Some Like It Unauthorized

著者： Zachary Domes & J Brooks Young
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  • サマリー

  • Two siblings go film by film through cinema history, from the blockbusters to the arthouse, with discussions on what these movies meant then and how we see them now. Using the BFI Sight and Sound list as a starting point, we’ve watched canonical films from the silent era up to the 60’s, and now we examine the decade when the cinema medium exploded. We don’t have film degrees or press passes, we like it unauthorized.


    Hosted by Zachary Domes and J Brooks Young.
    All rights reserved.
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あらすじ・解説

Two siblings go film by film through cinema history, from the blockbusters to the arthouse, with discussions on what these movies meant then and how we see them now. Using the BFI Sight and Sound list as a starting point, we’ve watched canonical films from the silent era up to the 60’s, and now we examine the decade when the cinema medium exploded. We don’t have film degrees or press passes, we like it unauthorized.


Hosted by Zachary Domes and J Brooks Young.
All rights reserved.
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エピソード
  • An Autumn Afternoon (1962)

    An Autumn Afternoon (1962)
    2025/04/30

    Yasujirō Ozu could not have imagined the stature his films would take on some 60 plus years after his death in 1963. He lived in the present, in his process, making sure his japanese audience had a new film each year to go see in the theater. Wait, you could watch movies on tv by this point! I wonder if they put Ozu films on tv, and what did Ozu think if they did?


    Anyway, we reflect on the mystique of one of cinema’s poet laureates, the way film festivals bridge cultures, and learning how to be an adult.


    Next week: Harakiri (1962) by Masaki Kobayashi


    Hosted by Zachary Domes (hetchy on letterboxd) and J Brooks Young (jyoun on letterboxd). Music by hetchy
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    1 時間 5 分

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