On the outside, Dina Demille is the epitome of normal. She runs a quaint Victorian Bed and Breakfast in a small Texas town, owns a Shih Tzu named Beast, and is a perfect neighbor, whose biggest problem should be what to serve her guests for breakfast. But Dina is...different: Her broom is a deadly weapon; her Inn is magic and thinks for itself. Meant to be a lodging for otherworldly visitors, the only permanent guest is a retired Galactic aristocrat who can’t leave the grounds because she’s responsible for the deaths of millions and someone might shoot her on sight.

Police Chief Delaney Reed can handle the Valkyries, werewolves, gill-men and other paranormal creatures who call the small beach town of Ordinary, Oregon their home. It’s the vacationing gods who keep her up at night. With the famous rhubarb festival right around the corner, small-town tensions, tempers, and godly tantrums are at an all-time high. The last thing Delaney needs is her ex-boyfriend reappearing just when she's finally caught the attention of Ryder Bailey, the one man she should never love.

There are whispers about what lurks in Witch Knell—the forest where sinners go to die. The villagers call it The Eating Woods because what's taken is never given back. Only those who've lost their senses would dare to go near it. Or the banished. Maevyth Bronwick knows better than to breach the misty labyrinth of trees, but a tragic turn of events compels her beyond the archway of bones to a boundary no mortal has crossed before. One that cloaks a dark and fantastical world that's as dangerous as it is alluring. It's there that he dwells, the cursed lord of Eidolon.

Remember that old line about how the only way out of the organization is in a pine box? Well, Rue Hollis spent 10 years thinking she had escaped the Black Hat Bureau, no coffin required. Then her former partner had to go and shatter the illusion by showing up on her doorstep with grim tidings.

With the famous rhubarb festival right around the corner, small-town tensions, tempers, and godly tantrums are at an all-time high. The last thing Delaney needs is her ex-boyfriend reappearing just when she's finally caught the attention of Ryder Bailey, the one man she should never love. No, scratch that. The actual last thing she needs is a dead body washing ashore, especially since the dead body is a god.