The Mezzotint | A Ghost Story by M. R. James | Full Audiobook | The Mezzotint By M R James | The Mezzotint Audiobook | M R James Ghost Stories Audiobook | Audiobook | Ghost Story | Mr James | Ghost Story Audiobook
"It was a rather indifferent mezzotint, and an indifferent mezzotint is, perhaps, the worst form of engraving known..." So begins The Mezzotint, one of M. R. James’s most quietly unnerving tales. When Mr. Williams, a curator at a Cambridge college museum, receives an unremarkable print from a local dealer, he expects little more than a dull pastoral scene. But as the image seems to shift with each viewing, revealing a sinister figure creeping through the grounds of an old house, it becomes clear that the mezzotint is not merely a work of art, but a ghostly window into the past.
The story begins at (00:01:09).
Narrated by Grant Mercer, edited and with graphics by Ranajit Kodag, Portals of Imagination. If you enjoy this content and would like to support my work, here are a few ways you can help (and get access to exclusive content):
• Occasional or one-off support via Ko-fi: https://ko-fi.com/portalsofimagination
• Monthly support on Patreon: https://patreon.com/portals_of_imagination
Timestamps:
(00:00:00) Introduction
(00:01:09) The Mezzotint
(00:26:23) Credits, thanks and further listening
About the author:
Montague Rhodes James (1862–1936) was born in Kent and spent much of his early life in Suffolk, a region that would later provide inspiration for many of his ghost stories. He studied at King’s College, Cambridge, and became one of Britain’s foremost medieval scholars, publishing widely on biblical apocrypha and antiquarian subjects. But it was his ghost stories, written initially to be read aloud to friends at Christmas, that would secure his lasting reputation.
James’s tales are often set in quiet academic settings, rural churches, or seaside inns, places where the veil between the past and present feels especially thin. His protagonists, often fellow scholars or antiquarians, stumble upon old objects or manuscripts that unlock something best left undisturbed. His stories are rarely sensational, but their understated style and creeping dread have influenced generations of horror writers.
The Mezzotint was first published in 1904 in the collection Ghost Stories of an Antiquary, though it was likely read aloud years earlier at gatherings of the Chit Chat Club, a literary society in Cambridge. A brief reference in the story to “Mr. Dennistoun” links it to James’s first published tale, Canon Alberic’s Scrapbook, suggesting a shared fictional world in which the artifacts of the past have a disturbing tendency to resurface.
James published four collections of ghost stories during his lifetime, including More Ghost Stories of an Antiquary (1911), A Thin Ghost and Others (1919), and A Warning to the Curious and Other Ghost Stories (1925). Though deeply rooted in Edwardian England, his work continues to be read and adapted more than a century later, especially around Christmas, the season he helped associate, once and for all, with ghosts.
Recording © Portals of Imagination 2025.