Michelle Zeto, Geoffrey Himes, and Rob Shepherd have each built careers writing about music that resists easy definition. They discuss how genre categories shape both criticism and listening, the difference between being a savant and a polymath, and whether the post-genre world is liberating or limiting. The conversation explores the role of critics as translators, the rise of playlist culture, and why attention spans may not be as new a problem as we think.

In this episode, we explore:

• How musicians themselves often resist the "jazz" label—and what that means for writers
• Why shorter attention spans might not be the crisis we think
• The tension between consumer advisor and cultural translator
• What human curation offers that algorithms can't
• Whether broad knowledge serves critics better than deep specialization

Learn more about our guests:

• Michelle Zeto and "Jammin' Jazz"
• Geoffrey Himes and "Hard Rain and Pink Cadillacs"
• Rob Shepherd and PostGenre.org

Our host:

• Lawrence Peryer

And our organization, the Jazz Journalists Association.

Take a look at the Jazz Omnibus, the 600-page anthology of 21st century photos and writings by members of the Jazz Journalist Association, available online and wherever books are sold

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For more from the Jazz Journalists Association, go to JJANews.org.