検索キーワード： 女性文学

Willow Tree Hall, the proud ancestral home of the Earl and Countess of Cranley for centuries, has seen better days. Annie Rogers takes the job as housekeeper at Willow Tree Hall, having to work with a reluctant heir Sam Harris to renovate the failing estate. With Sam running from his past and Annie hiding from hers, just maybe together they can bring Willow Tree Hall back to life.

It's been 10 long months since Anna Fox last left her home. Ten months during which she has haunted the rooms of her old New York house like a ghost, lost in her memories, too terrified to step outside. Anna's lifeline to the real world is her window, where she sits day after day, watching her neighbours. When the Russells move in, Anna is instantly drawn to them. A picture-perfect family of three, they are an echo of the life that was once hers.

円熟の境地にある芥川賞作家が描く、“もの”を巡る幻想譚のシリーズ短篇。祖先の来し方を探るエッセイのように筆を起こし、何時の間にか、するっと時空を超越し、読者を想像の彼方へと誘って、馥郁たる余韻を残して着地する。
本作の“主役”は、作家が生まれた頃から慣れ親しみ、今も所有している一つの火鉢。日露戦争で中国大陸に出兵した祖父が入手したらしい有田焼の火鉢は、姿形を変えぬまま、およそ百年を生き抜いてきた。火鉢には、江戸時代の旅人たちが描かれていた。現在の山口県防府市で地主の惣領として生まれながら祖父は学問を志して東京へ出て、大学を卒業すると、徒歩で郷里に帰ったという。祖父は、火鉢に描かれた旅人に興趣を覚えたのではないか？　不動の火鉢に、作家は有為転変の来歴を与え、「旅する火鉢」に想いを馳せる。

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Trick or treat? Don’t answer the door. The blood-red leaves are falling all around Carolyn Ryder as she takes the last steps of a journey that has come to an end. All the pain, the suffering, and loss she has had to witness and endure along the murderous road Sam Pritchard has traveled; all leads to here. Ravenwood. But this time, Carolyn will not be alone. New allies will be forged, and she’s brought along some old ones too who have shared in the same plight in finding and killing monsters just like Pritchard.

Hometown hero Ana Leigh Watkins ventures to Bitter End, Tennessee, to help her great-aunt get her house ready to sell. Bitter End seems an ironic place for Ana to refresh her weary spirit, but she's desperate for respite from her community's attention and unwarranted admiration. While on a hike in Roan Mountain, a ragtag group of amateur bird watchers take her under their wing—a little against her will. However, she quickly warms to these genuine souls seeking solace in the great outdoors.

A woman in her mid-twenties moves back home to live with her parents, where her listlessness fuels an obsession with cleaning, and sets in motion a series of events that lead to her posing as a model in a nude gallery where she encounters a woman whose life will intertwine with her own.

פעם הייתה משפחה ובה שני הורים וארבע בנות, ולמראית עין, זו הייתה משפחה רגילה. ממרחק של שנים רבות, מביתה הבטוח בקנטאקי, עמליה, הבת השלישית, משתדלת לא לחשוב על מה שקרה במשפחה הזו. כשאבא של עמליה מת, אחותה הצעירה מתקשרת להגיד לה שהיא צריכה לבוא ועמליה עולה על טיסה עם בעלה ושתי בנותיה. ככל שהיא מתקרבת לבית ילדותה, לאנשים שהיו הוריה, לנשים שהיו אחיותיה, היא נאלצת להתמודד עם הסיפור של המשפחה הזו, סיפור שהיה לו קיום רק בין כותלי הבית ורק עבור אלה שהיו חלק ממנו. אבל עמליה לא מוכנה יותר להשתיק את הסיפור הזה, וכדי להינצל ממנו היא חייבת לנסות בכל זאת לספר אותו.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola's third boyfriend in a row is dead. Korede's practicality is the sisters' saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her 'missing' boyfriend. Not that she gets any credit.

Five years after her husband, Owen, disappeared, Hannah Hall and her stepdaughter, Bailey, have settled into a new life in Southern California. Together, they’ve forged a relationship with Bailey’s grandfather Nicholas and are putting the past behind them. But when Owen shows up at Hannah’s new exhibition, she knows that she and Bailey are in danger again. Hannah and Bailey are forced to go on the run in a relentless race to keep their past from catching up with them.

Jane’s days at a Midwest insurance company are perfectly ordinary. She blends in well, unremarkably pretty in her floral-print dresses and extra efficient at her low-level job. She’s just the kind of woman middle manager Steven Hepsworth likes - meek, insecure, and willing to defer to a man. No one has any idea who Jane really is. Least of all Steven. But plain Jane is hiding something. And Steven’s bringing out the worst in her.

Twenty years after a rebellion branded her an outcast, Fia Riftborne navigates a city rife with prejudice so deep, it's often deadly. But she harbors a secret, one that would paint an even larger target on her back. A hidden power within her is growing, threatening to destroy everything she's built for herself.

Lucia thought she had it all figured out—until life in London as a new mom and expat turned everything upside down. She’s barely holding it together when she unexpectedly lands a glamorous job as a philanthropic adviser at London’s poshest private bank. But is the world of the über-wealthy everything that it’s cracked up to be? At work, she’s rubbing elbows with royals; at home, her teething one-year-old is up at all hours of the night, and her husband’s growing connection to his ex-girlfriend is raising suspicions.

Shaky is a sharp, soulful, and surprisingly romantic comedy about Nicole, a 30-year-old drummer whose wild-child lifestyle screeches to a halt after a shocking Young-Onset Parkinson’s diagnosis. Her plan? Keep partying, keep drumming, and pretend nothing’s changed. But when she crashes back into her childhood home—complete with her no-nonsense mom and painfully put-together younger sister—Nicole’s carefully constructed denial starts to unravel. As old tensions flare and new romantic sparks fly, she’s forced to confront the one thing she’s been avoiding: her future.

In 1950s Tehran, seven-year-old Ellie lives in grand comfort until the untimely death of her father, forcing Ellie and her mother to move to a tiny home downtown. Lonely and bearing the brunt of her mother’s endless grievances, Ellie dreams of a friend to alleviate her isolation. Luckily, on the first day of school, she meets Homa, a kind, passionate girl with a brave and irrepressible spirit. Together, the two girls play games, learn to cook in the stone kitchen of Homa’s warm home, wander through the colorful stalls of the Grand Bazaar, and share their ambitions for becoming “lion women.”

Tiffy and Leon share an apartment. Tiffy and Leon have never met. After a bad breakup, Tiffy Moore needs a place to live. Fast. And cheap. But the apartments in her budget have her wondering if astonishingly colored mold on the walls counts as art. Desperation makes her open minded, so she answers an ad for a flatshare. Leon, a night shift worker, will take the apartment during the day, and Tiffy can have it nights and weekends. He'll only ever be there when she's at the office. In fact, they'll never even have to meet.

Poppy Turner has spent more than a decade teaching children grammar and arithmetic. Suddenly her days are steeped in fears that reach well beyond a classroom filled with air-raid drills and anxious young faces. As a mother-to-be, she worries about bringing a child into a time of such turmoil. To find stability, she will have to decide if she’s willing to look more closely at her own past.

Want to know what happens to a man who barely claws his way out of a tragedy, only to fall right into the arms of the one girl in the world he can never have? Another tragedy, that's what. When I was six years old, my father made a choice that altered the course of my entire life. Because of what he did, the only girl I ever loved became the only girl I couldn’t have. In a lot of ways, I did have her; I had her first steps, her first words, her first smile. I had her milestones, her heartbreaks, her dreams.

At the time of her death in 1815, twenty-nine-year-old Ellen Hutchins had catalogued over a thousand species of seaweed and plants from her native Bantry Bay. Ireland’s first female botanist, Ellen was a major contributor to nineteenth-century scientific discovery. And yet, like so many brilliant women lost in history, it is her personal story that will resonate today. In her remarkable debut novel, Marianne Lee fuses fact with fiction to imagine Ellen’s rich but tormented inner life, repressed by the gender and class confines of her time.

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop.