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Pleasant Dreams (1960), published just a year after his more famous Psycho, finds Robert Bloch leaving behind his earlier Lovecraftian influences to find his own style and voice in this collection of masterful tales, in which the horror is often laced with an undercurrent of pitch-black humor.

Jonathan e Barbara Rose hanno all'apparenza un matrimonio perfetto: una villa di lusso piena di oggetti di antiquariato, due carriere invidiabili, figli deliziosi e una Ferrari fiammante in garage. Una vita da sogno, insomma, finché Jonathan non viene colpito da un improvviso malore e la facciata sfavillante del loro rapporto comincia a sgretolarsi. Dopo diciotto anni insieme, Barbara capisce di non amare più suo marito e decide di chiedere il divorzio. Jonathan non si oppone, ma nessuno dei due è disposto a lasciare la casa, simbolo del loro successo e, adesso, della loro rovina.

It’s 1971, the Cold War is still chilly, and ex-Detective Sergeant Cameron Kyle returns from an aborted trip abroad to discover that his solo rescue of a coach load of tourists from a terrorist attack has been closely monitored by MI6. Not only are the spooks fully aware of his Giza heroics, his dire medical condition, his Welsh misadventures and his involvement in disposing of a high-profile Italian extortionist, but they also break the news that his partner-in-crime, the rather attractive ex-copper Jude Bates, has been released from prison following her successful appeal and retrial.

When Hakim, an Iranian lands in Straya, he hitches a ride with Bluey and they set out on a trip to the big smoke. It's a steep learning curve.

An old snapshot shows a group of friends lounging in the sunshine, on a weekend in the country at the invitation of bearded, satyric Claude and his wife Julia. The girl in the centre is dreamy Lily, whose latest failed love affair forms the purpose of the weekend, as Lily's friends set out to help her ensnare an unwitting father for her unborn child. Next to her is Norman, a Marxist romantic hell-bent on seducing his milk-white hostess; behind them is old, persecuted Shebah; and, slightly apart, the young man on whom all hopes are pinned: quiet, pleasant Edward.

Brought to you by Penguin. Eight self-drive cars set on a collision course. Who lives, who dies? You decide. When someone hacks into the systems of eight self-driving cars, their passengers are set on a fatal collision course. The passengers are: a TV star, a pregnant young woman, a disabled war...

Harry Borchard wird nach achtunddreißig Jahren Haft direkt in ein Altersheim abgeschoben. Er glaubt, dass der liebe Gott ihn hassen muss, als er seinen neuen Zimmernachbarn Rolf kennen lernt, der vor seinen Augen versucht, sich das Leben zu nehmen, aber anscheinend zu dämlich dafür ist. Als er dachte, es könnte nicht noch schlimmer kommen, stößt er auf Lothar, oder besser gesagt Lothar auf ihn. Dieser äußert einen Verdacht, dass ein Todesengel in den Gemäuern sein Unwesen treibt. Gemeinsam, mit Hilfe von Paul Joseph Braun versuchen sie dem Mörder auf die Spur zu kommen.

Horror author Nick Steen is having visions... A sinister Black Steeple; eerie lights in the sky that look like a Catherine wheel but are not remotely a Catherine wheel... Plus a giant skeleton with a moustache. Are they omens? Auguries? Portenderings of things to come? (Spoiler - yes, they are.) For Nick Steen's imagination is bursting out of his brain and threatening to burst in turn the entirety of Stalkford. Can Nick stop the aforesaid bursting? Or have things already slightly burst regardless?

Paige didn’t set out to be a stay-at-home mom, but when her husband’s screenwriting career took off right before they had a son with Down syndrome, the decision was made for her. Now, with their children nearly grown and unsure what's next, Paige writes a memoir about the challenges of raising a child with a disability. When a major actress-turned-producer shows up at her door eager to make her “inspiring” story into a movie, she’s shocked, excited, and a little terrified.

It used to be an annual thing—the raucous New Year’s party full of games and hors d'oeuvres. But for Olivia and her friends, the chaos of their thirties has really challenged the definition of annual. It’s been a few years since the close friends were last…close. But this year is gonna be different. The burnout, parenting stress, credit card debt, job drama, marriage troubles, addiction—they’re going to set it all aside for the night. No, really. They swear.