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  • The Art Parlor for September Presents: Abbie Johnson Taylor
    2025/08/31
    Episode Notes Welcome to the September edition of The Art Parlor, brought to you by Friends in Art! In this episode, we speak with author and entertainer, Abbie Taylor. Join us as we explore her journey starting as a music therapist, with music entertainment and writing following in step. We also learn about her newly-published book, Living Vicariously in Wyoming: Stories. It was a pleasure having Abbie with us on the Art Parlor and we hope you enjoy the show! To learn more about her and stay up to date, visit her website at www.abbiejohnsontaylor.com. AI-Generated Transcript Opinions expressed on ACB Media are those of the respective program contributors and cannot be assumed to serve as endorsements of products or views by Friends in Art, the American Council of the Blind, their elected officials or staff. Friends in Art welcomes you to the Art Parlor, where visually impaired artists of all types will discuss their work. Pull up a chair, bring along your beverage of choice, and listen to thoughtful, stimulating conversations with visually impaired artists in all media and from all parts of the world. And now, here's your host, Ann Chiappetta. Good evening everyone, welcome to the Friends in Art Art Parlor, where artists and audiences thrive. You can find us on www.friendsinart.org. Tonight we are talking to Abbie Johnson-Taylor, and Abbie is a singer, a musician, a poet, and an author. Did I miss anything, Abbie? I don't think so, I think you covered it all. All right, and we're going to talk a little bit about your newest book, Living Vicariously in Wyoming, which is a great title, by the way, and all the other creative things you do in your life. Hopefully we can get it all in in the time that we're going to be talking to you. So, Abbie, first maybe you tell us a little bit about yourself, where you live, what you do, and then we'll go from there. Okay, well I'm in Sheridan, Wyoming, and I am, as you said, a writer, and I'm also a singer. I've published seven books, and there's two novels, two poetry collections, and a memoir, and then this new short story collection that just came out back in March. And when I'm not writing, I entertain monthly at two or three senior facilities in the community, plus at our local senior center, and then I also do the music for a local church the second Sunday of the month. And then in the fall, winter, and spring months, I sing with a group called the Hubcaps, which meets at the senior center and does most of our performances there. My goodness, you need a personal assistant to like help you out. Right, well, that's what I have my AMAZON ECHO devices for, and my iPhone. So, yeah, yeah, definitely. So, how long has it been for you, like, when did you get the bug, like this, you know, I know that, at least I think I remember you saying you came from a musical family, and can you talk a little bit about that? Well, my grandfather played the saxophone in a band, and so I think I must have inherited his musical genes. And then my younger brother did play drums for a while, and I think he still does, but I don't know that he does it on a regular basis as much as I do play the piano and guitar and sing. But yeah, I have, and when I went, my mother loved to tell this story about how I started playing music. They had purchased a used piano, upright piano, and they thought it would just be a toy. And I was about five years old, and I was digging around one day, and I don't really remember this, but my mother said she heard me playing "da-da-da-da," and so she immediately went to call a piano teacher. Oh, and so where did you go from there? Well, I took lessons, you know, off and on. At that time, we were living in Tucson, Arizona, and I, you know, took lessons from several teachers, and then we moved here to Wyoming, and I took lessons for another year or so, and then I finally gave up, and I then got interested in playing popular songs and then singing and using the piano to accompany myself. And I pretty much did that, you know, through my teen years. And then in college, when I decided to study music therapy, I had to get a guitar, because, you know, if you're working, like, in nursing homes, and of course the residence rooms don't have pianos, and so you need something portable that you can take, you know, and play when you're in those situations. So, and that's basically how my music career got off the ground. How long did it take for you to really learn the guitar and feel confident with the guitar? Well, I actually, I'm guessing maybe like one semester, because I just took a beginning guitar class, and that was really all I needed for what I was going to do. Just, you know, learn some basic stuff, you know, just to play, you know, a few chords here and there, nothing, nothing really fancy. So, yeah, about a semester. And then, you know, the piano kind of, I really don't remember how long it took to learn the piano. I was pretty small when I started, but, you know, I...
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    50 分
  • The Art Parlor for May, 2025 Presents: Johnny Cassidy
    2025/05/12
    Episode Notes Welcome to the May edition of The Art Parlor! This month, oru guest is Johnny Cassidy. He is a BBC journalist and a fellow for the Reuter’s Institute for the Study of Journalism. Johnny Cassidy has been a TV and radio producer at the BBC for more than 17 years. He has recently moved into a new role into digital news, working on longer-term projects, specifically on how to best reach opportunity and under-served audiences. He is a passionate advocate for diversity and inclusion and believes strongly in universal accessibility for everyone. We are proud to now offer you a transcript of this episode and those in the future. Thank you and enjoy! AI-generated Transcript Opinions expressed on ACB Media are those of the respective program contributors and cannot be assumed to serve as endorsements of products or views by Friends in Art, the American Council of the Blind, their elected officials, or staff. Friends in Art welcomes you to the Art Parlor, where visually impaired artists of all types will discuss their work. Pull up a chair, bring along your beverage of choice, and listen to thoughtful, stimulating conversations with visually impaired artists in all media and from all parts of the world. And now, here's your host, Ann Chiappetta. Welcome to the Art Parlor. I'm your president, Ann Chiappetta, and the Art Parlor is brought to you by Friends in Art, the place where blind and low vision artists and audiences thrive. You can find us on www.friendsinart.org. Today's guest is Johnny Cassidy. He's a BBC journalist and a fellow for the Reuters Institute for the Study of Journalism. Johnny Cassidy has been a TV and radio producer at the BBC for more than 17 years. He's recently moved into a new role into digital news, working on longer-term projects, specifically focused on how best to reach opportunity and underserved audiences. He is a passionate advocate for diversity and inclusion and believes strongly in universal accessibility for everyone. Welcome Johnny. Hello, Ann. How are you doing? Thank you so much for having me here. Yeah, wonderful. I'm glad you could make it and we managed to figure out the time change. At last, eventually, yeah. Right. Yeah. So before we get started into my questions, I just want our listeners to know how we met and we met through the Descriptathon of all things. And I just wanted to know what you thought of the overall experience for anyone that's listening that might be considering to do a Descriptathon. Well, the first thing to say is, if you are considering to do it next year, go for it. It was a fabulous, fantastic experience. Not least because I got to meet you, Ann, and we're talking here today. So if nothing else, that was a huge bonus. But the Descriptathon, it was a really good experience. It wasn't anything that I had experienced before. I didn't know what to expect really from it. So it was totally different. I think, you know, trying to work like that in such a big, massive collaborative way with so many people, hats off and huge kudos to the whole team at Descriptathon who managed to corral and manage that big group of people. And I think for so many people to show a passion and an interest in making images accessible to blind and low vision people, I think, you know, it's a it was just there's so many positives from it. It was just really, really good. So if anybody is considering it for next year, definitely go for it. I thought it was fantastic. Yeah, I totally agree. That's why I keep coming back. I think once you do it, you can't stop. It's just it's such an affirming experience for everybody. And you know, and it's not an easy thing either. There's, you know, times where you're like, oh, boy, I got to keep going. There's a lot of frenetic parts that just kind of come together. You don't think it's going to come together. And you say, oh, oh, wow. You know, I don't know if we'll make it to the end. But then you do. It's like, I don't know how it happens, but it happens. I think the management team must be doing so much really, as you say, frenetic stuff in the background, behind the scenes, under the waterline. Because it does. You know, I was exactly the same as you. I was thinking this is chaotic. And then it slowly but surely comes together and you find your feet. You know what it is that you're doing before you know it. Those three days are up and three big full days and they're open. There's really good, solid product to show for it. So yeah, brilliant experience. Yeah, I agree. Wow. OK, so there's a plug for the descriptor that's done. So more serious things, I guess. Could you share with us your vision loss journey and maybe incorporate that into who you are and maybe how you got to be a writer and that kind of. Yeah, from a young age, I was always short sighted. I wore glasses, first of all. But when I was I think I was maybe as young as seven, I started wearing contact lenses because there are these big, heavy glasses that I wore. ...
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    1 時間
  • The Art Parlor for April, 2025 Presents: Izzi Guzman
    2025/04/11

    It was a pleasure to visit with our guest, Izzi Guzman, in this edition of The Art Parlor! Listeners may remember her from previous Friends in Art showcases. A dynamic trombonist, composer, arranger, and educator, Izzi is passionate about sharing joy, creativity, and authenticity through music. Based in Miami and Orlando, Florida, she aims to bring stories to life through her art and foster accessible and creativity-driven music education for the next generation.

    Izzi’s innovative and technical prowess has earned her recognition, and she has performed with renowned groups such as the John Daversa Big Band, Frost Jazz Orchestra, and Florida Wind Symphony Jazz Orchestra. Along the way, she has collaborated with jazz legends like John Daversa, Jazzmeia Horn, Brian Lynch, Etienne Charles, and Marcus Strickland, solidifying her place in the jazz world.

    Listen as she recounts her journey, beginning with her childhood, and how her passion for art led her to explore music, which eventually expanded to include multiple brass instruments! You can learn more about Izzi and stay abrest of her career and social media by visiting her website: www.izziguzman.com.

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    57 分
  • Art Parlor for Feb, 2025 Presents: Michael W Moran!
    2025/02/07
    Episode Notes

    On this edition, we're talking with author, Michael W Moran. He wrote his first book, a memoir titled "I did it Without Looking – a Blind Man's Recovery from Addiction". In his introduction, Michael writes, "I am blind and I'm an alcoholic." There was no cure for the glaucoma causing his blindness. Thanks to a twelve-step program and lots of help from others, he put down the drinks and drugs in 1982. Now, 42 years later, he's put together this heartfelt narrative of the main events of his life. Mike's friendly and open personality draws upon his world view. Listen and see for yourself how his refreshing message of hope and optimism will lighten your step.

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    55 分
  • The Art Parlor for September Presents: Mark Carlson!
    2024/09/02

    Hello, everyone, and welcome to our September edition of The Art Parlor!

    This month, our guest is author and historian, Mark Carlson!

    Mark Carlson is a witty writer, ravenous reader, historian, and author of nine books. He is a freelance writer and aviation historian. He is a member of several military, maritime, historical, and veteran organizations.

    A contributing writer for over a dozen national magazines, his articles run the gamut of topics from aviation, military history, classic film and television, dogs, humor, and essays. He started by writing stories about his first Guide Dog, Musket, and later, about his work at the San Diego Air & Space Museum.

    Carlson’s most recent project is preparing his next book for publication, When Yamamoto Ran Wild, the Pacific War from Pearl Harbor to Midway, to be released in the summer of 2024. He is currently writing the definitive account of the Lincoln Assassination, entitled Tyrannicide – The True Story of Booth and Lincoln. Carlson established FUNspeakable in 2009 and has given lectures for several local organizations, adult communities and schools.

    NLS BARD catalog #75126; approximate reading time ten hours (2011). The book is also available from Amazon and Kindle:

    Come listen as Mark tells us about himself and his journey with writing, blindness, guide dogs, and beyond!

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    56 分
  • Art Parlor for June Presents: Our First Town Hall Meeting
    2024/06/14

    Welcome to our edition of Art Parlor for June, 2024! This episode is a recording of our first Town Hall meeting, which was recorded in May. You will be informed about what FIA has planned, hear feedback from members and other participants, and learn how to become a member, among other topics. As always, you can learn more about us at . Thank you for listening!.

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    1 時間 28 分
  • The FIA Art Parlor for April Presents: Elizabeth Sammons
    2024/05/12

    This month, we welcome author Elizabeth Sammons to the Art Parlor. She eloquently describes many aspects of her life and the myriad experiences that lead her to write her book, "The Lyra and the Cross". You can find out more about Elizabeth's book here and also, listen to her play the lyra, an ancient, Greek harp.

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    55 分
  • From the Archives - Disability and Art Culture
    2024/03/03

    The Art of Disability Culture: Nontraditional Visually-Impaired Artist panel Originally Aired June 25, 2022, on ACB Media during the ACB Conference and Convention Visually-impaired artists from different creative springboards:

    • pottery
    • graphical art
    • movement
    • theater

    shared their experiences presenting and working with curators to provide interactive and accessible connections to their work.

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    1 時間 11 分