新着

In this volume, Joseph W. South dismantles cultural myths that have weakened modern man. From breaking free of the Friend Zone to exposing the manipulative programming of pop culture, this book will arm you with clarity, insight, and strategy to reclaim your confidence and lead relationships with strength.

By day, Gary Heidnik was a man of God with money, charisma, and a growing congregation. But behind closed doors, he was building a torture chamber by hand and filling it with women.

Through insightful narrative and meticulous research, listeners will unravel the intricacies of Ruth's early life, her pivotal role in the invention and evolution of Barbie, and the profound impact her creation had on generations of children worldwide.

Un retrato perspicaz y atrevido de la masculinidad contemporánea. Cualquier feminista que haya dialogado ante el público sobre las frustraciones y los lastres innatos a la aventura de ser mujer habrá tenido que enfrentarse alguna vez a la pregunta: «¿Y los hombres qué?». Y si la feminista en cuestión lleva años intentando convencer a ese público de que las preocupaciones de ambos sexos son cosas muy distintas, su respuesta automática, muy probablemente, habrá sido algo como: «¿Por qué me sacan este tema? ¡Yo soy feminista! ¡Mi especialidad son las mujeres! No me ocupo de… los otros».

Ein individueller Stillweg, der gesellschaftspolitische Ebenen wie gleichberechtigte Elternschaft und körperliche Selbstbestimmung einschließt, muss möglich sein. Dafür braucht es Wissen, Sichtbarkeit und das Erkennen, dass Stillen nicht nur Gebärende etwas angeht.

The spring of 1903 proved disastrous for the Murphy family. On April 22, the infant Ruth Murphy died in her crib. Within an hour, her mother, Gertrude, experienced a violent spasm before she, too, died. Ten days later, John Murphy followed his wife and child to the grave after suffering from a crippling convulsion. While neighbors whispered about a curse and physicians feared a contagious disease, Kalkaska County sheriff John W. Creighton and prosecuting attorney Ernest C. Smith searched for answers. As they probed deeper into the suspicious deaths, they uncovered a wicked web of intrigue.

In 2008, academic and scholar Susan Gubar was told by a trusted oncologist that she had only a few years left to live. Though she outlived that dire prognosis, this brush with mortality refocused her attention on the boons of a longevity she did not expect to experience. She began to think: In the last years of our lives, can we shape and change our creative capabilities? The resulting volume, Grand Finales, answers this question with a resounding yes.

Women artists face particular pressure to give up their artistic goals in favor of motherhood, supporting a partner, or finding economic stability. Throughout her 20s and 30s, Stephanie Elizondo Griest could not help worrying if constantly prioritizing her writing over everything else—from postponing children to living nomadically to save on rent—was leading her to fulfillment or regret. The year she turned 40, she turned to other women artists around the globe for answers.