検索キーワード： 制作 "Sceptre" 文学・フィクション

Love is not a singular concept. In this collection, seven award-winning authors explore seven concepts of love: from philautia (self-love) to agape (love for humanity) and from storge (a natural affection for family) to mania (a frenzied, obsessive love).

Thomas Keneally pulls no punches in this powerful novel about the Catholic Church's attempts to cover up cases of child abuse. Expelled from the archdiocese of Sydney as a young priest for his outspoken views on the Vietnam War, Father Frank Docherty returns to Australia in 1996 to speak at a conference on paedophilia within the Catholic Church. There, he finds himself caught up in the cases of two people who claim to have been sexually abused by an eminent Sydney cleric.

London, the 1720s. Welcome to Romeville, the underworld of that great city. The financial crash caused by the South Sea Bubble sees the rise of Jonathan Wild, self-styled Thief-taker General who purports to keep the peace while brutally controlling organised crime. Only two people truly defy him: Jack Sheppard, apprentice turned house-breaker, and his lover, the notorious whore and pickpocket Edgworth Bess.

At the end of May 1381, the 14-year-old King of England had reason to be fearful: the plague had returned, the royal coffers were empty and a draconian poll tax was being widely evaded. Yet Richard, bolstered by his powerful, admired mother, felt secure in his God-given right to reign.

In San Francisco, 1960, James Baldwin spoke to John Cheever about what he saw as a 'failure of the masculine sensibility'. Strange Relations examines how Baldwin came to this assessment and what may be amiss in our understanding of masculinity. Building on Walt Whitman's philosophy of the love between men, the book considers the work and lives of Tennessee Williams, Carson McCullers, Cheever and Baldwin. All four writers wrestled in their art, as well as in their sexual and platonic relationships, with the expectations of masculinity, the pull of queer life and the tensions between the two.

Recently dumped and stuck with the mortgage, artist Esther Ray wants to burn the world, but instead, she reluctantly accepts a scrapbooking job from the deliriously wealthy Naomi Duncan. The scrapbooks, a secret birthday gift for Naomi's husband Bryce, trace the Duncan's twenty-five-year marriage. As Esther binges true-crime podcasts and works through the near-two hundred-boxes of Duncan detritus, she finds herself infatuated with the gilded family - until, mid-project, Naomi dies suspiciously.

An ex-soldier and recovering alcoholic living quietly in Somerset, Stephen Rose has just begun to form a bond with the daughter he barely knows when he receives a summons - to an inquiry into an incident during the Troubles in Northern Ireland.  It is the return of what Stephen hoped he had outdistanced. Above all, to testify would jeopardise the fragile relationship with his daughter. And if he loses her, he loses everything.  Instead, he decides to write her an account of his life: a confession, a defence, a love letter. Also a means of buying time. 

Tokyo, 1940. While Japan's war against China escalates, young Yuji Takano clings to his cocooned life: his beloved evenings of French conversation at Monsieur Feneon's, visits to the bathhouse with friends, his books, his poetry. But conscription looms and the mood turns against foreigners, just when Yuji gets entangled with Feneon's daughter. As the nation heads towards conflict with the Allies, Yuji must decide where his duty - and his heart - lies.

In the summer of 1997, four people reach a turning point: Alice Valentine, who lies gravely ill in her West Country home; her two sons, one still searching for a sense of direction, the other fighting to keep his acting career and marriage afloat; and László Lázár, who leads a comfortable life in Paris yet is plagued by his memories of the 1956 Hungarian uprising. For each, the time has come to assess what matters in life, and all will be forced to take part in an act of liberation - though not necessarily the one foreseen.

In a world where people slaughter the innocent without mercy or retribution, how can we have faith in humanity, or the future? Clem Glass, a photojournalist, returns from Africa to London convinced there is no hope for mankind. Yet after his sister falls ill and he takes her back to the West Country of their childhood, he cannot ignore the decency and kindness he encounters, or the pulse of goodness in his own heart. When news comes offering Clem the chance to confront the author of his nightmares, he must choose what sort of man to be.

Boy-made-good Téo Erskine is back in the north London suburb of his youth, visiting his father - stubborn, selfish, complicated Vic. Things have changed for Téo: he's got a steady job, a brand new car and a London flat all concrete and glass, with a sliver of a river view. Except, underneath the surface, not much has changed at all. He's still the boy seeking his father's approval; the young man playing late-night poker with his best friend, unreliable, infuriating Ben Mossam; the one still desperately in love with the enigmatic Lia.

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, finding solace in a small religious community hidden away on the plains of the Australian outback. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident. As she gradually adjusts to the rhythms of her new life, she ruminates on her childhood in the nearby town, turning again and again to thoughts of her mother, whose early death she can't forget. But disquiet interrupts this secluded life with three visitations.

Hana has a perfect job, a perfect home, a perfect marriage. It is her younger sister Mira who is a mess. But Hana wants children and her husband is hesitating, and perhaps her control is slipping. Mira dreams of a creative life but she's stuck working at a local café. She hates her flatmate and Hana's dismissal of her writing but she can't find the right inspiration. One night, a fight between Hana and her husband sparks something in Mira: the words ring in her head and she starts typing. But what can you borrow from your sister? And what can be forgiven?

As riots erupt on the streets of Lahore, Inspector Faraz returns to his birthplace, the red-light district in the ancient walled city where women still pass on the profession of courtesan to their daughters. Plucked from it as a small boy by his influential father, Faraz has kept his roots well hidden. Now his father has sent him back: to cover up the murder of a young prostitute. It should be a simple task in the marginalised community, but Faraz finds himself unable to obey orders or to resist searching for the mother and sister he left behind.

Angus Mooney is not happy—he's been murdered, cut off in the prime of his life. He feels humiliated—he's never even believed in an afterlife. (How wrong he'd been). He's confused—death has provided more questions than answers. And he desperately misses his audacious and fiery wife, Gracie, who's expecting their first child. The only upside is that Angus has found a way to see what his murderer is up to and how Gracie is faring. The downside: Gracie and his murderer are getting uncomfortably close, and a worldwide pandemic means the afterlife is about to get very crowded.

On a year-long exchange programme in rural Oregon, sixteen-year-old Hira must swap Kashmiri chai for volleyball practice and understand why everyone around her seems to dislike Obama. An unforgettably witty narrator, Hira finds herself stuck between worlds. The experience is memorable for reasons both good and bad; a first kiss, new friends, racism, Islamophobia, homesickness. Along the way Hira starts to feel increasingly unwell until she begins coughing up blood, and receives a diagnosis of tuberculosis, pushing her into quarantine and turning her newly established world upside down.

A girl grows up in the north of England amid scarcity, precarity and the toxic culture of heroin chic, believing that she needs to make herself smaller to claim presence in the world. Years later, as a young woman with unattainable ideals, she meets someone who calls everything into question, and is forced to confront episodes from her past. Their relationship takes her from London to Barcelona and the precipice of a new life, full of sensuality.

A boy meets a girl. The past meets the future. A finger meets a trigger. The beginning meets the end. England is forever; England must fall. The Ministry of Time is a novel about Commander Graham Gore (R.N. c.1809-c.1847) and a woman known only as the bridge. As their relationship turns from the strictly professional into something more and uneasy truths begin to emerge, they are forced to face the reality of the project that brought them together.

In September 1883, a small town in the South Australian outback huddles under strange, vivid sunsets. Six-year-old Denny Wallace has gone missing during a dust storm, and the entire community is caught up in the search for him. As they scour the desert and mountains for the lost child, the residents of Fairly—newlyweds, landowners, farmers, mothers, artists, Indigenous trackers, cameleers, children, schoolteachers, widows, maids, policemen—confront their relationships, both with one another and with the ancient, impervious landscape they inhabit. 

Delhi, 1997: It is India's fiftieth year of independence, the year of Hindu nationalists and atomic bombs. But twelve-year-old Adi has a bigger problem: his Ma has gone missing - again. Left with an ailing grandmother, a raging father and no answers, he finds an unlikely ally: a talking vulture who reveals itself to be a bureaucrat from the 'Department of Historical Adjustment'.