"Happily Ever After" wasn't supposed to come with a do-over option. But when my husband of twenty years packs up and heads for greener pastures and my son leaves for college, that's exactly what my life becomes. Do-over. This time, though, I plan to do things differently. Age is just a number, after all, and at forty I'm ready to carve my own path. Eager for a fresh start, I make a somewhat unorthodox decision and move to a tiny town in the Sierra foothills. I'll be taking care of a centuries old house that called to me when I was a kid.

Nevada Baylor runs a small-time detective agency in Houston, Texas, busting scammers, exposing cheaters, and dealing with petty criminals. She's very good at her job–helped by a magical ability to sense when someone tells the truth or lies. But when she's forced into accepting a case to find a radical pyrotechnic who can conjure heat and fire at will, Nevada knows she's out of her league. To bring him to justice, she'll have to join forces with someone who wields an even more dangerous power.

We are at war. The interdimensional invasion brought us unimaginable suffering, but it also awoke talents slumbering deep within us, a means to repel and destroy our enemy. Every day new gates open, leading to breaches filled with monsters and valuable resources. If you are a Talent, your country needs you. The world needs you. Be the hero you were born to be.

Middlebridge Mysteries follows Violet Wilner (Anna Cathcart) kicking off her first year at Middlebridge University, living her dream of attending her mom’s alma mater. Inspired by watching her dad, a cop, solve crimes in her hometown, she studies criminology under a renowned but demanding Professor Bellows (Eric McCormack). She has her hands full, juggling her coursework, her social life and her insecurities as she embarks on this next chapter.

When Pestilence comes for Sara Burn’s town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can’t be killed. Now the horseman, very much alive and very pissed off, has taken her prisoner, and he’s eager to make her suffer. Only, the longer she’s with him, the more uncertain she is about his true feelings towards her, and hers towards him.