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Edith Nesbit was born on the 15th August 1858 in Kennington, then part of Surrey. Nesbit was an active lecturer and prolific writer on socialism but gradually her work for them dwindled as her career as a children’s writer grew. Her most famous success was ‘The Railway Children’ but she was also very prolific and greatly accomplished in poetry, short stories―especially her macabre ghost and supernatural stories―and novels for adults.

Richard Barham Middleton was born on the 28th October 1882 in Staines, Middlesex. His education was primarily at Cranbrook School in Kent before he began work as a clerk, in 1901, at the Royal Exchange Assurance Corporation in London. Middleton moved into rooms in Blackfriars and joined the New Bohemians club where his literary contacts grew. As an author he is most remembered for his short ghost stories.

Edith Nesbit was born on the 15th August 1858 in Kennington, then part of Surrey. Due to the health issues and tuberculosis of her sister Mary, Nesbit’s early life was one of constant changes of house both in England and on the continent. At age 17, Nesbit met Hubert Bland and they married three years later. They also edited the Society's journal; ‘Today’. Nesbit was an active lecturer and prolific writer on socialism during those years but gradually her work for them dwindled as her career as a children’s writer grew.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Howard Phillips Lovecraft is among the greatest American masters of fantasy and the supernatural. Since his early death in 1937 his stories have continued to attract attention and praise from an ever-growing audience. The Rats in the Walls is one of his finest stories. Its tones are dark and chilling and its revelations upsetting and numbing. It is pure Lovecraft.

Leonid Nikolaievich Andreyev was born on 21st August in Oryol, Russia, to a middle-class family of Polish, Ukranian and Finnish ancestry. In 1898 his first short story ‘Bargamot and Garaska’, published in the ‘Kurier’ newspaper, caught the attention and friendship of Maxim Gorky. Andreyev now discarded any other career path apart from that of author. His classic story ‘Lazarus’ brilliantly tells the story of Christ’s disciple, forced to wander the earth for all time; it is both chilling and heart-breaking in its Russian setting.

In this Venetian set story Edwards follows the trail of a man who, after the briefest of meetings, falls in love with a young Jewish girl, who has but one request of him.

On the death of a cruel man, the terms of a secret are demanded from him to no avail. When the facts are finally revealed his true evil has changed everything.

His name is a byword for unspeakable horror and dread. Across ten stories this dark master holds a fascinating lure for all of us. Word by word, line by line we are drip-fed stomach-churning terror of a mesmerizing kind…

Lettice Galbraith is yet another of those mysterious women of British literature of whom little was recorded. Lizzie Susan Gibson was born on the 27th January 1859 in Kingston-Upon-Hull in Yorkshire into a comfortable middle-class family. In 1885 she published her first story anonymously and her pseudonym ‘Lettice Galbraith’ only appeared from late 1892.

Arnold Bennett was born in 1867 in Hanley one of the six towns that formed the Potteries that later joined together to become Stoke on Trent; the area in which most of his works are located. For a short time he worked for his solicitor father before realising that to advance his life he would need to become his own man. At the turn of the century he turned full time to writing and shortly thereafter in 1903 he moved to Paris and in 1908 published to great acclaim The Old Wives Tale. With this his reputation was set. Clayhanger and The Old Wives Tale are perhaps his most lauded novels.

At the end of our days we will most likely lie for eternity in the cemetery or graveyard. Many of these, now wreathed in time, have a romance and overgrown beauty as nature keeps and shelters the dead. For our varied and talented authors, a major theme, or indeed character of the stories in this volume is that very location, and how they weave it into their narratives is both fascinating, enlightening and a wonderfully distinct way of telling classic short stories.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Ambrose Gwinnett Bierce was born on 24th June 1842 at Horse Cave Creek in Meigs County, Ohio. His parents were poor but they introduced him to literature at an early age, instilling in him a deep appreciation of books, the written word and the elegance of language. In 1891 Bierce wrote and published the collection of 26 short stories which included ‘An Occurrence at Owl Creek Bridge’. Success and further works including poetry followed.

Edward Alexander Crowley was born on 12th October 1875 to wealthy parents in Royal Leamington Spa in Warwickshire. He was educated at Malvern College, Tonbridge School, Eastbourne College and finally Trinity College, Cambridge where he focused on his passions of mountaineering and poetry and published several volumes. His literary works were both prolific and covered many topics. In the early part of his career he published many poetry books, even plays, before his darker and more forceful works came to dominate his output.

Edgar Poe was born in Boston Massachusetts on 19th January 1809. His father abandoned his family the following year and within a year his mother had died leaving him an orphan. He was taken in by the Allan family but never formally adopted although he now referred to himself as Edgar Allan Poe. His father alternatively spoiled or chastised him and tension was frequent over gambling debts and monies for his education.