検索キーワード： "?????" 死・悲嘆・喪失

My Greenhouse is a collection of poems inspired by the author's first romance, beginning with the seeds of infatuation, blooming for a time into real love, and then eventually dying back, making room for new growth. The pieces evoke the feelings of enchantment, uncertainty, pain, and ultimately healing that come with your first love and heartbreak.

La produzione in versi più conosciuta di Giacomo Leopardi. La raccolta si divide in quattro fasi: la prima riguarda temi erotici, il suicidio, la natura e il senso della vita; la seconda tratta i piccoli e i grandi idilli; la terza è dedicata alla donna di cui Leopardi si innamorò, Fanny Targioni Tozzetti; la quarta e ultima fase comprende infine due canzoni sepolcrali, la "Palinodia", il capitolo "I nuovi credenti", "La ginestra" e "Il tramonto della Luna". Giacomo Leopardi (1798 – 1837) è stato un filosofo, filologo, poeta e scrittore italiano.

Few writers have so brilliantly and poignantly conjured the desperation and absurdity of ordinary life as Charles Bukowski. Resonant with his powerful, perceptive voice, his visceral, hilarious, and transcendent poetry speaks to us as forcefully today as when it was written. Encompassing a wide range of subjects—from love to death and sex to writing—Bukowski’s unvarnished and self-deprecating verse illuminates the deepest and most enduring concerns of the human condition while remaining sharply aware of the day to day.

Charles Bukowski examines cats and his childhood in You Get So Alone at Times, a book of poetry that reveals his tender side. The iconic tortured artist/everyman delves into his youth to analyze its repercussions.

A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.

A collection of over 200 pieces of poetry and prose, The Secret of You focuses on the thoughts and feelings that we might not share and have trouble expressing, the things that we need to let go in order to heal. Enhanced by his own introspective narration, Thomas’s newest volume asks and answers vulnerable questions on themes of love, loss, identity, shame, and more.

In Tell Me Another Story, Marucci examines those closest to her—her grandfather, nephew, and husband—as well as those she hardly knows—the women sitting at the next table in the diner; the roofer she meets on the train. Part 1: Me, is comprised of Emmy's own story—raw and personal—while Part 2: You tells the stories of others. With genuine curiosity and tenderness, Marucci asks of herself, her loved ones, and perfect strangers the child's perennial question: "Will you tell me a story?"

With Love, Grief and Fury contains love poems, for people and the planet; grief poems brimming with compassion, sharing tears and mourning what was and contemplating what could be; and poems of fire and fury that will kick some ass, tell the truth and inspire change and hope. Over thirty years after she first stormed the UK poetry scene, the trailblazing and award-winning writer Salena Godden has produced her most audacious and definitive collection to date. Like a big sister’s arm around your shoulder, With Love, Grief and Fury is important and nourishing for the soul.

When tensions veer between hope and despair, the ensuing fracture can swing like a scythe and cut a ragged seam between past and present. In One Wild Word Away, Geffrey Davis weaves a deft set of poems about illness, family, loss, and rebirth. The luxurious sonics and crisp descriptions in each line are haunted by grief and buoyed by love as the speaker confronts generational trauma and the potential loss of a loved one while in the process of raising his own son.

In this poetry collection "Ways to Say Goodbye", Anne Kellas takes the listener through dream sequences, abstract and imagistic poems and deeply personal poems of loss. The effect is a cumulative building of a quiet world of reflective resilience as the poet tries out possible ways to do what is almost impossible – to love and to say goodbye.

In a strange twist of kismet, Remica Bingham-Risher's paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg, Virginia in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child.

“The Darkness Man” is Yesenin’s last major poetic work. It expressed the mood of despair and horror in front of an incomprehensible reality, a dramatic feeling of the futility of any attempts to penetrate the mystery of existence.

The definitive collection from a writer whose transgressive legacy and raw, funny, acutely observant writing has left an enduring mark. Here is Bukowski eating walnuts and scratching his back, rolling a cigarette while listening to Brahms, showering with Linda in the midafternoon. Here is Bukowski knowing that the secret is beyond him, that people who never go crazy live truly horrible lives, that there's a bluebird in his heart that wants to get out.

In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African Canadian, fighting for the freedom of their brethren and the dawning of a new day.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy. 

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness. 

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives.

Entre o luto pela morte do pai e a felicidade pelo nascimento da filha, Allan Dias Castro nos leva a ver a saudade não mais através da tristeza da perda, mas como a celebração da grandiosidade da vida. Mesclando poesia com histórias pessoais, este é um mergulho nas memórias que todos nós compartilhamos: os almoços na casa da vó, as noites febris da infância, os causos na companhia dos amigos, os conselhos dos mais velhos para aplacar nossos medos.