This is Ashley Newby and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, late doctoral students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today's conversation is with Kinitra Brooks, Associate Chair of Graduate Studies and the Audrey and John Leslie Endowed Chair in Literary Studies in the Department of English at Michigan State University. Dr. Brooks specializes in the study of black women, genre fiction, and popular culture as seen in her weekly column for The Root, “The Safe Negro Guide to Lovecraft Country” and her multiple visits as a commentator on NPR’s 1A. She has co-edited The Lemonade Reader (Routledge 2019), an interdisciplinary collection that explores the nuances of Beyoncé’s 2016 audiovisual project, Lemonade. She has recently co-edited The Renaissance Reader (Routledge 2025), which is also based on a Beyoncé project. Her two other books are Searching for Sycorax: Black Women’s Hauntings of Contemporary Horror (Rutgers UP 2017), a critical treatment of black women in science fiction, fantasy, and horror and Sycorax’s Daughters (Cedar Grove Publishing 2017), an edited volume of short horror fiction written by black women.

Her current research focuses on portrayals of the Conjure Woman throughout history and in contemporary popular culture as seen in her forthcoming graphic novel, Red Dirt Witch (Abrams Books 2026). Dr. Brooks recently served as the Advancing Equity Through Research Fellow at the Hutchins Center for African & African American Research at Harvard University during the 2018-2019 academic year. Dr. Brooks also served as the Visiting Associate Professor of Women’s Studies and African American Religions in the Women’s Studies in Religion Program at Harvard Divinity School for the 2022-2023 academic year. Dr. Brooks’ current book project, Divine Conjurers: Rootwork, Resistance, and Revolution explores the unique relationship between Black women’s political subversion and Black women’s spirit work.

This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with andré carrington, who teaches in the Department of English at University of California, Riverside. He has published extensively on literature and the speculative arts and is the author of two books, Speculative Blackness: The Future of Race in Science Fiction (2016) and Audiofuturism: Science Fiction Radio Drama and the Black Fantastic Imagination (2026), as well as editor of The Black Fantastic: 20 Afrofuturist Stories (2025). In this conversation, we discuss the expansiveness of the Black Studies imagination, the place of popular and graphic arts in Black study, and the terms of thinking and teaching Black life in times of political crisis.

This is John Drabinski and you’re listening to The Black Studies podcast, a series of conversations examining the history of the field. Our conversations engage with a wide range of activists and scholars - senior figures in the field, graduate students, and everyone in between, culture workers, and political organizers - in order to explore the cultural and political meaning of Black Studies as an area of inquiry and its critical methods.

Today’s conversation is with Kyra Gaunt, who teaches in the Department of Music and Theater at State University of New York, Albany. She has published extensively on race and gender in both academic and popular venues, and is the author of the groundbreaking work The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip Hop (2007). In this conversation, we explore the significance of musical study in the field of Black Studies, the relationship between vernacular cultural practices and world- and idea-making, and how a focus on the experiences of Black girls and women shifts our understanding of the meaning of Black study.