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Joyce Aparo seemed to be the perfect single mother. She doted on her sixteen-year-old daughter, Karin, encouraging her musical ability and lavishing affection on her. But behind closed doors, Joyce was a terror. For thirteen years, she beat Karin savagely and demeaned her relentlessly. When Karin met the troubled yet brilliant Dennis Coleman, the two fell head-over-heels. But Joyce disapproved—so she had to die.

During the early 1960s, just as Beatlemania was exploding throughout the United Kingdom, a pair of psychopathic British killers began preying on the very young, innocent, and helpless of Greater Manchester. Between 1963 and 1965, Ian Brady and his lover and partner, Myra Hindley, were responsible for the abduction, rape, torture, and murder of five young victims, ranging in age from ten to seventeen years old. The English press dubbed the grisly series of homicides "the Moors Murders," named for the desolate landscape where three of the corpses were eventually discovered.

Founded in 1924, the Music Corporation of America got its start booking acts into speakeasies run by such notorious Chicago mobsters as Al Capone. How then, in only a few decades, did MCA become the driving force behind music publishing, radio, recording artists, Hollywood, and the burgeoning television industry? Enter Ronald Reagan.

Behind every act of domestic terrorism there is someone's child whose life took a radical turn for reasons that often remain mysterious. Camilla Hall is a case in point: a pastor's daughter from small-town Minnesota who eventually joined the ranks of radicals in the notorious Symbionese Liberation Army before dying in a shootout with Los Angeles Police in May 1974. How could a "good girl" become one of the most wanted domestic terrorists in the United States? Rachael Hanel tells her story here, revealing both the deep humanity and the extraordinary circumstances of Camilla Hall's life.

Bestselling author Loren W. Christensen served as a Military Policeman in Saigon, Vietnam, "the most dangerous city in the world," as it was called at the time. Shortly after returning home, he joined the Portland Police Bureau in Oregon, serving for twenty-five years. As a street cop, there were times he was dispatched to dead body calls so frequently that other officers teasingly called him the "Death Car."

From the snowy Soviet shooting range to the heat and dust of Africa, nothing is what it seems. And neither is Sue Dobson. The image of South Africa in the 1980's as the golden paradise on the tip of the African continent conceals a brutal, racist Apartheid regime. Those who oppose it risk their lives. Beauty and brutality go hand in hand.

Henry Louis Wallace terrorized Charlotte, North Carolina, from May 1992 to March 1994. Wallace preyed on lower economic class Black women between seventeen and thirty-five years old. He knew most of his victims, some through his job at Taco Bell, and gained their trust with his friendly demeanor and gentle nature—concealing a monster fueled by drug abuse and rage against women.

By the time he was brought to trial in 1992, Soviet serial killer Andrei Chikatilo had killed more than fifty women and children, often sexually abusing them and leaving their bodies mutilated beyond recognition. Although he was initially arrested in 1984, the police lacked enough evidence to pin the unsolved murders on him and he was able to torture and kill dozens more before his eventual conviction.

Janet March had it all: a corporate lawyer husband, two beautiful children, a promising career as an artist, and a dream house she designed herself. But behind closed doors, her husband led a destructive double life. On August 16, 1996, Janet had an appointment to finally file for divorce. But she never arrived. On the night of August 15, she vanished. Janet's disappearance incited a massive search and media frenzy that revealed her husband Perry's seedy dealings.

Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world—from Stockholm to Boston, Worcester to Ohio—the authors track daring entries and escapes from the world's most renowned museums.

With a round, open face and a penchant for tall tales, Matteo de Lorenzo resembled everyone's kindly uncle. But Uncle Marty, as he was known throughout the Genovese crime family, was one of the New York mob's top earners throughout the 1960s and '70s, the mastermind of a billion-dollar trade in stolen and counterfeit securities.

What goes through the mind of a killer when they commit murder? What motivates someone to take a life? How do murderers remember their lives and crimes? With unprecedented access to high-security prisons all around the country, the creators of Netflix's I Am a Killer set out to get answers to these questions—by talking to the killers themselves.

Roger and Penny Scaggs seemed a poster couple for family values. Evangelical Christians living in booming Austin, Texas, in the mid-1990s, they were respected leaders in their church and community. As Roger diligently worked his way up the high-tech corporate ladder, Penny kept a pristine home and coached similarly devout young women on how to be perfect wives. But on a windy March evening, this godly woman met the devil head-on.

In 1979, Brenda Spencer, a seemingly average teenage girl living in a nice suburban neighborhood, made and executed plans that would place her in infamy and set a violent and terrifying national precedent. She recieved a rifle for Christmas and a month later set her sights and opens fire on the elementary school across the street. The event is forever glorified by the song "I Don't Like Mondays" by The Boomtown Rats and marks the bloody beginning of the American phenomenon of school shootings.

The son of Sicilian immigrants, Camillo Carmine Galante was raised in Manhattan's Little Italy and by all accounts born bad. By fifteen he was terrorizing the streets of New York's Lower East Side, scoring high marks for the "errands" he was running for his La Cosa Nostra elders. When he turned twenty, Galante was already one of the mob's top enforcers­-a sadistic thrill killer and clinically diagnosed psychopath with big dreams.

At the height of the roaring 1920s, the ex-frontier town of Denver, Colorado, emerged from the postwar boom as the future of the American city. Rookie district attorney Phillip Van Cise was already making national headlines for a new brand of law enforcement. Employing military intelligence tools he'd developed during the Great War, Van Cise crippled the criminal empire of Lou Blonger, an ex-lawman who had risen from petty scam artist to master of the Big Con. But Van Cise had even darker, more malevolent forces on his radar.

In the fall of 1969, a public execution in an Italian restaurant in Brooklyn earned Joey a mention in the New York Daily News and a twenty-grand payout from the mob. On the surface, his next job seemed just as routine: The bosses suspected their trusted numbers controller, Joe Squillante, was skimming the nightly bets to settle personal debts. Joey gave Squillante two weeks to live.

One of America's most historic and enduring cities, New Haven has wrangled with a perpetual identity struggle, torn between worlds that occasionally converged in chaos and violence. In the 1930s, Connecticut became a region where Mafia families like the Genoveses, Gambinos, Colombos, and Patriarcas shared turf—working together with enough profits to go around or descending into open war to rival that experienced in any major city. Central to this conflict were three men who were, at different times, cautious allies or sworn nemeses.

In a Mexico City mansion on October 23, 1789, Don Joaquin Dongo and ten of his employees were brutally murdered by three killers armed with machetes. Investigators worked tirelessly to find the perpetrators, who were publicly executed two weeks later. Labelled the "crime of the century," these events and their aftermath have intrigued writers of fiction and nonfiction for over two centuries. Using a range of sources, Nicole von Germeten recreates a paper trail of Enlightenment-era greed and savagery, and highlights how the violence of the Mexican judiciary echoed the acts of the murderers.

Frieda "Fritizie" Mann had several identities during her brief life, and the mysterious circumstances of her death raise as many questions as they do answers. She was born in 1903 near the present border between Poland and Ukraine. And in the last year of her life, Mann became locally famous. She had reinvented herself as a flapper and "Oriental" dancer. She claimed to have friends in Hollywood and a movie contract. On the night of her murder, she said she was going to a party to meet her Hollywood friends; instead she traveled to an isolated roadside hotel where she met her death.