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The only thing that frightens shapeshifter Selene Rhodes more than the full moon is the idea of falling in love. Selene Rhodes has lived her whole life with a terrible secret: not only can she take the form of any animal at will, but once a month the full moon transforms her into a fierce wolf-creature without a human conscience. Managing her condition means living by a strict routine, and more importantly, abstaining from intimate relationships with human beings.

The stunning popularity of the “New Atheist” movement - whose most famous spokesmen include Richard Dawkins, Sam Harris, and the late Christopher Hitchens - speaks to both the growing ranks of atheists and the widespread, vehement disdain for religion among many of them. In Faitheist, Chris Stedman tells his own story to challenge the orthodoxies of this movement and make a passionate argument that atheists should engage religious diversity respectfully.

As a 16-year-old Catholic seminarian, Chris Sieb had a deep crush on fellow student Jack Canston. Now, 25 years after parting ways, Jack has transfered to the Kansas City diocese where he once again encounters Chris - now Father Sieb - a devoted priest and closeted gay man. After seeing each other for the first time, the two rekindle their boyhood yearnings, beginning a secret relationship. Their reverie is brief, however, abruptly shaken when another closeted priest in the diocese, a former classmate of the two, dies suddenly, an apparent suicide.

Gun runner Pablo Castillo has cemented his reputation in the gun trade as callous and cold-hearted. Personal feelings no longer matter, not with everyone out to make him a sacrifice on their way to the top. He remains untouchable, until a meeting with a rival gang leader and a new deal brings him face-to-face with temptation. Dev is the right hand to a sadistic bastard out for blood and glory. He hides his true feelings of distaste for his boss, not the least of his many secrets.

Tommy Jankowski is hiding from a past he can’t escape and a man he can’t forget. With a new name and resolve, he settles in a small California town. It’s there he catches the eye of a predator. Fearing for his life, Tommy reaches out to his old boss for help. The man who shows up is the last person Tommy is prepared to face. Mateo Oliveros hasn’t forgiven himself for scaring Tommy so bad he took off running. When Mateo gets a call that Tommy is in danger, he doesn’t think twice before rushing to the rescue, but Tommy isn’t happy to see him.

After years spent mourning the death of her partner, Christine Kane, Minneapolis restaurateur Jane Lawless thinks she's ready to move on. That is, until she finds a gun among Christine's belongings. The night before Christine died of cancer, three members of the Simoneau family, Christine's real estate clients, were murdered. The timing of their deaths appeared coincidental and Jane always assumed Christine knew nothing of the family's secrets. But as she searches for clues to understand what really happened all those many years ago, the gun and a few other discoveries begin to convince Jane otherwise.

A pioneer of LGBTQ studies dares to suggest that gayness is a way of being that gay men must learn from one another to become who they are. The genius of gay culture resides in some of its most despised stereotypes - aestheticism, snobbery, melodrama, glamour, caricatures of women, and obsession with mothers - and in the social meaning of style.

Jane Lawless is at her wit’s end, keeping her Minneapolis restaurants running while volunteering on her father’s campaign for governor. With an eleven-point lead, the race is Ray Lawless’s to lose, but all that changes when his rival posts a list of violent criminals that are back on the streets early, thanks to Ray’s work during his career as a defense lawyer.

It doesn’t take Jane long to figure out that someone has spiked the food at the party, most likely with hallucinogenic mushrooms. As the police arrive, the groom takes an unfortunate dive off a diving board and Jane realizes that if she can’t figure out exactly what has happened the blame will fall squarely on her own shoulders.

On the treacherous streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. Within this elite, dangerous world, Richard St. Vier is the undisputed master, as skilled as he is ruthless--until a death by the sword is met with outrage instead of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye.

What is it about cops that so excites gay men? Could it be the buzz cut and chiseled jaw, those bulging thighs under tight blue serge, the cool mirrored glasses that reflect unbridled lust in the eyes (and other body parts) of their beholders? Maybe it's the promise of punishment at the end of a nightstick. Perhaps it's the sheer pleasure of transgression ? of getting down and dirty with a man who's supposed to enforce the law but seems more interested in the perp than in his crime.

The first of the dead is wealthy Belle Dumont, who vanished from her home in the Minnesota woods only hours before she was to reveal startling news to her three grown children. The kids and Belle's lover deny any knowledge of this mysterious bombshell, but amateur sleuth Jane Lawless, Belle's old friend, suspects these charming folk of being less than forthright. In fact, Jane suspects coldhearted murder....

When Cordelia Thorn ventures to Summer Green, Wisconsin, for a reunion with some old college friends, she finds trouble in paradise. Twenty-plus years have definitely changed things. Soap opera star Diana has become an alcoholic. Curt and Annie's marriage is falling apart. Orson is hostile and surly. And Theo, the most passionate of them all, suddenly dies - of an apparent heart attack. Alarmed, Cordelia sends for her old friend Jane Lawless to do some quiet snooping. Together they follow their hunches - into the not-so-carefree past and back to the troubled present, where they find a single match could blow up all their lives....

Jane, a Minneapolis restaurateur, is invited to spend the week at Fothergill Inn, a Victorian house-turned B&B. Jane's old friend Leigh has spent years renovating the house and reopening it as an inn and restaurant. The inn has become so successful that people drive the 50 miles from Minneapolis just for dinner. But when Jane and her best friend, Cordelia, arrive for a week of relaxation, they find that the weekend's guests are anything but pleased, and that relaxing is the furthest thing from their minds. Broken glass litters the parking lot, dead animals turn up in the bedrooms, a bomb scare threatens the lives of the inn's guests. Then the pranks turn deadly....

Joanna Kasimir, an old friend of Jane Lawless, left Minneapolis years ago to make it big in Hollywood and, unlike so many others, she succeeded. Unfortunately, her stardom came at a price. Early in her career, Joanna was involved with a man who quickly went from being an idle interest to a dangerous stalker. Nearly a decade has passed since she sent him to prison, but just as she is about to leave for her hometown to star in her friend Cordelia Thorn's production of Who's Afraid of Virginia Woolf, she receives one of his ominous calling cards.

After 75 years of high-minded respectability, the Amelia Gower Women's Club is in trouble. One distinguished director has been strangled. Another has taken a fatal plunge down the club's elegant staircase.

As soon as restaurateur-sleuth Jane Lawless begins investigating these murders, wheels within wheels start to turn, meshing private lives with the club's inner workings. Even Jane's new lover, Dorrie, is somehow involved in the diabolical proceedings....

Aging theater actor Torald Werness' last curtain call is as a corpse. Murdered after his last performance in his last theatrical production, Minneapolis restaurateur-sleuth Jane Lawless finds his body onstage, impaled on a part of the set. Before long, a series of coincidences places Jane in the role of prime suspect. Determined to clear her name, Jane turns to her best friend, Cordelia, for help. Together, their intuition leads them to the dead man's family, a glamorous - and appropriately melodramatic - Midwestern theatrical dynasty. Jane and Cordelia must separate the theatrics from reality before Jane takes the blame for someone else's crime.

Minneapolis restaurateur Jane Lawless is at crossroads. Unsure of what to do next, she takes her good friend A. J. Nolan up on his standing offer: To take her on as a private investigator. Her first job seems simple enough. All she had to do is find Annie Archer’s stepfather. While she’s happy to close her first case, she finds it hard to reconcile the difference between PI work - finding what people pay you to find - and uncovering the truth, the whole truth, especially when clues in this seemingly simple case point to more threatening family secrets.

Jane Lawless has worked hard to make her Minneapolis restaurant a success, and she's finally reaping the financial rewards. Yet even the demands and excitement of being a popular restauranteurs and living the good life don't bring the same satisfaction they once did. Jane needs a bigger challenge. A mystery to solve. The thrill of the chase... When Jane rents her quaint third-story apartment to a new tenant, children's book author Elliot Beauman, she unwittingly opens the door to a sinister, decades-old mystery that has been waiting patiently to unfold - in her own house.

With no one to help her ring in the new year, Jane Lawless reluctantly agrees to accompany her good friend Cordelia Thorn to the wedding of Cordelias' estranged sister, Broadway star Octavia Thorn. Octavia getting married is no surprise - but her candidate for hubby number four certainly is. Roland Lester is a reclusive 83-year-old retired Hollywood director. No one can understand how the two met. When the bodies start to drop, Jane realizes it might not be love at all that brought the young diva and the aged director together, but something more sinister.