検索キーワード： 制作 "--Tyson Hanks" 女性文学

Poppy Wyatt has never felt luckier. She is about to marry her ideal man, Magnus Tavish, but in one afternoon her “happily ever after” begins to fall apart. Not only has she lost her engagement ring in a hotel fire drill but in the panic that follows, her phone is stolen. As she paces shakily around the lobby, she spots an abandoned phone in a trash can. Finders keepers! Now she can leave a number for the hotel to contact her when they find her ring. Perfect!

Willow Tree Hall, the proud ancestral home of the Earl and Countess of Cranley for centuries, has seen better days. Annie Rogers takes the job as housekeeper at Willow Tree Hall, having to work with a reluctant heir Sam Harris to renovate the failing estate. With Sam running from his past and Annie hiding from hers, just maybe together they can bring Willow Tree Hall back to life.

円熟の境地にある芥川賞作家が描く、“もの”を巡る幻想譚のシリーズ短篇。祖先の来し方を探るエッセイのように筆を起こし、何時の間にか、するっと時空を超越し、読者を想像の彼方へと誘って、馥郁たる余韻を残して着地する。
本作の“主役”は、作家が生まれた頃から慣れ親しみ、今も所有している一つの火鉢。日露戦争で中国大陸に出兵した祖父が入手したらしい有田焼の火鉢は、姿形を変えぬまま、およそ百年を生き抜いてきた。火鉢には、江戸時代の旅人たちが描かれていた。現在の山口県防府市で地主の惣領として生まれながら祖父は学問を志して東京へ出て、大学を卒業すると、徒歩で郷里に帰ったという。祖父は、火鉢に描かれた旅人に興趣を覚えたのではないか？　不動の火鉢に、作家は有為転変の来歴を与え、「旅する火鉢」に想いを馳せる。

This edition of Shelley's second novel, transcribed and introduced by Deanna Koretsky, explores the work both as a complex portrayal of taboo desires and as an intergenerational story of reckoning with the horrors of racism and patriarchy. Mathilda is often understood as biographical, but this edition also highlights the issues of justice, gender, and rights.

Dawn is breaking over the Guilleries, a rugged mountain range in Catalonia frequented by wolf hunters, brigands, deserters, race-car drivers, ghosts, and demons. In a remote farmhouse called Mas Clavell, an impossibly old woman lies on her deathbed. Family and caretakers drift in and out. Meanwhile, all the women who have lived and died in that house are waiting for her to join them. They are preparing to throw her a party.

Chloe Vance, dreamer of the family, needs to tell her pragmatic mom, Edie, that she has accepted a low-paying art instructor role at a Christian school in Prague. Her older sister, Lauren—the "responsible one"—is doing all she can to hide the fact she's been fired for a foolish mistake and is desperately seeking her next career move. Meanwhile, Edie, estranged from her own sister following their mother's recent death, is frankly in no mood for anything else to change.

One morning, Emelie can't get out of bed. Her therapist calls it burnout. Her neighbour calls it the tiny work death. She needs to get away from the brightness of the city lights, the noise of the people, the constant demands, so she goes to the woods, pitches her tent overlooking the lake, breathes. And that's where she sees them, the Colony:

Beth and her gentle, kind husband Frank are happily married, but their relationship relies on the past staying buried. But when Beth’s brother-in-law shoots a dog going after their sheep, Beth doesn’t realize that the gunshot will alter the course of their lives. For the dog belonged to none other than Gabriel Wolfe, the man Beth loved as a teenager—the man who broke her heart years ago. Gabriel has returned to the village with his young son Leo, a boy who reminds Beth very much of her own son, who died in a tragic accident.

Reeling from a failed marriage, Sheila, a twentysomething playwright, finds herself unsure of how to live and create. When Margaux, a talented painter and free spirit, and Israel, a sexy and depraved artist, enter her life, Sheila hopes that through close—sometimes too close—observation of her new friend, her new lover, and herself, she might regain her footing in art and life.

She was just a girl, standing in front of a boy…wishing he looked more like Hugh Grant. Scarlett loves the movies. But does she love sensible fiancé David just as much? With a big white wedding on the horizon, Scarlett really should have decided by now.… When she has the chance to house-sit in Notting Hill - the setting of one of her favourite movies - Scarlett jumps at the chance. But living life like a movie is trickier than it seems, especially when her new neighbour Sean is so irritating. And so irritatingly handsome, too. Scarlett soon finds herself starring in a romantic comedy of her very own. But who will end up as the leading man?

Want to know what happens to a man who barely claws his way out of a tragedy, only to fall right into the arms of the one girl in the world he can never have? Another tragedy, that's what. When I was six years old, my father made a choice that altered the course of my entire life. Because of what he did, the only girl I ever loved became the only girl I couldn’t have. In a lot of ways, I did have her; I had her first steps, her first words, her first smile. I had her milestones, her heartbreaks, her dreams.

Have you ever walked home at night, keys in hand, ready to throw a punch in self-defence? That’s how it all started. The killing spree, I mean. I sort of tripped into this role. Literally. The first one was following me. That guy from the nightclub who wouldn’t leave me alone. I pushed him, he stumbled, and fell onto his own broken wine bottle. Oops. It was such a waste of a good house white. But now I can’t seem to stop and nor do I want to. I’ve got a taste for revenge and quite frankly, I’m killing it.

Little Women, closely based on Louisa May Alcott’s own experience of family life, was first published in 1869 and follows the lives of the four March sisters and their mother, "Marmee". With the heartrending story of gentle Beth, the humorous adventures of tomboyish Jo, Meg’s vain attempts to cut a fashionable figure in "society", and the artistic ambitions of the youngest sister Amy, it has never lost its extraordinary power to move and delight.

La mia casa è grande. Troppo grande. Ma io non sento la solitudine. La mia vita mi piace così. Uguale, giorno dopo giorno. Non ho bisogno degli altri. La maggior parte di loro, comunque, non si accorge di me. E io non faccio nulla perché questo accada. Eppure una mattina al parco qualcuno si è avvicinato. Due donne mi hanno vista persa nei miei pensieri e mi hanno offerto un caffè. Niente di che. Un piccolo gesto. Qualcosa che nessuno faceva per me da tanto tempo. Una gentilezza dopo la quale nulla è stato come prima. La mia seconda vita ha avuto inizio.

Jane’s days at a Midwest insurance company are perfectly ordinary. She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She’s just the kind of woman middle manager Steven Hepsworth likes - meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven. But plain Jane is hiding something. And Steven’s bringing out the worst in her.

As the head of a prestigious movie studio for nearly two decades, Andy Westfield has had every professional luxury: a stunning office, a loyal assistant who can all but read his mind, access to a private jet and company cars. Andy always put his career before his marriage, and now, besides his daughter and young grandchildren, it's the only thing he truly loves. But then Andy's world is upended. The studio is sold, and the buyer's son demands the top seat. Out of a job and humiliated, Andy knows he needs to get as far away from Los Angeles as possible.

The list of things I hate is short. Not even my soon-to-be ex-husband is on that list. Nope. I save only the worst of the worst, the crème de la crème, the absolute I cannot even for this list: black coffee, rude people, and Nathaniel Bradley. Which is why when my father informs me that he’s making Nathaniel Bradley his new business partner, and in turn, my boss, I flip out. I go into this knowing I’ll hate every second in his presence. Except the longer he’s around, the more I find myself staring at his lips and remembering the one time they were on mine.

His first, last and only true love has always been rugby. Until now. She's damaged. He's determined. Fate brought them together. Love binds them. Johnny Kavanagh has everything going for him. On the rugby pitch, he's a force to be reckoned with. Primed for stardom, he's heading straight for the top. Nothing can possibly get in his way, right? Not even the shy new girl at Tommen College. The one that distracts him like no one ever has. Two teenagers from opposite sides of the tracks collide in the second audio instalment of Binding 13.

He’s a thrice-divorced late-night talk-show host. She's an unmarried folklorist obsessed with mermaids. He lives for the present. She lives in the past. Both are leery of commitment. Neither has ever known lasting love. But when Tom Avery and Fay McLeod meet, it's love - or at least lust - at first sight. And then fate starts to throw them curveballs.

Sindiwe Magona's novel Mother to Mother explores the South African legacy of apartheid through the lens of a woman who remembers a life marked by oppression and injustice. Magona decided to write this novel when she discovered that Fulbright Scholar Amy Biehl, who had been killed while working to organize the nation's first ever democratic elections in 1993, died just a few yards away from her own permanent residence in Guguletu, Capetown. She then learned that one of the boys held responsible for the killing was in fact her neighbor's son.