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サマリー
あらすじ・解説
London sees the arrival of Italian Futurism with its glorification of machinery, war, and above all, the motor car. The Futurists, in turn, engender Vorticism, possibly Britain’s only homegrown avant-garde movement. The Vorticists believe that artists should be supreme representations of the individual, that they should make challenging art which rattles the cage of bourgeois society, that art could be an agent for change. Chief among their number is Wyndham Lewis, the self-styled bad boy of British art.