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Thirst
- A Novel
- ナレーター： Maria Liatis
- 再生時間： 8 時間 1 分
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Thirst
批評家のレビュー
“Mesmerizingly translated by Cleary, Yuszczuk's prose is meticulous, vibrant, propulsive, and masterfully paced…Thirst is an intense, haunting, and captivating novel that draws readers in from beginning to end.” —Booklist, *starred*
“What truly shines are the author’s knowledge of vampire lore and her dedication to creating a monster who could easily join the ranks of Dracula and Nosferatu. A blood-soaked tale of sex, love, and ennui that would make Anne Rice proud.” —Kirkus
“This isn’t your typical meet-cute. When two women—one grieving, the other a vampire, both of them alienated and yearning for more—cross paths in a Buenos Aires cemetery, romance blooms. Channeling Carmen Maria Machado and Anne Rice, Yuszczuk reimagines the vampire novel, with a distinctly Latin American feminist Gothic twist.” —The Millions, “Most Anticipated: The Great Winter 2024 Preview”
あらすじ・解説
Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic.
It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet.
In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back.
With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.