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"The Legend of Saint Julian the Hospitalier" is a short story by French writer Gustave Flaubert, one of the great masters of literary style and aesthetics. Saint Julian is predicted at birth to do great things, but a growing hatred takes root in him, leading him to seek a way to escape a destiny which seems more and more likely to be terrible. "The Legend of Saint Julian the Hospitalier" is an inspiring tale of perseverance and humility, one of Flaubert's most touching short stories with a religious theme.

"El rayo de luna", "El monte de las ánimas", "La cueva de la mora", "La Rosa de pasión", "La corza blanca", "La Cruz del diablo", "La promesa", "Los ojos verdes", "El beso", "El gnomo", "3 fechas", "Maese Pérez el organista", "Las hojas secas", "Creed en Dios".

In the last 50 years, folklorists have amassed an extraordinary corpus of contemporary legends including "the Choking Doberman," "the Eaten Ticket," and "the Vanishing Hitchhiker." But what about the urban legends of the past? These legends and tales have rarely been collected, and when they occasionally appear, they do so as ancestors or precursors of the urban legends of today, rather than as stories in their own right. In The Nail in the Skull and Other Victorian Urban Legends, Simon Young fills this gap for British folklore (and for the wider English-speaking world) of the 1800s.

Pierwszy tom „Atlasu legend” przedstawia barwne historie z zachodnich i południowych województw: wielkopolskiego, lubuskiego, dolnośląskiego, opolskiego i śląskiego. Podczas tej pasjonującej literackiej wycieczki czytelnicy zwiedzą liczne zamki i pałace zamieszkane przez białe damy i duchy rycerzy rozbójników, kościoły budowane przez niebiańskich wysłanników, legowiska strasznych smoków i porzucone diabelskie głazy.

Seductive, powerful Lamia DuLaine is used to getting what she wants - and she wants Julian Talbot. From the moment she sees him in the hedonistic atmosphere of 1814 Brussels, she knows she must have the roguishly handsome lord, and nothing as inconsequential as an innocent chit of a fiancee will stand in her way. After all, Lamia has more than just beauty in her arsenal; a thousand years of living have given the DuLaine unparalleled expertise at manipulating humans, especially men.

His name is Breslyn, Prince of Dagda of the Tuatha De. He is a royal Fae, immortal and endowed with more than eye candy looks. He is a being with immeasurable powers but life for him lacked something - so he looked around, and found... humans.

Las Rimas de Bécquer son hoy la más conocida de las colecciones poéticas del siglo XIX. Exponente de una lírica incómoda en el corsé romántico y casi modernista, estos poemas breves deben su liviandad a un esforzado trabajo de depuración estilística.

More than forty million Americans claim Irish ancestry. This lively illustrated book, divided into parts exploring myths, legends, and folktales, explains for the U.S. audience the importance of storytelling in Irish culture in particular. In ancient Ireland, a good storyteller was so valued that he would be a member of the aos dána, the bards, and would be welcomed into every village because he came bearing tales.

There is a man blazing a trail across the silver screen, delivering performances of such electric intensity that he has united critics and casual moviegoers alike. That man is Tom Hardy. Starring roles as Britain's most dangerous prisoner in Bronson, both Kray twins in Legend and the villainous brute Bane in The Dark Knight Rises have showcased his raw talent, edginess and ability to utterly inhabit his characters.

Dwieście lat temu Nowe Miasto warszawskie otoczone było wielkimi moczarami i gęstymi zaroślami, w których nierzadko ukrywały się dzikie zwierzęta. Zdarzało się nieraz, iż mroźną zimą, głodne wilki przybiegały na rynek nowomiejski i wyły po nocach. W czas takiej to właśnie zimy długotrwałej, w wieczór zawieruchą śnieżną dmący, do jednej z gospód, w pobliżu kościoła Panny Marii, przywlókł się stary, obdarty, skulony z zimna, dziadek. Zbójca!

The 98-stanza meter-and-rhyme translation of "Legenda Luceafarului" - an entrancing masterpiece by Mihai Eminescu (1850-1889), the Romanian national poet - captures the essence of the original work's musicality and poetic nuance. It is the story of a young princess' longing and impossible love for the immortal star who, sharing her love, takes human form and tries to become mortal.