検索キーワード： "Anatole France" 古典

Nous sommes en 1793, Évariste Gamelin, un jeune peintre parisien, sensible à l'injustice et généreux, devient juré au tribunal révolutionnaire, et va franchir peu à peu, sous le prétexte de protéger la révolution de divers complots, la frontière qui sépare le juste de l'ignoble, le bon de l'exécrable, le légitime du totalitaire.Son amour pour Élodie, la fille de son marchand d'estampes, accentue l'aspect paradoxal de la montée d'une cruauté inspirée par des idées politiques a priori généreuses.

French literature may be said to begin with the ninth century "Song of Roland," and it has since then churned out masterpiece after masterpiece in every century right up to the present. Beginning with Balzac and Dumas in the early part of the nineteenth century and proceeding to Sartre and Camus at the midpoint of the twentieth, the stories in this collection showcase the talents of some of the greatest French masters of the short story.

Die Schriften der französischen Prosa-Ikone Anatole France wurden zu Beginn des letzten Jahrhunderts vom Vatikan auf den Index verbotener Bücher gesetzt. Ob bei den offiziellen europäischen Gottes-Profis inzwischen ein Umdenken stattgefunden hat ist zu bezweifeln. Jedenfalls zeugen die Erzählungen des Anatole France von einem großartigen Verständnis der praktischen Welt und einem sehr gutem Verständnis der menschlichen Natur – wahrscheinlich deswegen für den Vatikan unverständlich.

Die Schriften der französischen Prosa-Ikone Anatole France wurden zu Beginn des letzten Jahrhunderts vom Vatikan auf den Index verbotener Bücher gesetzt. Ob bei den offiziellen europäischen Gottes-Profis inzwischen ein Umdenken stattgefunden hat ist zu bezweifeln. Jedenfalls zeugen die Erzählungen des Anatole France von einem großartigen Verständnis der praktischen Welt und einem sehr gutem Verständnis der menschlichen Natur – wahrscheinlich deswegen für den Vatikan unverständlich.

In questo secondo volume della tetralogia della Storia contemporanea, che segue “L’olmo del Mail”, troviamo il signor Bergeret impegnato in discussioni politiche sulla corruzione dei funzionari della Repubblica e su questioni di morale cristiana e non, mentre, nella sua vita domestica (di cui il manichino di vimini è ingrato simbolo), egli acquisisce “l’inestimabile vantaggio di essere tradito”.Cornice musicale: A real slow rag, di Scott Joplin.

In questo terzo libro della Storia contemporanea, il signor Bergeret si riconcilia finalmente con la vita. Diventato professore titolare, acquisita la dolce compagnia di un cane, continua, fra riflessioni filosofiche e prese di posizioni politiche del tutto scomode riguardanti l’affare Dreyfus, ad accompagnarci nel viaggio di questa Francia in cui governi radicali e conservatori si alternano, e in cui l’antisemitismo viene considerato patriottico.

Anatole France (1844 – 1924), è stato uno scrittore francese, Premio Nobel per la letteratura nell'anno 1921. Nel 1896 iniziò a scrivere la Tetralogia della storia contemporanea, composto di quattro romanzi, di cui questo è il primo. I romanzi hanno per protagonista il signor Bergeret, modesto e disilluso, ma colto e arguto professore di un liceo di provincia, attraverso i cui occhi France descrive la società del suo tempo.

In questo quarto volume della tetralogia della Storia contemporanea, il signor Bergeret, promosso docente alla Sorbona, si trasferisce a Parigi con la sorella e la figlia Paolina. Con la sorella esplora il proprio passato, incontrato casualmente nella sua vecchia casa d’infanzia, sfitta e rovinata; con la figlia acquista una brillante ascoltatrice dei suoi discorsi filosofici, divenuti, finalmente, ottimisti.

First published in 1908, and widely regraded as his masterpiece, Penguin Island is Anatole France's most searching and satirical novel. A humorous critique of customs and laws, rituals and rites, its subject is human nature, but its characters are penguins in the mythical land of Penguinia. The story of the strutting penguins and their virtues and vices is not merely a burlesque allegory of French history, it is a satire of the history of mankind. With gentle yet biting irony, France challenges the Spencerian belief in the ultimate perfectibility of man, though his irony reveals his sympathy for man's weaknesses and his need for social institutions.

La tragedia di un poveruomo stritolato da una macchina infernale. E questa prima impressione viene alla fine confermata da un epilogo incerto quanto doloroso. Ma tra la tesi e la sintesi, nel mezzo, si collocano infiniti spunti che meritano una scomposizione analitica, e che spiegano il corso degli eventi che travolgono lo sfortunato carrettiere. Ne voglio cogliere due, perché sono più attuali che mai: la strumentalizzazione della legge e la sua sostanziale ipocrisia.

Marqué par la guerre et les totalitarismes, le XXe siècle produit une littérature entièrement à réinventer, traversée par des courants aussi nombreux que spectaculaires. Cette collection de citations présente la pensée de cinq auteurs incontournables du XXe siècle sous forme concise, accessible et pratique.

Anatole France (1844-1924) was a French poet, journalist, and novelist who wrote several best sellers. The Revolt of the Angels is a mischievous take on the theology of modern society; it chronicles the thoughts of Arcade, a lowly guardian angel, as he discovers the ugly truths of his divine master in the library of his human charge As Maurice, the young man abandoned by Arcade, struggles to get his guardian back, one gets a view of a wide variety of the author’s artistic personalities, most of whom are fallen angels.

Nous vous proposons ici, avec Kim Vinter, de faire connaissance avec "Putois", jardinier irréel né d'un mensonge, mais dont l'influence sur les habitants d'une petite ville est, elle, bien réelle. Ou bien avec ce "Petit soldat de plomb" qui s'anime dans une vitrine et qui raconte des souvenirs de guerre sujets à controverse. Quant à "Edmée", elle est l'héroïne d'un conte corrosif qui s'émancipe allégrement des poncifs du genre.

Die Geschichte der satirischen Verspottung des kleinstädtischen Spießers, dessen Charakter durch geringfügige äußere Einwirkungen aus den Fugen gerät.

Anatole France (1844 - 1924) was a leading French poet and writer who was awarded the Nobel Prize for literature in 1921. "In the Reign of Terror" is a short story describing a daring spur of the moment escape by an aristocratic woman, when the mob appears at her door, seeking a neighbour who they wish to drag off to the guillotine.

This work vividly examines the lives of artists, nobles, commoners, and members of the Revolutionary Tribunal during the Reign of Terror in Paris. It is through our protagonist that we see how increasing power corrupts ever increasingly. And casting her dark shadow over all is Madame Guillotine.

I 1700-tallets Paris arbejder Jacques på sin fars restaurant, hvor han en dag møder en mærkelig abbed. Abbeden tilbyder Jacques kost og logi, hvis den unge dreng vil lade abbeden undervise ham i græsk, latin og kristendom. Det lyder mærkeligt, men alligevel tager Jacques imod tilbuddet. Det viser sig imidlertid, at abbeden har en lettere aparte tilgang til kristendommen og samfundet som helhed. Sammen kommer de ud for lidt af hvert og møder de mest mærkværdige eksistenser.

Our fear of the Devil, whatever his temptations and rewards, is amplified by the thought of eternal damnation in his hell house service. In this volume our authors are all from Europe and see the Devil in ways that we recognise and yet are culturally distinct to the European mainland.

An enchanting collection of some of the greatest short stories ever written by notable French authors.

Whilst faith can be practiced anywhere religious faith is usually at a church or temple. The stories in this volume are centered both in houses of worship and with those with a strong association to its calling. Of course, short story authors have a determined belief in their undoubted talents to make us look at this subject from different angles. In this volume they take us on literary journeys that are revealing and challenging yet always entertaining.