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Digger has been one of the most divisive films of the year, so Robbie waited until he'd seen it twice, once on a CineXL screen and once in IMAX, before weighing in. The first half is spoiler-free: why Alejandro G. Iñárritu and Tom Cruise make one of the most ambitious pairings ever put on screen, why Riz Ahmed anchors both the drama and the comedy, and why the "all noise, nothing to say" complaint misses the point.

Then Robbie counts down into spoiler territory, so if you haven't seen it yet, that's your cue to hit pause. The verdict is ambitious, audacious, chaotic and frustrating by design. It's Cruise's best work since Magnolia, and the window to see it in theaters is closing fast.

Plus: a first look at Award Ceremony Tracker, Robbie's new app for ranking your Letterboxd films by awards category. awardsceremonytracker.com

Rating: ⭐⭐⭐⭐½
Letterboxd Review: boxd.it/gH4c4d
#geekonfilm

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Robbie's back with his full take on Zach Cregger's Resident Evil after catching it at a packed early screening in Phoenix — and letting it sit for a week. Spoiler: it stuck with him. He digs into why Austin Abrams' Bryan is the perfect lovable-loser vessel for a video game movie, the practical-effects-meets-CG trick behind the monster designs, and why sitting in a room full of primed, ready-to-go fans turned a very good movie into an electric one.

Also covered: the Paul Walter Hauser cameo that got the biggest laugh in the theater, a Blank Check-worthy mumbling-and-muttering performance, and why this one made $60 million opening weekend but still isn't a unanimous win with the hardcore game crowd.

Rating: ⭐⭐⭐⭐½
Letterboxd Review: boxd.it/glKRLt
#geekonfilm

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Destin Daniel Cretton's Spider-Man: Brand New Day picks up years after the spell that made everyone forget Peter Parker — and Tom Holland spends most of it alone, until he meets someone even more powerful than him who's just discovering what she can do. Robbie digs into that mentee-to-mentor flip, Jon Bernthal's gruffer, more R-coded take on the Punisher, Sadie Sink's escalating Jean Grey, and why Mark Ruffalo's Savage Hulk feels like a lot of convenient continuity.

Amy saw this one also and her take was: ⭐⭐⭐½, a good continuation of the story. Robbie lands in the same place — three and a half stars with a heart. A genuinely fun popcorn movie that's probably going to out-earn everything else this year, even if it stops short of great.

Rating: ⭐⭐⭐½
Letterboxd Review: https://boxd.it/fFSK6r
Full show notes & video: https://geekonfilm.com/podcasts/spider-man-brand-new-day

Catch Robbie's Instant Reaction on TikTok: https://www.tiktok.com/@geekonfilm/video/7671036449524878606
And on YouTube Shorts: https://www.youtube.com/shorts/MHJoYVd83fI

Follow Geek on Film wherever you listen, and find Robbie at @robbiethegeek across TikTok, Instagram, X, and Bluesky.

#SpiderMan #BrandNewDay #GeekOnFilm

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The first commercial film ever shot entirely on IMAX, and it earns every frame of that scale. Matt Damon carries this movie on his back, leading a stacked ensemble through Nolan's near-perfect vision of Homer's epic — Robert Pattinson quietly gives the best performance in the film as the suitor Antinous, John Leguizamo is devastating as the loyal, half-blind Eumaeus, and Elliot Page's Sinon, Himesh Patel's Eurylochus, Samantha Morton's Circe, and Charlize Theron's Calypso all land. Nolan tells the Sack of Troy three separate times across the film, each retelling peeling back more of the cost of how they actually won.

Robbie caught the 7:45am 70mm screening at Harkins Arizona Mills with his wife Amy. One of the most well-paced and intense films he's seen, period.

Rating: ⭐⭐⭐⭐½
Letterboxd: https://boxd.it/fk9SKF
More at geekonfilm.com

#TheOdyssey #ChristopherNolan #MattDamon #IMAX #geekonfilm

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Brooklyn-born film obsessive Robbie Holmes delivers his 1er™
review of Disclosure Day — Steven Spielberg's sci-fi
thriller written by David Koepp, starring Emily Blunt, Colman
Domingo, Josh O'Connor, and Colin Firth.

Spielberg has done it again. This is the best film Robbie has
seen this year — a wide-eyed, optimistic, and deeply emotional
first contact story that only Spielberg could make at this point
in his career. Emily Blunt is the heart of it. Colman Domingo,
Josh O'Connor, and Colin Firth all bring something real and
necessary to the screen.

Four and a half stars and a heart.

📝 Letterboxd Review: boxd.it/eKWoyj
▶️ Watch on YouTube: youtu.be/kehjFGSEbfI
🌐 Full episode page: geekonfilm.com/podcasts/disclosure-day

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Brooklyn-born film obsessive Robbie Holmes delivers his 1er™ on Obsession — Curry Barker's micro-budget phenomenon that cost $750,000 to make and has already crossed $200 million worldwide.

Rating: ⭐️⭐️⭐️⭐️

Letterboxd Review: https://boxd.it/eB1c97

🎙️ Full episode: https://geekonfilm.com/podcasts/obsession

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Robbie reviews Kane Parsons' Backrooms

Rating: ⭐️⭐️⭐️⭐️

Letterboxd Review: ⁠https://boxd.it/ezTjGH

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Robbie reviews Star Wars: The Mandalorian & Grogu

Rating: ⭐️1/2

Letterboxd Review: https://boxd.it/ewMoQL

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