worse (nor better) than death. The campus of this “Poison Ivy League” college—its location unknown to even those who study there—is where you might find yourself the practice target of a classmate.

Molly the maid is all alone in the world. A nobody. She’s used to being invisible in her job at the Regency Grand Hotel, plumping pillows and wiping away the grime, dust and secrets of the guests passing through. She’s just a maid—why should anyone take notice? But Molly is thrown into the spotlight when she discovers an infamous guest, Mr Black, very dead in his bed. This isn’t a mess that can be easily cleaned up.

Obituary writer Bud Stanley isn’t really living his best life. He’s fallen into a funk after a divorce. (She left him for another man, who, in fairness, was far more interesting). He’s not doing his job well. He’s given up on dating. And he’s about to be fired for accidentally publishing his own obituary one mildly drunken night (though technically the company can’t legally fire a dead person).

When her mother emigrates to China for work, twenty-year-old Chizu moves in with 71-year-old Ginko, an eccentric distant relative, taking a room in her ramshackle Tokyo home, with its two resident cats and the persistent rattle of passing trains. Living their lives in imperfect symmetry, they establish an uneasy alliance, stress tested by Chizu's flashes of youthful spite. As the four seasons pass, Chizu navigates a series of tedious part-time jobs and unsatisfying relationships, before eventually finding her feet and salvaging a fierce independence from her solitude.

Athena Liu is a literary darling and June Hayward is literally nobody. When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. But as evidence threatens June’s stolen success, she will discover exactly how far she will go to keep what she thinks she deserves. What happens next is entirely everyone else’s fault.