Mary Frances Talbot—Frankie—is a necromancer, probably. Hard to say since she never met her parents. She can see the dead, talk to the dead, and a few other things that aren't strictly legal. It's fine. No worries. As long as she doesn't get caught. The whole not getting caught thing was going well until Samuel Harrow blew back into town wearing a Savannah Police Department uniform. He might be a witch, but he hates magic. He's not a fan of Frankie either. Which explains why he's her ex.

Twenty-four-year-old Saeris Fane is good at keeping secrets. No one knows about the strange powers she possesses or the fact that she has been picking pockets and stealing from the Undying Queen's reservoirs for as long as she can remember. But a secret is like a knot. Sooner or later, it is bound to come undone. When Saeris comes face-to-face with Death himself, she inadvertently reopens a gateway between realms and is transported to a land of ice and snow. The Fae have always been the stuff of myth, of legend, of nightmares… but it turns out they're real.

Nevada Baylor runs a small-time detective agency in Houston, Texas, busting scammers, exposing cheaters, and dealing with petty criminals. She's very good at her job–helped by a magical ability to sense when someone tells the truth or lies. But when she's forced into accepting a case to find a radical pyrotechnic who can conjure heat and fire at will, Nevada knows she's out of her league. To bring him to justice, she'll have to join forces with someone who wields an even more dangerous power.

With the famous rhubarb festival right around the corner, small-town tensions, tempers, and godly tantrums are at an all-time high. The last thing Delaney needs is her ex-boyfriend reappearing just when she's finally caught the attention of Ryder Bailey, the one man she should never love. No, scratch that. The actual last thing she needs is a dead body washing ashore, especially since the dead body is a god.

There are whispers about what lurks in Witch Knell—the forest where sinners go to die. The villagers call it The Eating Woods because what's taken is never given back. Only those who've lost their senses would dare to go near it. Or the banished. Maevyth Bronwick knows better than to breach the misty labyrinth of trees, but a tragic turn of events compels her beyond the archway of bones to a boundary no mortal has crossed before. One that cloaks a dark and fantastical world that's as dangerous as it is alluring. It's there that he dwells, the cursed lord of Eidolon.