We discuss the beauty of this ancient chant from the Malankaran Church in India, which follows West Syriac rites and is attached to the Patriarch of Antioch of the Syriac Orthodox Church, an Oriental Orthodox Church.

In this conversation, Matthew Wilkinson and Tom Podhrazsky explore the intersections of cultural heritage, architecture, and design. Tom shares his family's immigration story from the Czech Republic and how it has shaped his identity and work ethic. He discusses his passion for historical architecture, particularly 18th-century design, and the collaborative process involved in creating unique spaces. The conversation delves into various architectural movements, including the aesthetic movement and mannerism, highlighting the importance of design constraints and storytelling in architecture. They also touch on the complexities of cultural appropriation in art and architecture, emphasizing the significance of cross-pollination in creative practices. In this conversation, Tom Podhrazsky and Matthew Wilkinson explore various themes related to art, architecture, and personal transformation. They discuss cultural appropriation, the complexities of Frank Lloyd Wright's work, the aesthetic appeal of brutalism, and the authenticity in art, particularly contrasting figures like Picasso and Thomas Kinkade. The dialogue also delves into Podhrazsky's journey into Orthodoxy and how it has shaped his life and work, as well as the creative processes in music and architecture. Finally, they touch on contemporary architectural influences and the importance of looking back at historical precedents in design.TakeawaysTom Podhrazsky's family immigrated from the Czech Republic in 1985, which instilled a sense of pride and responsibility in him.His parents' escape from communist rule has deeply influenced his perspective on life and work.Tom designed his office space with a focus on 18th-century paneling and trim, showcasing his love for historical architecture.He collaborated with craftsmen to create a unique and elaborate office design, reflecting his architectural vision.The aesthetic movement in architecture combines various styles, including Victorian and Asiatic influences, to create unique designs.Mannerism in architecture involves playful and unconventional arrangements of classical elements, challenging traditional norms.Design constraints are essential for creativity, as they provide a framework within which architects can innovate.Cultural appropriation in art and architecture can be a complex issue, often depending on the intent and execution of the artist.Tom emphasizes the importance of storytelling in architecture, creating narratives that inform design decisions.The conversation highlights the significance of cross-pollination in art and architecture, leading to innovative and unique creations. Cultural appropriation can be a paradoxical issue.Frank Lloyd Wright's work elicits mixed feelings due to craftsmanship issues.Brutalism has aesthetic appeal but may not be practical for living.Art's value can be subjective and influenced by cultural context.Orthodoxy offers a path to personal transformation and self-improvement.The creative process in architecture parallels that of writing and music.Confession in Orthodoxy serves as a form of therapy and self-reflection.Designing is fundamentally about solving problems through questioning.Contemporary architects can inspire, but historical precedents are crucial.Art and architecture should aim for beauty and truth.

Swiss organist Christoph Maria Moosmann records a work that has hardly ever been recorded. Moreso, up until now, the technology did not exist to help render the ideal performance of this music as it was written. L'Orgue Mystique is 51 parts, and would fill up roughly 26 CDs worth of music. The music is highly mystical, spiritual, technical and moving.

John Michael Boyer, associate director of Capella Romana, is probably the foremost expert on Byzantine chant in the English-speaking world. We spoke about the various music sung in Greek Orthodox churches across the United States, Bulgarian chant, Arabic chant, Romanian chant, Georgian chant, Znameny chant, ornamentation, ancient medieval manuscripts, Capella Romana, temperaments, tuning systems, Byzantine modes, Eastern Orthodox Christian theology, the received tradition of Greek Orthodox chant, Hagia Sophia, etc.

I speak with Dr. Karim Hanna, who in addition to being a medical doctor is also a deacon in the Coptic Orthodox Church, and a teacher of Coptic chant. We talk about his Church and the specificities of their musical tradition.

Andrew Gould, who is pioneering the traditional building arts in Orthodox Architecture in North America, brings insights to colonial arcthietcture, brutalism, Gothic, Romanesque, Baroque, chant, Orthodoxy and more.

from my discussion with Andrew Dittman about creating his Kyrial and churchmusic in general. . In his setting Gregorian chants in English with four part harmony to be sung a capella and writing motets for Anglican church services he has developed his own personal compositional style that is both atavistic and progressive. Through his Kyrial he seeks to preserve well known plainsong chant masses, while he also composes anthems in the style of Parry, Stanford, Howells, Willan, etc.

Elias Rehmet is an Orthodox musician who lived in an Elder Ephraim monastery for five years. We talk about fasting, asceticism, Orthodox chant, music, and life in a monastery.