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Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.

As soon as Pollyanna arrives in Beldingsville to live with her strict and dutiful maiden aunt, she begins to brighten up everybody's life. The 'glad game' she plays, of finding a silver lining in every cloud, transforms the sick, the lonely and the plain miserable - until one day something so terrible happens that even Pollyanna doesn't know how to feel glad about it.

When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby, a young woman discovers strange puncture marks on her neck and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival.

Opening with the iconic story 'The Destructors', in which a gang of schoolboys destroys a house that has survived the Blitz, Greene offers us deliciously satisfying glimpses into 21 worlds, with each piece written as masterfully as his novels. From the chilling climax of a children's birthday party, to a man whose youthful indiscretions come back to haunt him, these are the unmistakable work of one of the 20th century's greatest and most adored storytellers.

With neither friends nor family, Lucy Snowe sets sail from England to find employment in a girls' boarding school in the small town of Villette. There she struggles to retain her self-possession in the face of unruly pupils, an initially suspicious headmaster and her own complex feelings, first for the school's English doctor and then for the dictatorial professor Paul Emmanuel. Drawing on her own deeply unhappy experiences as a governess in Brussels, Charlotte Brontë's last and most autobiographical novel is a powerfully moving study of isolation and the pain of unrequited love....

In this charming patchwork of fever dreams and memories, Pirkko Saisio transports us to the 1950s Finland of her youth, where she navigates life as an only child of communist parents. Convinced she will grow up to become a man, a young Pirkko keeps trying and failing to meet the expectations of the adults around her. But as she discovers that she can be the narrator of her own story, it is in language that she finds a refuge and a way to be seen at last.

Twenty-two of Greene's very best stories are collected here, each of them bearing the hallmark themes that characterise his great novels: innocence and vengeance, love and hate, pity and violence. Writer and Greene aficionado, Yiyun Li, has arranged the stories into pairs, to be read together in contrast or in harmony – as a duel or a duet.

Quiet, gentle, young Faustina Crayle is dismissed from her teaching position at Brereton School for Girls after just a few weeks. She is given no explanation, but it’s clear certain staff and pupils fear her. Her friend and fellow teacher Gisela contacts psychologist and sleuth Dr Basil Willing who offers to investigate these outlandish claims. But this only confirms two damning facts – first, that this happened at a previous school and, second, people believe there are two sides to enigmatic Faustina.

Yorkshire teacher Ellen Fenwick has never been abroad. But when her mother dies, this young woman finds herself taking a position as governess to an English girl in Florence in the summer of 1933. Little does Ellen realise how this girl, Juliet, and her family will claim her. For as the summer passes, Ellen falls so in love with Italy and her new home that she cannot bear to leave – even when her own hopes of love are cruelly thwarted.

Lucy Carmichael is jilted at the altar. But no matter. Her loving and kind family never liked her explorer fiancé anyway. Instead of moping or falling into her supportive family’s arms, however, Lucy abandons their suburban home. Heading for the country, she takes up a teaching position in the industrial town of Ravonsbridge. There, she finds solace in her work, in her new (rather gossipy) colleagues – and rediscovers her sensible young self. But if Lucy has, despite everything, kept her head – where lies her heart?

‘Down among the women. What a place to be!’ So says Wanda, a former radical who left her husband and raised her daughter Scarlet to be as liberated as she. But twenty-year-old Scarlet, with an abortion already behind her, is about to discover real liberation – as a single mother in Fifties’ London. Yet Scarlet’s not alone. Meet her friends: Sylvia, the born victim; respectable Jocelyn, willingly trapped in a dull, bourgeois marriage; Audrey, bristling to break free of her conventional life; and Helen, beautiful, vibrant – and very doomed.

A damaged survivor of the First World War, Tom Birkin finds refuge in the quiet village church of Oxgodby where he is to spend the summer uncovering a huge medieval wall-painting. Immersed in the peace and beauty of the countryside and the unchanging rhythms of village life he experiences a sense of renewal and belief in the future. Now an old man, Birkin looks back on the idyllic summer of 1920, remembering a vanished place of blissful calm, untouched by change, a precious moment he has carried with him through the disappointments of the years.

The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.

The ripples from a breakup radiate outwards from the room where a married couple once loved each other, and a bizarre Lonely Hearts advert sets off a train of tragicomic events that lead to an inevitable conclusion. Tove Ditlevsen’s final novel – published a year before her suicide in 1976 – is a masterful conclusion to a great work of writing: a blackly funny and devastating tour-de-force that pulses with life even as it journeys towards death.

Eliot Weiner – snob, shameless opportunist, Morris dancing-obsessive – is on a mission. He has got wind of a trunk of bawdy love letters by Warren Harding, ‘the shallowest President in history’, now guarded by his octogenarian mistress on her crumbling Hollywood Hills estate. They could reignite his failing academic career – and there’s no depth to which he won’t stoop, no preposterous scheme he won’t undertake, to get at them.

Written immediately before Ágota Kristóf's acclaimed Notebook trilogy, the works here oscillate between parables, surrealist anecdotes, and stories animated by a realism stripped to the bone. By turns harrowing and whimsical, cruel and sharply funny, Kristóf’s world shifts our gaze to a shared reality, past and present. Here exile and existential alienation are undeniable – as is the force of every sentence, making for extraordinary and essential reading.

1960. The border between East and West Germany has closed. For Elisabeth - a young painter - the GDR is her generation's chance to build a glorious, egalitarian socialist future. For her brother Uli, it is a place of stricture and oppression. Separating them is the ever-wider chasm of the party line; over them loom the twin spectres of opportunity and fear, and the shadow of their defector brother Konrad. In prose as bold as a scarlet paint stroke, Brigitte Reimann battles with the clash of idealism and suppression, familial loyalty and desire.

Set in the 1870s, the same period as Wharton's The Age of Innocence, The Buccaneers is about five wealthy American girls denied entry into New York Society because their parents' money is too new. At the suggestion of their clever governess, the girls sail to London, where they marry lords, earls, and dukes who find their beauty charming—and their wealth extremely useful.

Marshall Field Finney was named after a department store and dropped like a hot potato when his mother suddenly packed up and left. Now Marshall lives with his hard-drinking father in a crackerbox house and rides a yellow bus through beautiful St. Louis County to his mostly white suburban school. Caught at a crossroads, Marshall is desperately searching for something to believe in. At stake is only the rest of his life.

The unicorn lived in a lilac wood, and she lived all alone...so she ventured out from the safety of the enchanted forest on a quest for others of her kind. Joined along the way by the bumbling magician Schmendrick and the indomitable Molly Grue, the unicorn learns all about the joys and sorrows of life and love before meeting her destiny in the castle of a despondent monarch—and confronting the creature that would drive her kind to extinction....