『Playtime (1967)』のカバーアート

Playtime (1967)

Playtime (1967)

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Jacques Tati enjoyed great critical and commercial success as the director and star of comedies in the 50’s, but like Chaplin or even Fellini, he wouldn’t dare repeat himself twice. He dreamt of going above and beyond, and it would take a decade to finally realize the giant, genre-bending Playtime. The gentle, conservative satire did not capture the attention of the young radicalized french audience that was about to embark on widespread protest throughout ‘68, but Playtime’s reputation has continually risen in the decades since.


We discuss how its pastoral nostalgia is rooted in a worldview that’s less nationalistic and more radically inclusive, and how the film defies cinematic convention and forces you to watch it in a novel way that reorients how you see the wider world altogether.


Next week: if… (1968) by Lindsay Anderson


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