SPECIAL PRESENTATION!!!

Believing that they have left one of their films in a local theater, filmmakers Darrell and Danny Strickland sneak into the theater’s back rooms to search for the tape. When they find a bag of unmarked videos, they begin going through the films looking for their own. While watching several short horror films, they are unaware that someone… or something is stalking the halls of the theatre. This horror comedy anthology is just what you need for your fancy New York apartment party with your fancy New York friends.

Blood Red River Bed on DVD

Blood Red River Bed on VHS

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NOTE: In case we failed to mention the end date for the secret word discount at the store when recording this episode, it is September 7, 2025.

Music:

Exit The Premises, Loping Stings, Upbeat Forever

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

Breaking News Intro

By: Luis Humanoide (Via pixabay)

Welcome to our NOT A HORROR MOVIE series! Today we take a look at Cry-Baby (1990)

John Waters took 1950s teen rebellion, dipped it in hairspray, spiked it with rockabilly hormones, and cranked up it until the needle snapped. Cry-Baby is a candy colored fever dream where drapes and squares clash in a musical warzone, and Johnny Depp weaponizes a single teardrop like it’s the National Guard when Trump's job creation numbers are down. Imagine Grease if it chain-smoked Lucky Strikes, fucked it's own cousin, got arrested for having a barbecue, and then burst into song while drag racing through suburbia. This isn’t just camp, it’s camp on nitrous. It's a cartoon vision of American repression cracking under the weight of its own hair grease. Logic? Optional. Music? Mandatory. Nothing makes sense, and everything matters.

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NOTE: In case we failed to mention the end date for the secret word discount at the store when recording this episode, it is August 31, 2025.

Music:

Exit The Premises, Loping Stings, Malt Shop Bop

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

Breaking News Intro

By: Luis Humanoide (Via pixabay)

By the 2000s, the atomic monster had become less a spectacle of nuclear dread and more a haunting echo, reshaped by new anxieties of the millennium. With Cold War tensions receding, filmmakers turned instead to ecological collapse, terrorism, and unchecked technologies—threats that unfolded gradually rather than in the flash of a bomb. In films like The Host, Cloverfield, and Eight Legged Freaks, monstrosity emerged from pollution, corporate negligence, and opaque government power, reframing the kaiju and mutation narratives for a world suspicious of its own institutions. No longer a warning about nuclear annihilation, the atomic monster in this era symbolized the slower, more insidious apocalypses of the 21st century.

FILMS DISCUSSED IN THIS EPISODE:

Supernova (2000), Eight Legged Freaks (2002), Reign of Fire (2002), Godzilla: Final Wars (2004), The Host (2006), Cloverfield (2008)

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Email us:

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Music:

Waltz Primordial, Galactic Rap, Exit The Premises

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/