Michelle Zeto, Geoffrey Himes, and Rob Shepherd have each built careers writing about music that resists easy definition. They discuss how genre categories shape both criticism and listening, the difference between being a savant and a polymath, and whether the post-genre world is liberating or limiting. The conversation explores the role of critics as translators, the rise of playlist culture, and why attention spans may not be as new a problem as we think.

In this episode, we explore:

• How musicians themselves often resist the "jazz" label—and what that means for writers
• Why shorter attention spans might not be the crisis we think
• The tension between consumer advisor and cultural translator
• What human curation offers that algorithms can't
• Whether broad knowledge serves critics better than deep specialization

Learn more about our guests:

• Michelle Zeto and "Jammin' Jazz"
• Geoffrey Himes and "Hard Rain and Pink Cadillacs"
• Rob Shepherd and PostGenre.org

Our host:

• Lawrence Peryer

And our organization, the Jazz Journalists Association.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.

Today we have JJA president Howard Mandel hosting a compelling discussion on political activism in jazz with three remarkable musicians who have dedicated their careers to both artistic excellence and social change.

Our first guest is Terri Lyne Carrington, the four-time Grammy-winning drummer, composer, and producer who serves as Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice. As an NEA Jazz Master and Doris Duke Artist, Terri Lyne has spent four decades advocating for women, transgender, and nonbinary musicians while reimagining jazz's aesthetic possibilities. Her recent work includes the acclaimed album "new STANDARDS vol.1," featuring compositions by women, and a powerful reconceptualization of Max Roach and Abbey Lincoln's "We Insist!" for the modern era.

Joining her is Orbert Davis, the Emmy Award-winning trumpeter, composer, and educator who co-founded the Chicago Jazz Philharmonic. As host of "The Real Deal with Orbert Davis" on 90.9 FM WDCB, Orbert has built extraordinary cultural bridges through his "Immigrant Stories" concert series and groundbreaking collaborations with Cuban musicians. His work transforms jazz into a vehicle for international understanding and social healing.

Our third guest is Marc Ribot, the innovative guitarist whose extensive collaborations include work with Tom Waits, Elvis Costello, and John Zorn. Beyond his acclaimed recording career spanning over 25 albums, Marc has emerged as a fierce advocate for musicians' economic rights through his organizing work with the Content Creators Coalition and efforts to reform the American Federation of Musicians.

Together, these three artists explore what jazz activism means today—from challenging gender inequities and supporting immigrant communities to fighting for fair compensation and workers' rights. Their conversation reveals how jazz continues to serve as both artistic expression and instrument of social change.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.

Michael Ambrosino hosts this episode of The Buzz, a discussion with Josh Antonuccio, Matt Powers, and Jon Irabagon as they explore the effects of AI on journalism, music, production, education, and jazz.

Josh is an associate professor within the media production and recording industry major in the School of Media Arts and Studies at Ohio University. He's worked extensively within higher education since 2007, establishing innovative music and media industry curriculums and developing the expansion of experience-based music industry education. He is also the director of Ohio University's Music Industry Summit.

Jon is a multi-reed instrumentalist, composer, arranger, band leader, and faculty member at the University of Illinois in Chicago, where he teaches jazz saxophone and courses in jazz history. Winner of the 2008 Thelonious Monk Saxophone Competition, a Rising Star Award in DownBeat magazine's alto and tenor saxophone categories, and a recipient of the Philippine Presidential Award, Jon's latest album is "Server Farm," a musical exploration of how artificial intelligence affects our lives.

Matt is a professor at the University of Washington's Department of Communication, where he's the co-director of the Department's Center for Journalism, Media and Democracy. His book, "The Journalist Predicament: Difficult Choices in a Declining Profession," explores journalism within the transformations confronting the profession. He's also the co-editor of "Rethinking Media Research for Changing Societies," exploring how researchers can make sense of the massive changes confronting politics and the media.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.

In this episode of The Buzz, JJA board member Bob Blumenthal speaks with two 2025 book award winners: Jonathan Grasse and Elijah Wald.

Jonathan Grasse teaches music at California State University, Dominguez Hills, focusing on world music, theory, and composition. He wrote the definitive English-language study of Brazilian regional music in Hearing Brazil: Music and Histories, and Minas Gerais and examined Milton Nascimento and Lô Borges's 1972 album in The Corner Club. His latest work, Jazz Revolutionary: The Life and Music of Eric Dolphy (Jawbone Press), won JJA's 2025 Biography of the Year.

Elijah Wald is a musician and author of over a dozen books, including Escaping the Delta: Robert Johnson and the Invention of the Blues, The Dozens (about insult games in rap development), and How the Beatles Destroyed Rock and Roll: An Alternative History of Popular Music. He also wrote Dylan Goes Electric, which inspired the film A Complete Unknown. With a PhD in ethnomusicology and sociolinguistics plus a Grammy for production and liner notes, Wald's Jelly Roll Blues: Censored Songs and Hidden Histories earned JJA's 2025 Book of the Year for history, criticism, and culture.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.

Join host Michael Ambrosino as he speaks with three veteran jazz publicists—Ann Braithwaite (Braithwaite & Katz Communications), Lydia Liebman (Lydia Liebman Promotions), and Matt Merewitz (Fully Altered Media)—about the evolving nature of jazz promotion.

The group discusses how they build relationships between artists and audiences, adapt to media fragmentation, create engaging content in the age of AI, and measure success in their campaigns.

These industry insiders share candid insights about the challenges of breaking through the noise and connecting jazz artists with listeners in today's digital world, while revealing the passionate commitment that keeps them going in an increasingly complex promotional landscape.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.

The 2025 JJA Awards just dropped, and in this special episode The Buzz is breaking down the winners in some of the leading categories.

Host Lawrence Peryer is joined by guests Neil Tesser and Mark Ruffin to discuss lifetime achievements, standout performers, and why some names keep winning year after year.

Both guests bring unique perspectives - Mark from his years as a writer and radio programmer and personality, Neil from his work as a critic and broadcaster who's earned his own lifetime achievement award.

The full list of 2025 JJA Awards is available online at jjajazzawards.org.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.

Three accomplished jazz authors share their journeys from traditional publishing to successful independent careers. Join host Lawrence Peryer as Debbie Burke, Steve Cerra, and Rick Mitchell reveal the tools, economics, and creative freedom they've found in self-publishing. Learn how these writers are reshaping the jazz book world by taking control of their work - from manuscript to marketing.

Whether you are a jazz enthusiast or an aspiring author, this conversation offers valuable insights into turning passion projects into world-class publishing ventures.

Topics include: creative control vs. traditional publishing, royalty structures, marketing strategies, production challenges, and the advantages of independence in specialized fields of writing.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.

This conversation between JJA members Bob Blumenthal, Ricky Ricciardi, and Fumi Tomita explores how jazz research has evolved through digital transformation.

Ricciardi describes his journey researching Louis Armstrong's career, moving from physical archives and interviews for his first book to primarily digital resources like newspaper databases, digitized periodicals, and ancestry records for subsequent works.

Tomita discusses researching early jazz by using both traditional sources and digital archives, explaining how this allowed him to rediscover overlooked musicians and challenge established narratives.

Both authors share their detective work in reconciling conflicting historical accounts and discuss the revelations that emerged during their research—Ricciardi finding consistency in Armstrong's artistic approach throughout his career, and Tomita discovering early jazz's experimental nature and influence on free jazz.

The conversation highlights valuable resources for jazz researchers, including newspaper and periodical databases, digitized oral histories from various institutions, and Archive.org's extensive collection. The guests discuss areas needing fresh research and emphasize how digital access has democratized jazz research, allowing deeper investigation into the music's complex evolution without leaving one's home.

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Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

Don’t miss new episodes of The Buzz. Make sure you follow us wherever you listen to podcasts.

For more from the Jazz Journalists Association, go to JJANews.org.