検索キーワード： 制作 "Blackstone Publishing" LGBT

In a letter to her six-year-old daughter, Julietta Singh ventures toward a tender vision of the future, lifting up children’s radical embrace of possibility as a model for how we might live. If we wish to survive the looming political and ecological crises of our day, Singh contends, we must break from the conventions we have inherited, and orient ourselves toward revolutionary paths that might yet set us free. The Breaks celebrates queer family-making, communal living, and Brown girlhood, complicating the US’ stark binaries.

Returning to Guthrie, Oklahoma, for the funeral of his mysterious and beloved aunt, Sue, Adam Binder once again finds himself in the path of deadly magic when a dark druid begins to prey on members of Adam’s family. It all seems linked to the death of Adam’s father many years ago - a man who may have somehow survived as a warlock. Watched by the police, separated from the man who may be the love of his life, compelled to seek the truth about his connection to the druid, Adam learns more about his family and its troubled history than he ever bargained for.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Carson Chow is a high functioning addict. For years, he's been able to meet the increasing demands from his aging immigrant parents while hiding his crystal meth use every other weekend. One Friday night, as he's passed out from a drug binge, he misses 38 phone calls from his father, detailing first the collapse and eventually the death of his mother. Carson has always been close to his mother. He throws himself into the preparation of his mother's funeral. Will this tragedy plunge him deeper into his abuse or finally rouse him from his addiction stupor?

Satellite Street is woven through with the theme of transitions. Paul Marden is grappling with the way that a sudden, devastating illness and his slow recovery have made him reevaluate what "normal" is for a man in his 60s who grew up in a time of change that promised better days than the ones he is now living through. Another character's transition involves both gender and spirit; Lelee was born male and wanted to transition to female, but the process has been hindered by heart issues. Lelee also believes that she can speak to the dead, although she is skeptical.

Happiness has become a serious business. Where 20th-century psychology focused on depression and illness, in the new millennium scientists have begun focusing on "positive psychology" - the study of happiness. Ariel Gore first became intrigued by this subject when she discovered that a class on positive psychology was the most popular course on the Harvard campus.

TMI is the story of how Mario Lavandeira became Perez Hilton, a celebrity blogger with millions of readers around the globe who was sometimes called the Most Hated Man in Hollywood.

At 19, almost 20, Ron Bancroft is newly out as transgender and finds himself adrift: kicked out by his family, jilted by his girlfriend, and unable to afford to return to college in the fall. So he heads out to Wyoming for a new start, a chance to prove that - even though he was raised as a girl, even though everyone in Boston thinks of him as transgender - he can live as a man. A real man. In Wyoming, he finds what he was looking for: rugged terrain, wranglers, and a clean slate. He also stumbles into a world more dangerous than he imagined, one of bigotry and violence.

Sarah never admits that she’s his mother, but the beautiful boy has watched her survive as a “lot lizard”: a prostitute working the West Virginia truck stops. Desperate to win her love, he decides to surpass her as the best and most famous lot lizard ever.

In his Locus review of Two Worlds and in Between - the first volume of The Best of Caitlín R. Kiernan - Gary K. Wolfe wrote, “...it makes you wish the second volume were here now.” Well, the long wait is over. This second volume completes this ambitious undertaking, collecting the finest of Kiernan’s stories from 2004 to 2012, selected by the author herself. The book includes 25 short stories and one poem, plus the short novel Black Helicopters - more than 200,000 words of fiction, including the World Fantasy Award-winning “The Prayer of 90 Cats”.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

The Royal We is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon.

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.

Chaotic bisexual Wendy is trying to find her place in the queer community of San Lazaro, Arizona, after a bad breakup—which is particularly difficult because her ex is hooking up with some of her friends. And when the people around them start turning into violent, terrifying mindless husks, well, that makes things harder. Especially since the infection seems to be spreading.

A new king is on the throne and the rebellion lies in ruins. Keera spends her days drinking and her nights avoiding the strange dreams that have haunted her since she returned from the capital. Keera’s family in Myrelinth won’t let her go without a fight. With new intelligence about the magical seals left behind by Keera’s ancient kin, the Light Fae, she rallies to face her demons and unleash the formidable powers she inherited from her people. But a shocking truth is hiding in plain sight, one with the power to unravel the entire rebellion.

Isaac Frost is an assassin. Raised in the Graveyard of the cruel and mysterious Undertaker, he has mastered the deadly art of the knife and the skill of survival, together with scores of others just like him—young men taken from their families to become the most infamous killers throughout the realms of elves and humans. But Isaac is unique: a single drop of another’s blood can confer upon him the knowledge and power of friend and foe alike.

Ivory’s life changes irrevocably when she discovers the body of Cabrina Brite on the sands of Cape Morning, along with a mysterious poem. How did she die, and why does it seem she was trying to swim to Ghost Cat Island, the center of so many local mysteries? Desperate to uncover the answers surrounding Cabrina’s death, and haunted by her discovery, Ivory begins to see the pale ghost of Cabrina, only to shake it off as a mere hallucination. But Ivory is not alone.

Running from strife in her homeland, Maribella Waters becomes the new owner of the fabled Cozy Quill. After finding squatters on her property, she employs Asteria Helsdottir, a giant, barbarian warrior woman more accustomed to swinging an axe than opening a book. Together, the odd couple must make a success out of the bookshop—and survive a dizzying procession of seasonal festivals. But the local evil noblewoman has other plans in mind.

Three years after running away from home, Olivia is stuck with a dead-end job in nowhere town Chapel Hill, Pennsylvania. At least she has her best friend, Sunflower. Olivia figures she’ll die in Chapel Hill, if not from boredom, then the summer night storm which crashes into town with a mind-bending monster in tow. If Olivia’s going to escape Chapel Hill and someday reconcile with her parents, she’ll need to dodge residents enslaved by the storm’s otherworldly powers and find Sunflower.

It’s 2007, and while 43-year-old Leanne Spencer’s career is building up steam, her love life is a trainwreck. She’s always believed her addiction to bad boys stems from her flawless father dying when she was a child, but it turns out Mom’s a liar, Dad’s not dead, and her childhood was a well-crafted illusion.