This Subgenre Spotlight examines Hicksploitation, a unique branch of horror and exploitation cinema rooted in the tension between urban modernity and rural isolation. Defined by grotesque families, backwoods violence, and class-based anxiety, the subgenre transforms the countryside into a site of both moral transgression and cultural reflection. Across its evolution from early moral scandals to grindhouse terror, camp satire, and contemporary homages Hicksploitation has remained a mirror for fears about class, geography, and civilization’s thin veneer. It dramatizes the collision between outsiders and the “other” America, turning stereotypes of poverty, ignorance, and inbreeding into both spectacle and critique. Through its mixture of violence, dark humor, and social commentary, Hicksploitation continues to explore how isolation erodes civility and how horror thrives in the margins of society.
FILMS DISCUSSED IN THIS EPISODE:
Child Bride (1938), Two Thousand Maniacs! (1964), Mudhoney (1965), Spider Baby or the Maddest Story Ever Told (1967), Daddy’s Deadly Darling (1972), Deliverance (1972), Deranged (1974), The Texas Chain Saw Massacre (1974), Eaten Alive (1976), The Hills Have Eyes (1977), Rabid (1977), Motel Hell (1980), Redneck Zombies (1987), Ozone! Attack of the Redneck Mutants (1986), Mad Jake (1990), Nothing But Trouble (1991), Cabin Fever (2002), High Tension (2003), House of 1000 Corpses (2003), Wrong Turn (2003), The Devil’s Rejects (2005), Hatchet (2006), Tucker and Dale vs. Evil (2010)
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Music:
Twisting, Half Mystery, Exit The Premises
By Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0
https://creativecommons.org/licenses/by/4.0/