『Podcast by HIROMI KIM』のカバーアート

Podcast by HIROMI KIM

Podcast by HIROMI KIM

著者: HIROMI KIM
無料で聴く

このコンテンツについて

MOLFO (Modern Life Formation)のデザイナー・アーティストHIROMI KIMがお届けするPodcastです。デザインやアート、建築、素材、海外情報など気になるトピック、制作や展示会の舞台裏などをお話しします。 This is a podcast brought to you by designer and artist HIROMI KIM of MOLFO (Modern Life Formation). We talk about topics of interest such as design, art, architecture, materials, overseas information, and behind the scenes of productions and exhibitions. Instagram: instagram.com/hiromikim YouTube: youtube.com/@hiromikimdesignartHIROMI KIM アート
エピソード
  • 012:なぜヘンプだけが精神性と深く結びついていたの? The Spiritual Power of Hemp in Japanese Tradition
    2025/09/09

    English is below.

    麻の歴史と精神性 麻は、日本の伝統文化や神事において神聖視され、古代から人々の精神性に深く関わってきました。特に、麻は清浄な植物とされ、悪を祓う力があると信じられていました。

    では、なぜ、いろいろな種類の麻がある中でヘンプだけが精神性と深く結びついていたのでしょうか?


    今回は、そのなぜを深く掘り下げていきます。



    (English script)


    1. Introduction

    Hello, and welcome to my Podccast.
    Today, I’d like to share with you the story of hemp—a plant that has been deeply connected to Japanese spiritual culture since ancient times.

    In Japan, hemp has never been just a fiber or a crop.
    It has been revered as a sacred plant, appearing in myths, rituals, and even in ceremonies of the Imperial household.
    For centuries, hemp was believed to have the power to purify, to ward off evil, and to restore clarity.


    2. Myths and Ancient Texts

    In Japan’s oldest chronicles, the Kojiki (Records of Ancient Matters) and the Nihon Shoki (Chronicles of Japan), hemp is described as an essential part of sacred rituals performed by the gods.
    It was believed that through hemp, impurities could be removed, and balance could be restored.

    Some traditions say that when the god Izanagi returned from the land of the dead and performed a ritual purification, hemp symbolized renewal and cleansing.
    We also find references in the Fudoki (ancient regional records) and even in the Manyoshu, the oldest anthology of Japanese poetry, where hemp is praised as a sacred and pure plant.


    3. Why Hemp Was Seen as “Pure”

    Why was hemp considered such a “pure” plant?

    One reason lies in its vitality.
    Hemp grows quickly, strongly, and straight—ancient people saw this as a symbol of life’s pure and untamed force.

    Another reason is its versatility.
    Its fibers became clothing, ropes, and ritual tools such as gohei or sacred paper wands used in Shinto shrines.
    Its seeds provided food and nourishment.
    Because hemp was so essential in every aspect of daily life, it came to embody blessing and purity.

    Even today, Shinto priests use hemp fibers in purification rituals.
    When they wave a wand wrapped with hemp, it is not only a symbolic act of banishing impurity, but also a way of releasing the hidden fears and anxieties within the human heart.


    4. Connection to the Imperial Tradition

    Hemp was also deeply connected to the Imperial family of Japan.
    In the enthronement ceremony known as the Daijosai—the first great ritual after a new emperor ascends the throne—hemp cloth called aratatae is offered to the gods.

    This hemp cloth represents the most sacred and pure offering, symbolizing the emperor’s prayer for peace and prosperity in a new era.
    In this way, hemp served not only as a material, but as a spiritual support at the very heart of Japan’s national identity.


    5. Conclusion

    So we see, hemp was more than a useful plant.
    It was a mirror of Japanese spirituality: a force that could ward off evil, restore purity, and sustain the spirit.

    From daily life to the highest rituals of the nation, hemp has carried a quiet yet powerful role in shaping the way people connected with nature, with each other, and with the divine.

    Thank you for joining me.



    続きを読む 一部表示
    7 分
  • 011:Art Journey - 特別編【インタビュー】世界を舞台に活躍するろうけつ染アーティスト榊原幸代さん Art Journey - Special Edition [Interview] Worldwide Batik dyeing artist Sachiyo Sakakibara
    2025/08/26
    今回は、 Art Journey 特別編をお届けします。画像をご覧になりたい方は、YouTubedeご覧いただけます。今回のゲストは、愛知県を拠点に活動するろうけつ染(バティック)アーティスト・榊原幸代さんをお迎えします。ろうけつ染という日本の伝統技法を使い、大型の半立体作品や、世界に一点だけの手染めTシャツを制作している榊原さん。その作品は、日々の思考や感情、そして「世界平和」への願いを色彩と形に込めた、まさに心の風景。その手法と今後の展望をお伺いします。また、デザインに隠された”名前”の秘密にも迫ります。🎨 Sachiyo Sakakibara🌐Sachiyo Sakakibara Web:https://skkbrskk.wixsite.com/website📸Instagram: https://www.instagram.com/sa_chi_yo__/🎤HIromi Kim🌐 HIROMI KIM Webhttps://hiromikim.com📸Instagram:https://www.instagram.com/hiromikim/🎵 Music:YouTube @PeacefulEchoesMusic #HIROMIKIM #artjourney #artvlog—Art Journey - Special Edition [Interview] Worldwide Batik dyeing artist Sachiyo SakakibaraThis time, we bring you a special edition of Art Journey. If you would like to see the images, you can watch them on YouTube. Our guest this time is Sachiyo Sakakibara, a wax-resist dyeing (batik) artist based in Aichi Prefecture.Using the traditional Japanese technique of wax-resist dyeing, Sakakibara creates large, semi-three-dimensional works and one-of-a-kind hand-dyed T-shirts. Her works are truly landscapes of the heart, incorporating her daily thoughts and emotions, as well as her wish for world peace, into color and form. I asked her about her techniques and future prospects. We also uncover the secret behind the "names" hidden in her designs.**English script**Hello.I’m Hiromi Kim, a designer and artist.In this Art Journey series, I share, from an artist’s perspective, dialogues between “materials” and “space,” and the memories they hold, through the art and design spaces I visit.This time, we have a special edition of Art Journey.Today, I have a wonderful guest.She’s an artist based in Aichi Prefecture who creates three-dimensional works using batik dyeing — Ms. Sachiyo Sakakibara.I met her last year at an exhibition in New York.The moment I saw her work, I was captivated by its depth and strength.What flows beneath those colors and forms?Where does that driving force come from?Let’s take a journey together to explore the materials, spaces, and the landscapes of the artist’s mind.H: Hello.S: Oh, hello.H: This is the first time since New York, right?S: Yes, since New York. It’s been over half a year already. That was so much fun.H: Thank you for joining us as a guest today.S: Thank you.H: I’d like to ask you a lot of things today, but first, for those who may not know you, could you briefly introduce yourself?S: Sure. I work with batik dyeing (roketsuzome in Japanese). Usually, I dye T-shirts with batik, but twice a year I take part in large exhibitions. For those, I create large pieces—about two meters tall—then turn them into three-dimensional works. I use dyed fabric, and build semi-sculptural art pieces with materials like cardboard and metal.H: What kind of art do you make?S: My theme is called “Inside My Head.” It’s about my thought process — all the little things I think about during the day, even small, trivial matters. Everyday emotions — joy, anger, sadness — all of it is processed in the mind. I design and express my thought patterns as artworks.I melt wax in a pot, apply it to cloth using batik tools, and without making any preliminary sketches, I draw my thought patterns directly, in one burst. It’s hard to explain in words.H: You mentioned you make three-dimensional works — what do they look like?S: Size-wise, they’re almost two meters tall and about 30 cm thick. Inside, I might build structures from cardboard, or carve Styrofoam insulation boards, then cover them with dyed fabric. Sometimes I wrap wire around them. Last year, I even attached a water faucet to my piece — to symbolically wash away the unpleasant, murky feelings I wanted to clear from my mind. It’s like I’m playing through my art.---This is the end of the English script. Please watch the YouTube video for the rest of the video.
    続きを読む 一部表示
    12 分
  • 010:麻というレジスタンス──素材を通して目覚める、わたしたちの内なる声  "Hemp as Resistance — Awakening the Inner Voice Through Material"
    2025/08/12

    English is below.

    サステナブルは“基本”となった今、
    求められているのは「意味のある美しさ」と「目覚めた感性」。
    本エピソードでは、素材としての「麻」に込められたレジスタンス(抵抗)と、
    その先にある“再生”の可能性について語ります。


    大量生産の時代を越えて、私たちは何を選び、何とつながって生きていくのか──
    素材が静かに語りかけてくるメッセージに耳を澄ませてください。


    Sustainability is now expected.
    What’s needed next is meaningful beauty, and an awakened sensibility.
    This episode explores hemp as resistance — a quiet yet powerful force guiding us toward spiritual and cultural reconnection.
    Beyond being eco-friendly, hemp invites us to reimagine how we live, feel, and create.


    (English script)-----

    Hello, this is HIROMI KIM.
    In this podcast, I explore the relationship between art, materials, and space from the perspective of an artist.
    The theme of Episode 10 is: "Hemp as Resistance."

    Why speak about hemp now?
    Because we are standing at the threshold of a new era — one where we must face the question of value.


    🔥 When “sustainable” becomes the baseline
    Recently, a well-known American entrepreneur said this:

    “From now on, environmental responsibility will be a given. But without refined aesthetics, a premium sensibility,
    and even a touch of the sensual, you will not move people’s hearts.”

    Sustainability, on its own, is not enough.
    It must be wrapped in beauty.
    We have entered an era where recycled materials and eco-packaging alone can no longer define the value of a brand.


    🧵 Hemp has it all
    Hemp is exactly the material we need today:
    Its kindness in returning to the earth, its overwhelming vitality,
    its functional beauty in breathability and durability.

    But it’s more than that.
    It holds a beauty that carries spirit
    an energy that speaks to both the physical and the soulful.

    Hemp is not just a fiber.
    It is a form of resistance
    a quiet yet powerful “NO” to mass production and overconsumption,
    to lifeless spaces,
    to the forgotten senses of the body.


    🌱 Materials ask us questions
    A material is not simply something to be used.
    It is a question — one that shakes our senses, our memories, and our inner voice.

    “What do you truly value in life?”
    “What intention exists in this space?”
    “Is it connected to life itself?”

    Every time I touch hemp, I feel these questions rising within me.


    🔔 To work with hemp, we must first awaken
    Here lies the challenge:
    Many of us have not yet awakened.

    What’s needed is not a surface-level trend,
    but a deep shift in consciousness.
    To truly work with the spirit of hemp,
    we need the sensitivity — and the responsibility — to face it fully.

    As someone who creates in art, space, and design,
    I want to receive hemp not just as a “material,” but as a message.


    💫 Toward the next era — a quiet revolution led by materials
    In the next era, meaningful beauty will be the measure of value.
    Not just environmental care,
    but the integration of mind and body,
    culture and nature —
    this is what will create new richness.

    Hemp can be that bridge.
    In fact, it always has been.

    That is why I feel:
    Hemp is resistance.
    And it is renewal.

    A quiet revolution, beginning with a material.
    Now is the time to listen to its voice.


    🧘‍♀️
    If today’s episode has brought you even a small “realization” or “question”
    as you think about art, design, or space-making,
    I would be truly happy.

    In the next episode, we will continue this journey into “materials and spirit.”
    Please follow or subscribe so you don’t miss it.

    Thank you for listening until the end.
    This was HIROMI KIM.



    続きを読む 一部表示
    5 分
まだレビューはありません