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After a routine security check by George Smiley, civil servant Samuel Fennan apparently kills himself. When Smiley finds Circus head Maston is trying to blame him for the death, he begins his own investigation, meeting Fennan's widow to find out what led him to such desperation. On the very day Smiley is ordered off the enquiry he receives an urgent letter from the dead man. Do the East Germans - and their agents - know more about this man's death than the Circus previously imagined?

In his writing, Borges always combined high seriousness with a wicked sense of fun. Here he reveals his delight in re-creating (or making up) colorful stories from the Orient, the Islamic world, and the Wild West, as well as his horrified fascination with knife fights, political and personal betrayal, and bloodthirsty revenge. Sparkling with the sheer exuberant pleasure of story-telling, this collection marked the emergence of an utterly distinctive literary voice.

At the age of seventy, after a gap of twenty years, Jorge Luis Borges returned to writing short stories. In Brodie’s Report, he returned also to the style of his earlier years with its brutal realism, nightmares, and bloodshed. Many of these stories, including “Unworthy” and “The Other Duel,” are set in the macho Argentinean underworld, and even the rivalries between artists are suffused with suppressed violence. Throughout, opposing themes of fate and free will, loyalty and betrayal, time and memory flicker in the recesses of these compelling stories, among the best Borges ever wrote.

An Indian clerk, Girija Krishnan, sees the opportunity of his lifetime when he stumbles on an abandoned cache of arms hidden in the Malayan jungle. If he can sell the weapons, he will be able to achieve his lifelong dream of owning a bus company - although the penalty for gun-running is death. Soon his decision becomes the catalyst for a chain of events involving an entrepreneurial Chinese family, a corrupt Colonel and, finally, a naïve couple of American tourists who find themselves horribly out of their depth.

Small-time hustler Arthur Abdel Simpson ekes out a living in Athens by robbing gullible tourists. But when an attempted theft backfires, he finds himself out-smarted and blackmailed into driving a highly suspicious car across the border to Istanbul. Then the Turkish secret police get involved, and Simpson becomes embroiled in something far deeper, and more dangerous, than he could imagine. Featuring a heart-stopping jewel heist, this compulsive, morally complex thriller became the basis for the classic film Topkapi.

Quentin Coldwater is brilliant but miserable. A senior in high school, he's still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.

Hans Christian Andersen was the profoundly imaginative writer and storyteller who revolutionized literature for children. He gave us the now standard versions of some traditional fairy tales—with an anarchic twist—but many of his most famous tales sprang directly from his imagination. The 30 stories here range from exuberant early works such as "The Tinderbox" and "The Emperor's New Clothes" through poignant masterpieces such as "The Little Mermaid" and "The Ugly Duckling", to more subversive later tales such as "The Ice Maiden" and "The Wood Nymph".

In her great historical epic Kristin Lavransdatter, set in fourteenth-century Norway, Nobel laureate Sigrid Undset tells the life story of one passionate and headstrong woman. Painting a richly detailed backdrop, Undset immerses audiences in the day-to-day life, social conventions, and political and religious undercurrents of the period. Now in one volume, Tiina Nunnally’s award-winning definitive translation brings this remarkable work to life with clarity and lyrical beauty.

Renowned gamester and the first to admit that he is entirely void of a romantic disposition, Max Ravenscar regards all eligible females with indifference and unconcern. But when he meets the woman his young cousin Adrian is bent on marrying - the beautiful Deborah Grantham, mistress of her aunt's gaming house - he finds that none of his experience in risk and gambling has prepared him for such a worthy opponent.

At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible newcomer cannot be cast down.

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change.

In Baron Bagge, a cavalry officer stationed in Eastern Europe during the First World War receives orders to ride into a platoon of Russian machine guns. But instead of meeting certain death, he and his brigade pass, unscathed, into a strangely peaceful land where festivities are in full swing. In Count Luna, Alexander Jessiersky, Austrian aristocrat and shipping magnate, finds the Nazis distasteful - but in war and in business, distaste can lead to negligence.

Drawing on James Baldwin's own boyhood in a religious community in 1930s Harlem, his first novel tells the story of young Johnny Grimes. Johnny is destined to become a preacher like his father, Gabriel, at the Temple of the Fire Baptized, where the church swells with song and it is as if 'the Holy Ghost were riding on the air'. But he feels only scalding hatred for Gabriel, whose fear and fanaticism lead him to abuse his family. Johnny vows that, for him, things will be different. This blazing tale is full of passion and guilt, of secret sinners and prayers singing on the wind.

Harlem in the 1970s: the black soul of New York City. Tish is nineteen and the man she loves - her lifelong friend and the father of her unborn child - has been jailed for a crime he did not commit. As their families come together to fight for his freedom, will their love be enough?