Pamela S. Nadell holds the Patrick Clendenen Chair in Women’s and Gender History and is Director of the Jewish Studies Program. A specialist in American Jewish history and women’s history, she teaches a variety of courses in Jewish civilization. Pamela Nadell’s books include America’s Jewish Women: A History from Colonial Times to Today (W.W. Norton, 2019), named Jewish Book of the Year by the Jewish Book Council. Reviewed in the New York Times, America’s Jewish Women was praised as “a welcome addition to the American historical canon.”

A past president of the Association for Jewish Studies, Nadell’s other titles include Women Who Would Be Rabbis: A History of Women’s Ordination, 1889–1985 (Beacon Press, 1998).

She consults for museums including the Weizman National Museum of American Jewish History and the Tree of Life Humanity Center.

She lectures widely, frequently appears on podcasts, and has written for, among others, the Washington Post, The Conversation, and Hadassah Magazine. She has testified before Congress about antisemitism on college campuses several times, most recently in the December 2023 hearing with the presidents of Harvard, MIT, and the University of Pennsylvania.

Pamela S. Nadell’s Antisemitism, an American Tradition (2025) argues that antisemitism is not a recent anomaly in the United States but a deep-rooted, recurring feature of American life from colonial times to the present. Nadell traces nearly four centuries of anti-Jewish hatred—from 17th‑century colonial prejudices and religious test oaths, through 19th‑century exclusion, the “high tide” of the 1930s, and into today’s surge—showing how old tropes about “evil Jews” keep reappearing in new forms. She foregrounds the experiences and voices of Jewish men, women, and children, documenting how antisemitism shaped everyday life, opportunities, and communal strategies.

The book stresses that antisemitism cuts across politics, race, and religion; it is not confined to one party or movement but has appeared on multiple sides of American society. Alongside chronicling hate, Nadell highlights how Jews fought back—through advocacy, legal action, institution-building, and solidarity with other groups. Rather than treating U.S. antisemitism as a side note to European history, Nadell makes it the central subject across 400 years, insisting it is an “American tradition” in its own right. She explicitly aims to tell the story “through the eyes of its victims,” using personal and communal memories to show impact, not just ideology. The book connects classic Christian anti-Judaism and older stereotypes to modern conspiracy theories, showing how they reinforce each other rather than replacing one another. Antisemitism is often described as a millennia-old hatred rooted in late antique and medieval Christian Europe.

Nadell’s contribution is to relocate and reframe that story within U.S. history. She demonstrates that when Europeans immigrated to America, they brought these ancient prejudices with them, and those ideas became embedded in American institutions and culture from the start. By documenting persistent patterns—test oaths, quotas, job discrimination, propaganda, violence—she challenges narratives of American exceptionalism that treat antisemitism as marginal or limited to extreme moments. Her work helps scholars and policymakers see contemporary spikes not as isolated outbreaks but as the latest phase of a long-standing American pattern.

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Nationalism’s global resurgence has upended societies. With the rise of the Polish nationalist Law and Justice (PiS) party, and American Jewry’s swift reaction to its law punishing people who allege Polish complicity in Holocaust crimes, both sides have revived old stereotypes. Stark-Blumenthal argues that American Jews’ disgust with Polish nationalism ought to be checked by America’s centuries-old embrace of white supremacy. Poles and Jews: A Call for Myth Reconstruction (Academic Studies Press, 2024) confronts both the anti-Polonism deeply embedded in the American Jewish community and Poland’s enduring relationship with antisemitism. Armed with two decades of research and in-depth interviews with scholars, community leaders, and laity in Poland and the U.S., Stark-Blumenthal dispels myths and considers new approaches to this relationship.

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Joel Dinerstein's The Last of the Ellis Island Jews (SUNY Press, 2026) is a tragicomic memoir of a dysfunctional, working-class Brooklyn Jewish family that illuminates both the vitality of urban life in the twentieth century and the social turmoil of white flight. As a child of immigrants born to older parents, Dinerstein has a unique perspective on four generations--from his grandparents escaping Russia's pogroms to his parents' embattled marriage to his older Boomer siblings (split between feminist and Republican politics) to his own hippie hopes. As a white teenager in majority Black public schools, Dinerstein's firsthand experience led to his academic career as a scholar of race and music. Yet his family fits no paradigm of Jewish success due to a father with rage and gambling problems, resulting in the four siblings escaping early to the Brooklyn streets. As a family growing up with a diasporic identity, the Dinersteins provide a primer of ethnic Jewish culture through iconic scenes: a selfish Seder, a chaotic Bar Mitzvah, a videotaped bris, an allergy attack at Dachau, a staring contest with the Rebbe. Most of all, The Last of the Ellis Island Jews is a chronicle of lost worlds.

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Katrin Kogman-Appel is a professor of Medieval Jewish history with research focusing on book culture, readers, and reading practices in medieval Europe and beyond. In The Kennicott Bible: A Masterpiece of Jewish Book Art (Bodleian Library, 2023) she discusses the text of the 24 canonized books of the Bible that is paired with David Kimchi's grammatical treatise “Sefer Miklol”. Katrin discussed the Kennecott Bible, a medieval Hebrew manuscript that contains unique illustrations and Masoretic text annotations. She explained that the manuscript draws inspiration from various sources including the Severa Bible and playing cards from the Rhineland and Netherlands, with some illustrations depicting animals in unusual positions and a political allegory involving hares, wolves, cats, and mice. Katrin described the Masoretic text as a lexical apparatus designed for precision in transmitting the canonical Hebrew text, and emphasized that the Bible served as a status symbol and public art piece for Jewish elites despite having no public art in synagogues.

A collection of reproduced images from the Kennicott Bible, a remarkable artifact from the Middle Ages. The Kennicott Bible is one of the most celebrated Hebrew Bibles that survives today, having delighted readers since its creation in 1476. Originating from La Coruña in northern Spain, it features lavish carpet pages, gold leaf silhouettes, and abundant marginal decorations. This extraordinary manuscript is a treasure trove of history, culture, devotion, art, and cross-cultural collaboration. This book features reproductions of the decorated pages of the stunning manuscript, accompanied by four chapters authored by experts in the fields of Bible study, book history, and medieval Jewish art. The authors discuss the Bible from several perspectives, explaining the Hebrew text of the Bible, the scribe who created the pages, the layout and paleography, and the illuminator who produced the Bible's decoration and its imagery. This volume also includes an analysis of the early medieval commentary on the Old Testament, the Masorah. Richly illustrated throughout, this beautiful book makes a treasure of Jewish art available for a new audience, alongside the latest scholarship on its origins, provenance, and creation.

Analyzing these ancient texts in historical context helps to enrich our understanding of the effects and reactions to historical and cultural events.

Be sure to follow Jewish Tapestry for more on Jewish history and culture.

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From a leading historian, the story of how entrepreneurial Jewish immigrants transformed commercial banking and enabled the economic and social advancement of Jews in America.

What are immigrants to do when business opportunities abound in their new home, but banks refuse essential financial support? How could they make the journey in the first place without helping hands? In this lively history, Rebecca Kobrin chronicles the turn-of-the-twentieth-century Jewish immigrants who stepped up by doing the lending themselves. Arriving from the Russian Empire and settling primarily in New York, they made livelihoods by assisting fellow Jews so they could purchase passage to the United States and, after arriving, obtain credit that other lenders would not dare provide.

Credit to the Nation: Eastern European Jewish Immigrant Bankers and the Shaping of American Finance, 1873–1930 (Harvard UP, 2026) traces the novel practices of bankers who not only enabled the flourishing of American Jewry but also revolutionized the US financial industry. Drawing on previously unexamined archival materials in Russian, Yiddish, German, and English, Kobrin tells a story that is also crucial to the history of New York, as immigrant bankers’ financing of real estate transformed wide swathes of the city. Lenders drove a boom in the prices of tenement buildings, but heavy speculation eventually precipitated the downfall of immigrant banking. Kobrin notes in particular the case of the Bank of United States—a private lender catering primarily to Jewish businessmen—which the Federal Reserve refused to bail out from bankruptcy in 1930.

Immigrants’ grasping for credit, and the rise and fall of immigrant banks, gave way to a contemporary banking industry that, ironically, refuses credit to today’s immigrants. Kobrin reminds us that now, as before, the denial of credit pushes entrepreneurial Americans into unregulated money-lending and the trap of endless debt.

Rebecca Kobrin, author of Jewish Bialystok and Its Diaspora, is Russell and Bettina Knapp Associate Professor of American Jewish History at Columbia University, where she codirects the Institute for Israel and Jewish Studies.

Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.

The book can be purchased on the Harvard University Press website: Credit to the Nation. Use code CRE30 to receive a 30% discount.

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This vivid reconstruction of one man’s life reveals the harsh realities and moral ambiguities of colonial power.

The Jew Who Would Be King: A True Story of Shipwreck, Survival, and Scandal in Victorian Africa (U California Press, 2025) tells the story of Nathaniel Isaacs—a nineteenth-century British Jew who helped establish the Zulu kingdom only to become a ruthless warlord and slaveholder. Isaacs’ thrilling journey begins with his shipwreck on the shores of Zululand and proceeds to ports across West Africa, including Freetown, Sierra Leone. There, tasked by the colonial governor to end the local slave trade, Isaacs brokered deals that reinforced his own power.

Adam Rovner’s meticulous archival research in England, Sierra Leone, South Africa, and St. Helena, coupled with his own travels to the remnants of Isaacs’ island stronghold in Guinea, brings this complex figure to life. Through Isaacs’ story, Rovner exposes the entangled forces of Jewish emancipation and antisemitism, slavery and abolition, the stark dichotomies of civilization and “savagery,” and the creation of whiteness versus Blackness.

Adam Rovner is Associate Professor of English and Jewish Literature at the University of Denver. He is the author of In the Shadow of Zion: Promised Lands Before Israel (New York University Press, 2014).

Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.

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A Room of His Own: Joseph Brodsky and the Making of a Bilingual Poet (Academic Studies Press, 2025) makes the original and persuasive claim that Brodsky’s force as a transnational poet derives paradoxically from an inward-looking stance that privileges “the trope of the room” and a practice of self-translation that is faithful to his own internal poetics rather than the poetic norms of the target tradition. The resulting bilingual poetics is one that, though not universally accepted by English readers, ultimately had a profound effect on the Anglo-American literary tradition and anticipated certain foreignizing tendencies that have become central to translation studies and theories of transnationalism. No less powerful than the book’s thesis is the elegant analyses, which encompass Brodsky’s Russian poetry, his translations from Russian to English, and his English-language essays.

Daria Smirnova holds a Ph.D. in Comparative Literature from the University of Oregon and a degree in Linguistics from Russia. Inspired by years of traveling between languages and cultures, her research explores literary translation, bilingualism, and transmediation. Daria's current archival research examines the role of translation in shaping literary canons.

Amber Nickell is Assistant Professor of History at Louisiana State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe.

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In The Wanderers: A Story of Exile, Survival, and Unexpected Love in the Shadow of World War II (Grand Central Publishing, 2026), an immigration journalist and her wife trace their family’s intertwined past to unearth a history of how hundreds of thousands of Polish Jews survived Hitler’s Holocaust at the brutal hands of Stalin—a story that sheds light on the enduring power of hope and love.
Daniela Gerson and her wife, Talia Inlender, met at a picnic in Los Angeles, not knowing that 75 years earlier, their grandparents had left homes only blocks away from each other in a small Polish town, and fled east to Ukraine. The Gersons and the Inlenders would go on parallel odysseys of 5,000 miles to survive the Holocaust—journeys that would, after a deceitful loyalty test from Stalin, put them on cattle cars to a Soviet Gulag, trap them for years in limbo in Central Asia, and would end, after a decade on the run, with new lives built on secrets and lies.
For years, Daniela and Talia simply accepted this painful shared history as a sign that they were b’shert, meant to be. Their families’ refugee past fueled their work: Daniela as an immigration journalist; Talia an immigration attorney. But as Daniela uncovered more, she realized that their grandparents shared this escape path in the Soviet Union with most Polish Jews who survived; a group—sometimes collectively called “the Wanderers”—that is almost entirely absent from popular understanding of World War II. And unlike most Holocaust sagas that focus on the exceptionality of the Nazi genocide, theirs was also a universal story of refugees making impossible decisions when forced to seek safety, protect their children, and find new homes.

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