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She is a shy spinster by day and a celebrated opera singer by night. He is an earl in dire need of a wife—and desperately in love with this season's opera star. Can love blossom out of this tangled web of deception? This is a sweet, cheeky Regency romp where spinsters are merry, rogues are charming, and nothing is at it seems.

When Victoria fell in love with the Earl of Pembroke, she never imagined he'd heartlessly wed, bed, and abandon her in the countryside. After he suddenly returns, determined to prove to her he's a changed man, she's not about to forgive him, trust him, or succumb to his scorching kisses. Will has devoted his life to enraging his loathsome father by creating one scandal after the next. Duty forces him back to the wife he resents, but he isn't prepared for the raw desire she makes him feel. Seducing her will hardly be a tedious task. Guarding his heart, however, is another matter.

Lady Ludmilla Windmere is mortified. The spinster extraordinaire has fallen in love with her best friend, and that cannot be. The problem? She hasn't met him. Not once. For they have only ever corresponded by letter. When she sets out to uncover his identity, her world shatters. For Addy turns out to be none other but London's worst rake. Adrian St. Addington is perturbed. The rakehell extraordinaire is developing a marked tendre for a spinster, and that cannot be. The problem? She might be mistaking him for someone he is not. Or, what is worse, know precisely who he is.

For 16-year-old Jane, life is a mystery she despairs of ever mastering. She and her friends are the idle, pampered children of the privileged class, living in luxury on an Earth remade by natural disaster. Until Jane's life is changed forever by a chance encounter with a robot minstrel with auburn hair and silver skin, whose songs ignite in her a desperate and inexplicable passion. Jane is certain that Silver is more than just a machine built to please. And she will give up everything to prove it.

It's one thing to wake up outside in the middle of the night with a decapitated man for company. It's another to have no memory of how you got there—or who you are. She might not know her own name but she knows that several people are out to get her. It could be because she has strange magical powers seemingly at her fingertips and is some kind of fabulous hero. But then why does she appear to inspire fear in so many? And who on earth is the sexy, green-eyed barman who apparently despises her? So many questions . . . and so few answers.

What really drives our decisions? Where do language and memory come from? Why do our minds sometimes seem to work against us? Psychologists have long attempted to answer these questions, seeking to understand human behavior, feelings, and thoughts. But how to explore something so elusive?

It's Christmastime at the Bellamy ancestral home and all the Bellamy sisters have gathered to celebrate. But it isn't just the Bellamy siblings who've made the journey to Wych House with their spouses and families. Andrew Derrick, the Marquess of Shelton, would rather spend Christmas anywhere else but in the home of the woman he once abducted. But if he's ever going to mend his scandalous reputation and build a life for himself, then he'll need to face up to the actions that have defined his past.

Lady Selina Bellamy is much more than a pretty face. And it's about time everyone realized it. Being the sweet, biddable, pretty sister isn't as easy as one might think. Selina knows this all too well. Love? That was never a possibility for her. Not when she was expected to marry a wealthy man and save her entire family from financial ruin.

This book offers an unflinching look at the creative and structural challenges of storytelling in interactive media. Drawing on over 30 years of industry experience, Kelly Vero explores the rich interplay between narrative, design and technology, making the case for why story is foundational to player engagement, emotional investment, and lasting value in games and virtual worlds.

Lord Roland Crewe wants nothing to do with love or romance. He's already proven he's a terrible husband-twice!-and has no interest in doing it again. But for some reason, he struggles to remember that when he's with Aurelia. He knows a scarred, hardened man like him has nothing to offer a beautiful young idealist like her. So, why can't he stay away?

This academy's gone to the gods. I'm Penelope DeLuna, and I'm a demigod. I didn't think half bloods were real, until a sexy-as-sin guy showed up with a three-headed dog and kidnapped me to a world of magic. After my powers emerged, I discovered I'm the daughter of a goddess. To join my family, I'll have to prove my worth at an academy for preppy mythological heroes and fight my way up Mount Olympus. If I'm lucky, no one will find out I had a naughty hook-up with the totally off-limits son of Hades...

Romance isn't for the plain, shy, and awkward—a painful truth that Hyacinth knows better than anyone. But Hy refuses to let anything or anyone stop her from living life on her own terms. Independence—and the opportunity to secure her family's future—is finally within her grasp. But then Hy crosses paths with a meddling duke and everything changes.

The Bellamy family has four months before they'll lose the roof over their heads. While Phoebe's older sisters venture out into the world to earn the necessary funds, Phoebe herself stays home to care for her younger siblings and parents. But then she meets Viscount Needham, a wealthy new peer, and everything changes.

The expectation used to be that men would be masculine and women would be feminine, and this was assumed to come naturally to them in virtue of their biology. On this view, sex is gender and gender is sex. A new view of gender has emerged in recent years, a view on which gender is an "identity," a way that people feel about themselves in terms of masculinity or femininity, regardless of their sex. On this view, sex is dismissed as unimportant, and gender is made paramount.

Gerrit van Draak, the fifth Duke of Dulverton, might not love his orderly, boring life, but at least it is one he can manage. And then she comes along. Lady Kathryn Bellamy not only tears down the walls Gerrit has spent decades carefully constructing, she also shatters the bedrock of his existence in the process.

Kelly MacGregor is the CEO of an internationally renowned whisky distillery in her hometown in the Scottish Highlands. But she's unsettled and has let her adventurous side take a back seat. When she meets a younger woman at a gig, she can't help but be drawn to her, and when this young woman turns out to be the new owner of her whisky distillery, Kelly is put in a compromising situation.

Wherever you look, money is being replaced by tokens. Digital platforms are issuing new kinds of money—like things, from phone credit, to shares, gift vouchers, game tokens, and customer data. These tokens are used to turn invisible stuff into assets, to pay wages, to track purchases, and to program and specify the terms of financial and political access and inclusion. What does it mean when online platforms become the new banks? What new types of control and discrimination emerge when money is tied to specific apps, or actions, politics, or identities?

Oxford—celebrated city of dreaming spires and class warfare—is an ambition come true for geeky upper-middle-class lesbian Charlotte and charismatic working-class straight Millie. Against the odds, theirs is an instant best friendship. Forever. Exuberant Millie is a breath of fresh air for polite Charlotte and a force of nature within the university's hallowed walls. And they are going to be the best lawyers of their year and change the world. But their world changes instead when things go queerly sideways, and they haven't seen each other since.

One should never judge a duke by his cover. As far as London society knows, Giles Drew, the Duke of Basingstoke, is everything a proper aristocrat ought to be. But when a notorious scandal sheet publishes details of Giles's questionable bedroom antics, only one bride can salvage his reputation. Prim and penniless, Francesca Stanhope has resigned herself to a season full of the ton's snickering—until the Duke of Basingstoke's dizzying courtship transforms her fate. Yet wedded bliss quickly turns into a clash of wills as Franny realizes her handsome duke is a devil in disguise.

Ana Gardner is determined to lose her virginity before her thirtieth birthday. She's no stranger to fake identities, having posed as a chaperone since the scandal that destroyed her family. So she dons a mask and attends the city's most elite brothel, the Silver Chalice. Oliver Bedford, the imposing Earl of Drake, is only at the Silver Chalice to appease his friends—until he spots Lady Scarlet. She's refreshing and a complete mystery. Certain she's a lady in disguise, Oliver is determined to learn her identity.